Looks like this cache has been muggled, and its hiding place is no longer usable. I’ll look to see if it can be moved somewhere else in the vicinity and the puzzle updated accordingly.
Perhaps three people will read this essay, including my parents. Despite that, I feel an immense sense of accomplishment. I’ve been sitting on buses for years, but I have more to
show for my last month of bus rides than the rest of that time combined.
Smartphones, I’ve decided, are not evil. This entire essay was composed on an iPhone. What’s evil is passive consumption, in all its forms.
A side-effect of social media culture (repost, reshare, subscribe, like) is that it’s found perhaps the minimum-effort activity that humans can do that still fulfils our need
to feel like we’ve participated in our society. With one tap we can pass on a meme or a funny photo or an outrageous news story. Or we can give a virtual thumbs-up or a heart on a
friend’s holiday snaps, representing the entirety of our social interactions with them. We’re encouraged to create the smallest, lightest content possible: forty words into a Tweet, a
picture on Instagram that we took seconds ago and might never look at again, on Facebook… whatever Facebook’s for these days. The “new ‘netiquette” is complicated.
I, for one, think it’d be a better world if it saw a greater diversity of online content. Instead of many millions of followers of each of a million content creators, wouldn’t it be
nice to see mere thousands of each of billions? I don’t propose to erode the fame of those who’ve achieved Internet celebrity; but I’d love to migrate towards a culture in which we can
all better support one another’s drive to create original content online. And do so ourselves.
The best time to write on your blog is… well, let’s be honest, it was a decade ago. But the second best time is right now. Or if you’d rather draw, or sing, or dance, or make puzzles or
games or films… do that. The barrier to being a content creator has never been lower: publishing is basically free and virtually any digital medium is accessible from even the
simplest of devices. Go make something, and share it with the world.
For the last few months, I’ve been running an alpha test of an email-based subscription to DanQ.me with a handful of handpicked testers. Now, I’d like to open it up to a slightly larger
beta test group. If you’d like to get the latest from this site directly in your inbox, just provide your email address below:
Subscribe by email!
Who’s this for?
Some people prefer to use their email inbox to subscribe to things. If that’s you: great!
What will I receive?
You’ll get a “daily digest”, no more than once per day, summarising everything I’ve published within the last 24 hours. It usually works: occasionally
but not often it misses things. You can unsubscribe with one click at any time.
How else can I subscribe?
You can still subscribe in a variety of other ways. Personally, I recommend using a feed reader which lets you choose exactly which kinds of content
you’re interested in, but there are plenty of options including Facebook and Twitter (for those of such an inclination).
Didn’t you do this before?
Yes, I ran a “subscribe by email” system back in 2007 but didn’t maintain it. Things might be better this time around. Maybe.
I’m not sure which is the most-hypnotic in this video: the graceful click-clack motion of the finished product or the careful and methodical production steps that precede it. Either
way, this perpetual calendar is brilliant, but if I owned it I’d absolutely spend the entire time playing with it rather than using it for its intended purpose.
When I arrived at this weekend’s IndieWebCamp I still wasn’t sure what it was that I would be
working on. I’d worked recently to better understand the ecosystem surrounding DanQ.me and had a number of half-formed ideas about tightening
it up. But instead, I ended up expanding the reach of my “personal web” considerably by adding reviews as a post type to my site and building
tools to retroactively-reintegrate reviews I’d written on other silos.
Over the years, I’ve written reviews of products using Amazon and Steam and of places using Google Maps and TripAdvisor. These are silos and my
content there is out of my control and could, for example, be deleted at a moment’s notice. This risk was particularly fresh in my mind as my friend Jen‘s Twitter account was suspended this weekend for allegedly violating the platform’s rules
(though Twitter have so far proven unwilling to tell her which rules she’s broken or even when she did so, and she’s been left completely in the dark).
My mission for the weekend was to:
Come up with a mechanism for the (microformat-friendly) display of reviews on this site, and
Reintegrate my reviews from Amazon, Steam, Google Maps and TripAdvisor
I opted not to set up an ongoing POSSE nor PESOS process at this point; I’ll do this manually in the short term (I don’t write reviews on third-party sites often). Also out of
scope were some other sites on which I’ve found that I’ve posted reviews, for example BoardGameGeek. These can both be tasks for a future date.
I used Google Takeout to export my Google Maps reviews, which comprised the largest number of reviews of the sites I targetted and which is the
least screen-scraper friendly. I wrote a bookmarklet-based screen-scraper to get the contents of my reviews on each of the other sites. Meanwhile, I edited by WordPress theme’s functions.php to extended the Post Kinds plugin with an
extra type of post, Review, and designed a content template which wrapped reviews in appropriate microformat markup, using metadata attached to each review post to show e.g. a
rating, embed a h-product (for products) or h-card (for
places). I also leveraged my existing work from last summer’s effort to reintegrate my geo*ing logs to automatically
add a map when I review a “place”. Finally, I threw together a quick WordPress plugin to import the data and create a stack of draft posts for proofing and publication.
So now you can read all of the reviews I’ve ever posted to any of those four sites, right here, alongside any other reviews I subsequently reintegrate and any
I write directly to my blog in the future. The battle to own all of my own content after 25 years of scattering it throughout the Internet isn’t always easy, but it remains worthwhile.
(I haven’t open-sourced my work this time because it’s probably useful only to me and my very-specific set-up, but if anybody wants a copy they can get in
touch.)
Performed routine maintenance at the cache site; everything seems well.
A couple of ‘cachers have reported that the GZ is inaccessible owing to the path being overgrown. The “obvious” path to the cache really is pretty heavily overgrown and I’ll be
increasing the terrain rating from 3 to 3.5 accordingly, but the “obvious” path isn’t the only path! If you need a hint as to the direction from which the alternative path (which is
quite a bit longer, but much more-usable) comes, see my GZ video below:
Very occasionally I get asked how to start blogging by people who would like to create exciting and engaging articles that will build a following by delighting an audience hungry
for more. Perhaps they envision spreading their views far across the face of the web.
To which I always reply, “Have you read my blog? I don’t know about any of those things!”
What I do have are 10 years of logs and some vague observations about beginning a blog.
…
As I’m sat here anyway, helping people get started on the Indieweb, here’s a great (tongue in cheek) look at
how you can expect your new blog Indieweb presence to take off and become the Most Popular Thing Ever. Or rather, not.
But as I and others have said before, my blog is first and foremost for me. If you get something out of it too, that’s great, but
that’s a secondary goal!
A long while ago, inspired by Nick Berry‘s analysis of optimal Hangman strategy, I worked it backwards to find the
hardest words to guess when playing Hangman. This week, I showed these to my colleague Grace – who turns out to be a fan of word puzzles – and our conversation inspired me to go a little deeper. Is it possible, I
thought, for me to make a Hangman game that cheats by changing the word it’s thinking of based on the guesses you make in order to make it as difficult as possible for you to
win?
The principle is this: every time the player picks a letter, but before declaring whether or not it’s found in the word –
Make a list of all possible words that would fit into the boxes from the current game state.
If there are lots of them, still, