This weekend I announced and then hosted Homa Night II, an effort to use technology to help bridge the chasms that’ve formed between my diaspora of friends as a result mostly of COVID. To a lesser extent we’ve been made to feel distant from one another for a while as a result of our very diverse locations and lifestyles, but the resulting isolation was certainly compounded by lockdowns and quarantines.
Back in the day we used to have a regular weekly film night called Troma Night, named after the studio who dominated our early events and whose… genre… influenced many of our choices thereafter. We had over 300 such film nights, by my count, before I eventually left our shared hometown of Aberystwyth ten years ago. I wasn’t the last one of the Troma Night regulars to leave town, but more left before me than after.
Earlier this year I hosted Sour Grapes, a murder mystery party (an irregular highlight of our Aberystwyth social calendar, with thanks to Ruth) run entirely online using a mixture of video chat and “second screen” technologies. In some ways that could be seen as the predecessor to Homa Night, although I’d come up with most of the underlying technology to make Homa Night possible on a whim much earlier in the year!
How best to make such a thing happen? When I first started thinking about it, during the first of the UK’s lockdowns, I considered a few options:
- Streaming video over a telemeeting service (Zoom, Google Meet, etc.)
Very simple to set up, but the quality – as anybody who’s tried this before will attest – is appalling. Being optimised for speech rather than music and sound effects gives the audio a flat, scratchy sound, video compression artefacts that are tolerable when you’re chatting to your boss are really annoying when they stop you reading a crucial subtitle, audio and video often get desynchronised in a way that’s frankly infuriating, and everybody’s download speed is limited by the upload speed of the host, among other issues. The major benefit of these platforms – full-duplex audio – is destroyed by feedback so everybody needs to stay muted while watching anyway. No thanks!
- Teleparty or a similar tool
Teleparty (formerly Netflix Party, but it now supports more services) is a pretty clever way to get almost exactly what I want: synchronised video streaming plus chat alongside. But it only works on Chrome (and some related browsers) and doesn’t work on tablets, web-enabled TVs, etc., which would exclude some of my friends. Everybody requires an account on the service you’re streaming from, potentially further limiting usability, and that also means you’re strictly limited to the media available on those platforms (and further limited again if your party spans multiple geographic distribution regions for that service). There’s definitely things I can learn from Teleparty, but it’s not the right tool for Homa Night.
- “Press play… now!”
The relatively low-tech solution might have been to distribute video files in advance, have people download them, and get everybody to press “play” at the same time! That’s at least slightly less-convenient because people can’t just “turn up”, they have to plan their attendance and set up in advance, but it would certainly have worked and I seriously considered it. There are other downsides, though: if anybody has a technical issue and needs to e.g. restart their player then they’re basically doomed in any attempt to get back in-sync again. We can do better…
- A custom-made synchronised streaming service…?
So obviously I ended up implementing my own streaming service. It wasn’t even that hard. In case you want to try your own, here’s how I did it:
First, I used Adobe Premiere to create a video file containing both of the night’s films, bookended and separated by “filler” content to provide an introduction/lobby, an intermission, and a closing “you should have stopped watching by now” message. I made sure that the “intro” was a nice round duration (90s) and suitable for looping because I planned to hold people there until we were all ready to start the film. Thanks to Boris & Oliver for the background music!
Next, I ran the output through Handbrake to produce “web optimized” versions in 1080p and 720p output sizes. “Web optimized” in this case means that metadata gets added to the start of the file to allow it to start playing without downloading the entire file (streaming) and to allow the calculation of what-part-of-the-file corresponds to what-part-of-the-timeline: the latter, when coupled with a suitable webserver, allows browsers to “skip” to any point in the video without having to watch the intervening part. Naturally I’m encoding with H.264 for the widest possible compatibility.
To keep everybody’s viewing experience in-sync, I set up a Firebase account for the application: Firebase provides an easy-to-use Websockets platform with built-in data synchronisation. Ignoring the authentication and chat features, there wasn’t much shared here: just the
currentTime of the video in seconds, whether or not
introMode was engaged (i.e. everybody should loop the first 90 seconds, for now), and whether or not the video was
currentTime to the server every few seconds. Anything else I needed to edit I just edited directly from the Firebase interface.
Finally, there needed to be a web page everybody could go to to get access to this. As I was hosting the video on S3+CloudFront anyway, I put the HTML/CSS/JS there too.
I tested in Firefox, Edge, Chrome, and Safari on desktop, and (slightly less) on Firefox, Chrome and Safari on mobile. There were a few quirks to work around, mostly to do with browsers not letting videos make sound until the page has been interacted with after the video element has been rendered, which I carefully worked-around by putting a popup “over” the video to “enable sync”, but mostly it “just worked”.
On the night I shared the web address and we kicked off! There were a few hiccups as some people’s browsers got disconnected early on and tried to start playing the film before it was time, and one of these even when fixed ran about a minute behind the others, leading to minor spoilers leaking via the rest of us riffing about them! But on the whole, it worked. I’ve had lots of useful feedback to improve on it for the next version, and I might even try to tidy up my code a bit and open-source the results if this kind of thing might be useful to anybody else.
I’ve been working as part of the team working on the new application framework called the Endpoint Encabulator and wanted to share with you what I think makes our project so exciting: I promise it’ll make for two minutes of your time you won’t seen forget!
Naturally, this project wouldn’t have been possible without the pioneering work that preceded it by John Hellins Quick, Bud Haggart, and others. Nothing’s invented in a vacuum. However, my fellow developers and I think that our work is the first viable encabulator implementation to provide inverse reactive data binding suitable for deployment in front of a blockchain-driven backend cache. I’m not saying that all digital content will one day be delivered through Endpoint Encabulator, but… well; maybe it will.
If the technical aspects go over your head, pass it on to a geeky friend who might be able to make use of my work. Sharing is caring!
Over the last six years I’ve been on a handful of geohashing expeditions, setting out to functionally-random GPS coordinates to see if I can get there, and documenting what I find when I do. The comic that inspired the sport was already six years old by the time I embarked on my first outing, and I’m far from the most-active member of the ‘hasher community, but I’ve a certain closeness to them as a result of my work to resurrect and host the “official” website. Either way: I love the sport.
But even when I’ve not been ‘hashing, it occurs to me that I’ve been tracking my location a lot. Three mechanisms in particular dominate:
- Google’s somewhat-invasive monitoring of my phones’ locations (which can be exported via Google Takeout)
- My personal GPSr logs (I carry the device moderately often, and it provides excellent precision)
- The personal μlogger server I’ve been running for the last few years (it’s like Google’s system, but – y’know – self-hosted, tweakable, and less-creepy)
If I could mine all of that data, I might be able to answer the question… have I ever have accidentally visited a geohashpoint?
Let’s find out.
Data mining my own movements
To begin with, I needed to get all of my data into μLogger. The Android app syncs to it automatically and uploading from my GPSr was simple. The data from Google Takeout was a little harder.
I found a setting in Google Takeout to export past location data in KML, rather than JSON, format. KML is understood by GPSBabel which can convert it into GPX. I can “cut up” the resulting GPX file using a little grep-fu (relevant xkcd?) to get month-long files and import them into μLogger. Easy!
Well.. μLogger’s web interface sometimes times-out if you upload enormous files like a whole month of Google Takeout logs. So instead I wrote a Nokogiri script to convert the GPX into SQL to inject directly into μLogger’s database.
Next, I got a set of hashpoint offsets. I only had personal positional data going back to around 2010, so I didn’t need to accommodate for the pre-2008 absence of the 30W time zone rule. I’ve had only one trip to the Southern hemisphere in that period, and I checked that manually. A little rounding and grouping in SQL gave me each graticule I’d been in on every date. Unsurprisingly, I spend most of my time in the 51 -1 graticule. Adding (or subtracting, for the Western hemisphere) the offset provided the coordinates for each graticule that I visited for the date that I was in that graticule. Nice.
The correct way to find the proximity of my positions to each geohashpoint is, of course, to use WGS84. That’s an easy thing to do if you’re using a database that supports it. My database… doesn’t. So I just used Pythagoras’ theorem to find positions I’d visited that were within 0.15° of a that day’s hashpoint.
Using Pythagoras for geopositional geometry is, of course, wrong. Why? Because the physical length of a “degree” varies dependent on latitude, and – more importantly – a degree of latitude is not the same distance as a degree of longitude. The ratio varies by latitude: only an idealised equatorial graticule would be square!
But for this case, I don’t care: the data’s going to be fuzzy and require some interpretation anyway. Not least because Google’s positioning has the tendency to, for example, spot a passing train’s WiFi and assume I’ve briefly teleported to Euston Station, which is apparently where Google thinks that hotspot “lives”.
I assumed that my algorithm would detect all of my actual geohash finds, and yes: all of these appeared as-expected in my results. This was a good confirmation that my approach worked.
And, crucially: about a dozen additional candidate points showed up in my search. Most of these – listed at the end of this post – were 50m+ away from the hashpoint and involved me driving or cycling past on a nearby road… but one hashpoint stuck out.
Hashing by accident
In August 2015 we took a trip up to Edinburgh to see a play of Ruth‘s brother Robin‘s. I don’t remember much about the play because I was on keeping-the-toddler-entertained duty and so had to excuse myself pretty early on. After the play we drove South, dropping Tom off at Lanark station.
We exited Lanark via the Hyndford Bridge… which is – according to the map – tantalisingly-close to the 2015-08-22 55 -3 hashpoint: only about 23 metres away!
That doesn’t feel quite close enough to justify retroactively claiming the geohash, tempting though it would be to use it as a vehicle to my easy geohash ribbon. Google doesn’t provide error bars for their exported location data so I can’t draw a circle of uncertainty, but it seems unlikely that I passed through this very close hashpoint.
Pity. But a fun exercise. This was the nearest of my near misses, but plenty more turned up in my search, too:
- 2013-09-28 54 -2 (9,000m)
Near a campsite on the River Eden. I drove past on the M6 with Ruth on the way to Loch Lomond for a mini-break to celebrate our sixth anniversary. I was never more than 9,000 metres from the hashpoint, but Google clearly had a moment when it couldn’t get good satellite signal and tries to trilaterate my position from cell masts and coincidentally guessed, for a few seconds, that I was much closer. There are a few such erroneous points in my data but they’re pretty obvious and easy to spot, so my manual filtering process caught them.
- 2019-09-13 52 -0 (719m)
A600, near Cardington Airstrip, south of Bedford. I drove past on the A421 on my way to Three Rings‘ “GDPR Camp”, which was more fun than it sounds, I promise.
- 2014-03-29 53 -1 (630m)
Spen Farm, near Bramham Interchange on the A1(M). I drove past while heading to the Nightline Association Conference to talk about Three Rings. Curiously, I came much closer to the hashpoint the previous week when I drove a neighbouring road on my way to York for my friend Matt’s wedding.
- 2020-05-06 51 -1 (346m)
Inside Kidlington Police Station! Short of getting arrested, I can’t imagine how I’d easily have gotten to this one, but it’s moot anyway because I didn’t try! I’d taken the day off work to help with child-wrangling (as our normal childcare provisions had been scrambled by COVID-19), and at some point during the day we took a walk and came somewhat near to the hashpoint.
- 2016-02-05 51 -1 (340m)
Garden of a house on The Moors, Kidlington. I drove past (twice) on my way to and from the kids’ old nursery. Bonus fact: the house directly opposite the one whose garden contained the hashpoint is a house that I looked at buying (and visited), once, but didn’t think it was worth the asking price.
- 2017-08-30 51 -1 (318m)
St. Frieswide Farm, between Oxford and Kidlington. I cycled past on Banbury Road twice – once on my way to and once on my way from work.
- 2015-01-25 51 -1 (314m)
Templar Road, Cutteslowe, Oxford. I’ve cycled and driven along this road many times, but on the day in question the closest I came was cycling past on nearby Banbury Road while on the way to work.
- 2018-01-28 51 -1 (198m)
Stratfield Brake, Kidlington. I took our youngest by bike trailer this morning to his Monkey Music class: normally at this point in history Ruth would have been the one to take him, but she had a work-related event that she couldn’t miss in the morning. I cycled right by the entrance to this nature reserve: it could have been an ideal location for a geohash!
- 2014-01-24 51 -1 (114m)
On the Marston Cyclepath. I used to cycle along this route on the way to and from work most days back when I lived in Marston, but by 2014 I lived in Kidlington and so I’d only cycle past the end of it. So it was that I cycled past the Linacre College of the path, around 114m away from the hashpoint, on this day.
- 2015-06-10 51 -1 (112m)
Meadow near Peartree Interchange, Oxford. I stopped at the filling station on the opposite side of the roundabout, presumably to refuel a car.
- 2020-02-27 51 -1 (70m)
This was a genuine attempt at a hashpoint that I failed to reach and was so sad about that I never bothered to finish writing up. The hashpoint was very close (but just out of sight of, it turns out) a geocache I’d hidden in the vicinity, and I was hopeful that I might be able to score the most-epic/demonstrable déjà vu/hash collision achievement ever, not least because I had pre-existing video evidence that I’d been at the coordinates before! Unfortunately it wasn’t to be: I had inadequate footwear for the heavy rains that had fallen in the days that preceded the expedition and I was in a hurry to get home, get changed, and go catch a train to go and see the Goo Goo Dolls in concert. So I gave up and quit the expedition. This turned out to be the right decision: going to the concert one of the last “normal” activities I got to do before the COVID-19 lockdown made everybody’s lives weird.
- 2014-05-23 51 -1 (61m)
White Way, Kidlington, near the Bicester Road to Green Road footpath. I passed close by while cycling to work, but I’ve since walked through this hashpoint many times: it’s on a route that our eldest sometimes used to take when walking home from her school! With the exception only of the very-near-miss in Lanark, this was my nearest “near miss”.
- 2015-08-22 55 -3 (23m)
So near, yet so far. 🙄
Remember Winamp (especially Winamp 1/2, back when it was awesome)? Remember Winamp skins?
This is not only a gallery of skins, they’re all interactive! Click into one and try it out. It really whips the llama’s ass.
Needed new UPS batteries.
Almost bought from @insight_uk but they require registration to checkout.
Purchased from @SourceUPSLtd instead.
Moral: having no “guest checkout” costs you business.
This last month or so, my digital life has been dramatically improved by Syncthing. So much so that I want to tell you about it.
I started using it last month. Basically, what it does is keeps a pair of directories on remote systems “in sync” with one another. So far, it’s like your favourite cloud storage service, albeit self-hosted and much-more customisable. But it’s got a handful of killer features that make it nothing short of a dream to work with:
- The unique identifier for a computer can be derived from its public key. Encryption comes free as part of the verification of a computer’s identity.
- You can share any number of folders with any number of other computers, point-to-point or via an intermediate proxy, and it “just works”.
- It’s super transparent: you can always see what it’s up to, you can tweak the configuration to match your priorities, and it’s open source so you can look at the engine if you like.
Here are some of the ways I’m using it:
Keeping my phone camera synced to my PC
I’ve tried a lot of different solutions for this over the years. Back in the way-back-when, like everybody else in those dark times, I used to plug my phone in using a cable to copy pictures off and sort them. Since then, I’ve tried cloud solutions from Google, Amazon, and Flickr and never found any that really “worked” for me. Their web interfaces and apps tend to be equally terrible for organising or downloading files, and I’m rarely able to simply drag-and-drop images from them into a blog post like I can from Explorer/Finder/etc.
At first, I set this up as a one-way sync, “pushing” photos and videos from my phone to my desktop PC whenever I was on an unmetered WiFi network. But then I switched it to a two-way sync, enabling me to more-easily tidy up my phone of old photos too, by just dragging them from the folder that’s synced with my phone to my regular picture storage.
Centralising my backups
Now I’ve got a fancy NAS device with tonnes of storage, it makes sense to use it as a central point for backups to run fom. Instead of having many separate backup processes running on different computers, I can just have each of them sync to the NAS, and the NAS can back everything up. Computers don’t need to be “on” at a particular time because the NAS runs all the time, so backups can use the Internet connection when it’s quietest. And in the event of a hardware failure, there’s an up-to-date on-site backup in the first instance: the cloud backup’s only needed in the event of accidental data deletion (which could be sync’ed already, of course!). Plus, integrating the sync with ownCloud running on the NAS gives easy access to my files wherever in the world I am without having to fire up a VPN or otherwise remote-in to my house.
Plus: because Syncthing can share a folder between any number of devices, the same sharing mechanism that puts my phone’s photos onto my main desktop can simultaneously be pushing them to the NAS, providing redundant connections. And it was a doddle to set up.
Maintaining my media centre’s screensaver
Since the NAS, running Jellyfin, took on most of the media management jobs previously shared between desktop computers and the media centre computer, the household media centre’s had less to do. But one thing that it does, and that gets neglected, is showing a screensaver of family photos (when it’s not being used for anything else). Historically, we’ve maintained the photos in that collection via a shared network folder, but then you’ve got credential management and firewall issues to deal with, not to mention different file naming conventions by different people (and their devices).
But simply sharing the screensaver’s photo folder with the computer of anybody who wants to contribute photos means that it’s as easy as copying the picture to a particular place. It works on whatever device they care to (computer, tablet, mobile) on any operating system, and it’s quick and seamless. I’m just using it myself, for now, but I’ll be offering it to the rest of the family soon. It’s a trivial use-case, but once you’ve got it installed it just makes sense.
In short: this month, I’m in love with Syncthing. And maybe you should be, too.
As we’ve mentioned in previous blog posts, the $FAMOUS_COMPANY backend has historically been developed in $UNREMARKABLE_LANGUAGE and architected on top of $PRACTICAL_OPEN_SOURCE_FRAMEWORK. To suit our unique needs, we designed and open-sourced $AN_ENGINEER_TOOK_A_MYTHOLOGY_CLASS, a highly-available, just-in-time compiler for $UNREMARKABLE_LANGUAGE.
Saagar Jha tells the now-familiar story of how a bunch of techbros solved their scaling problems by reinventing the wheel. And then, when that didn’t work out, moved the goalposts of success. It’s a story as old as time; or at least as old as the modern Web.
(Should’a strangled the code. Or better yet, just refactored what they had.)
Normally this kind of thing would go into the ballooning dump of “things I’ve enjoyed on the Internet” that is my reposts archive. But sometimes something is so perfect that you have to try to help it see the widest audience it can, right? And today, that thing is: Mackerelmedia Fish.
What is Mackerelmedia Fish? I’ve had a thorough and pretty complete experience of it, now, and I’m still not sure. It’s one or more (or none) of these, for sure, maybe:
- A point-and-click, text-based, or hypertext adventure?
- An homage to the fun and weird Web of yesteryear?
- A statement about the fragility of proprietary technologies on the Internet?
- An ARG set in a parallel universe in which the 1990s never ended?
- A series of surrealist art pieces connected by a loose narrative?
Rock Paper Shotgun’s article about it opens with “I don’t know where to begin with this—literally, figuratively, existentially?” That sounds about right.
What I can tell you with confident is what playing feels like. And what it feels like is the moment when you’ve gotten bored waiting for page 20 of Argon Zark to finish appear so you decide to reread your already-downloaded copy of the 1997 a.r.k bestof book, and for a moment you think to yourself: “Whoah; this must be what living in the future feels like!”
Because back then you didn’t yet have any concept that “living in the future” will involve scavenging for toilet paper while complaining that you can’t stream your favourite shows in 4K on your pocket-sized supercomputer until the weekend.
Mackerelmedia Fish is a mess of half-baked puns, retro graphics, outdated browsing paradigms and broken links. And that’s just part of what makes it great.
It’s also “a short story that’s about the loss of digital history”, its creator Nathalie Lawhead says. If that was her goal, I think she managed it admirably.
If I wasn’t already in love with the game already I would have been when I got to the bit where you navigate through the directory indexes of a series of deepening folders, choose-your-own-adventure style. Nathalie writes, of it:
One thing that I think is also unique about it is using an open directory as a choose your own adventure. The directories are branching. You explore them, and there’s text at the bottom (an htaccess header) that describes the folder you’re in, treating each directory as a landscape. You interact with the files that are in each of these folders, and uncover the story that way.
Back in the naughties I experimented with making choose-your-own-adventure games in exactly this way. I was experimenting with different media by which this kind of branching-choice game could be presented. I envisaged a project in which I’d showcase the same (or a set of related) stories through different approaches. One was “print” (or at least “printable”): came up with a Twee1-to-PDF converter to make “printable” gamebooks. A second was Web hypertext. A third – and this is the one which was most-similar to what Nathalie has now so expertly made real – was FTP! My thinking was that this would be an adventure game that could be played in a browser or even from the command line on any (then-contemporary: FTP clients aren’t so commonplace nowadays) computer. And then, like so many of my projects, the half-made version got put aside “for later” and forgotten about. My solution involved abusing the FTP protocol terribly, but it worked.
(I also looked into ways to make Gopher-powered hypertext fiction and toyed with the idea of using YouTube annotations to make an interactive story web [subsequently done amazingly by Wheezy Waiter, though the death of YouTube annotations in 2017 killed it]. And I’ve still got a prototype I’d like to get back to, someday, of a text-based adventure played entirely through your web browser’s debug console…! But time is not my friend… Maybe I ought to collaborate with somebody else to keep me on-course.)
In any case: Mackerelmedia Fish is fun, weird, nostalgic, inspiring, and surreal, and you should give it a go. You’ll need to be on a Windows or OS X computer to get everything you can out of it, but there’s nothing to stop you starting out on your mobile, I imagine.
Sso long as you’re capable of at least 800 × 600 at 256 colours and have 4MB of RAM, if you know what I mean.
Sometimes, code is risky to change and expensive to refactor.
In such a situation, a seemingly good idea would be to rewrite it.
Here’s how it goes:
- You discuss with management about the strategy of stopping new features for some time, while you rewrite the existing app.
- You estimate the rewrite will take 6 months to cover what the existing app does.
- A few months in, a nasty bug is discovered and ABSOLUTELY needs to be fixed in the old code. So you patch the old code and the new one too.
- A few months later, a new feature has been sold to the client. It HAS TO BE implemented in the old code—the new version is not ready yet! You need to go back to the old code but also add a TODO to implement this in the new version.
- After 5 months, you realize the project will be late. The old app was doing way more things than expected. You start hustling more.
- After 7 months, you start testing the new version. QA raises up a lot of things that should be fixed.
- After 9 months, the business can’t stand “not developing features” anymore. Leadership is not happy with the situation, you are tired. You start making changes to the old, painful code while trying to keep up with the rewrite.
- Eventually, you end up with the 2 systems in production. The long-term goal is to get rid of the old one, but the new one is not ready yet. Every feature needs to be implemented twice.
Sounds fictional? Or familiar?
Don’t be shamed, it’s a very common mistake.
I’ve rewritten legacy systems from scratch before. Sometimes it’s all worked out, and sometimes it hasn’t, but either way: it’s always been a lot more work than I could have possibly estimated. I’ve learned now to try to avoid doing so: at least, to avoid replacing a single monolithic (living) system in a monolithic way. Nicholas gives an even-better description of the true horror of legacy reimplementation, and promotes progressive strangulation as a candidate solution.
A new email-based extortion scheme apparently is making the rounds, targeting Web site owners serving banner ads through Google’s AdSense program. In this scam, the fraudsters demand bitcoin in exchange for a promise not to flood the publisher’s ads with so much bot and junk traffic that Google’s automated anti-fraud systems suspend the user’s AdSense account for suspicious traffic.
The shape of our digital world grows increasingly strange. As anti-DoS techniques grow better and more and more uptime-critical websites hide behind edge caches, zombie network operators remain one step ahead and find new and imaginative ways to extort money from their victims. In this new attack, the criminal demands payment (in cryptocurrency) under threat that, if it’s not delivered, they’ll unleash an army of bots to act like the victim trying to scam their advertising network, thereby getting the victim’s site demonetised.
This weekend, my sister Sarah challenged me to define the difference between Virtual Reality and Augmented Reality. And the more I talked about the differences between them, the more I realised that I don’t have a concrete definition, and I don’t think that anybody else does either.
After all: from a technical perspective, any fully-immersive AR system – for example a hypothetical future version of the Microsoft Hololens that solves the current edition’s FOV problems – exists in a theoretical superset of any current-generation VR system. That AR augments the reality you can genuinely see, rather than replacing it entirely, becomes irrelevant if that AR system could superimpose a virtual environment covering your entire view. So the argument that compared to VR, AR only covers part of your vision is not a reliable definition of the difference.
This isn’t a new conundrum. Way back in 1994 back when the Sega VR-1 was our idea of cutting edge, Milgram et al. developed a series of metaphorical spectra to describe the relationship between different kinds of “mixed reality” systems. The core difference, they argue, is whether or not the computer-generated content represents a “world” in itself (VR) is just an “overlay” (AR).
But that’s unsatisfying for the same reason as above. The HTC Vive headset can be configured to use its front-facing camera(s) to fade seamlessly from the game world to the real world as the player gets close to the boundaries of their play space. This is a safety feature, but it doesn’t have to be: there’s no reason that a HTC Vive couldn’t be adapted to function as what Milgram would describe as a “class 4” device, which is functionally the same as a headset-mounted AR device. So what’s the difference?
You might argue that the difference between AR and VR is content-based: that is, it’s the thing that you’re expected to focus on that dictates which is which. If you’re expected to look at the “real world”, it’s an augmentation, and if not then it’s a virtualisation. But that approach fails to describe Google’s tech demo of putting artefacts in your living room via augmented reality (which I’ve written about before), because your focus is expected to be on the artefact rather than the “real world” around it. The real world only exists to help with the interpretation of scale: it’s not what the experience is about and your countertop is as valid a real world target as the Louvre: Google doesn’t care.
Many researchers echo Milgram’s idea that what turns AR into VR is when the computer-generated content completely covers your vision.
But even if we accept this explanation, the definition gets muddied by the wider field of “extended reality” (XR). Originally an umbrella term to cover both AR and VR (and “MR“, if you believe that’s a separate and independent thing), XR gets used to describe interactive experiences that cover other senses, too. If I play a VR game with real-world “props” that I can pick up and move around, but that appear differently in my vision, am I not “augmenting” reality? Is my experience, therefore, more or less “VR” than if the interactive objects exist only on my screen? What about if – as in a recent VR escape room I attended – the experience is enhanced by fans to simulate the movement of air around you? What about smell? (You know already that somebody’s working on bridging virtual reality with Smell-O-Vision.)
Increasingly, then, I’m beginning to feel that XR itself is a spectrum, and a pretty woolly one. Just as it’s hard to specify in a concrete way where the boundary exists between being asleep and being awake, it’s hard to mark where “our” reality gives way to the virtual and vice-versa.
It’s based upon the addition of information to our senses, by a computer, and there can be more (as in fully-immersive VR) or less (as in the subtle application of AR) of it… but the edges are very fuzzy. I guess that the spectrum of the visual experience of XR might look a little like this:
Honestly, I don’t know any more. But I don’t think my sister does either.
I don’t care whether anything materially bad will or won’t happen as a consequence of Wacom taking this data from me. I simply resent the fact that they’re doing it.
The second is that we can also come up with scenarios that involve real harms. Maybe the very existence of a program is secret or sensitive information. What if a Wacom employee suddenly starts seeing entries spring up for “Half Life 3 Test Build”? Obviously I don’t care about the secrecy of Valve’s new games, but I assume that Valve does.
We can get more subtle. I personally use Google Analytics to track visitors to my website. I do feel bad about this, but I’ve got to get my self-esteem from somewhere. Google Analytics has a “User Explorer” tool, in which you can zoom in on the activity of a specific user. Suppose that someone at Wacom “fingerprints” a target person that they knew in real life by seeing that this person uses a very particular combination of applications. The Wacom employee then uses this fingerprint to find the person in the “User Explorer” tool. Finally the Wacom employee sees that their target also uses “LivingWith: Cancer Support”.
Remember, this information is coming from a device that is essentially a mouse.
Interesting deep-dive investigation into the (immoral, grey-area illegal) data mining being done by Wacom when you install the drivers for their tablets. Horrifying, but you’ve got to remember that Wacom are unlikely to be a unique case. I had a falling out with Razer the other year when they started bundling spyware into the drivers for their keyboards and locking-out existing and new customers from advanced features unless they consented to data harvesting.
I’m becoming increasingly concerned by the normalisation of surveillance capitalism: between modern peripherals and the Internet of Things, we’re “willingly” surrendering more of our personal lives than ever before. If you haven’t seen it, I’d also thoroughly recommend Data, the latest video from Philosophy Tube (of which I’ve sung the praises before).
Back in 2016, I made an iMessage app called Overreactions. Actually, the term “app” is probably generous: It’s a collection of static and animated silly faces you can goof around with in iMessage. Its “development” involved many PNGs but zero lines of code.
Just before the 2019 holidays, I received an email from Apple notifying me that the app “does not follow one or more of the App Store Review Guidelines.” I signed in to Apple’s Resource Center, where it elaborated that the app had gone too long without an update. There were no greater specifics, no broken rules or deprecated dependencies, they just wanted some sort of update to prove that it was still being maintained or they’d pull the app from the store in December.
Here’s what it took to keep that project up and running…
There’s always a fresh argument about Web vs. native (alongside all the rehashed ones, of course). But here’s one you might not have heard before: nobody ever wrote a Web page that met all the open standards only to be told that they had to re-compile it a few years later for no reason other than that the browser manufacturers wanted to check that the author was still alive.
But that’s basically what happened here. The author of an app which had been (and still did) work fine was required to re-install the development environment and toolchain, recompile, and re-submit a functionally-identical version of their app (which every user of the app then had to re-download along with their other updates)… just because Apple think that an app shouldn’t ever go more than 3 years between updates.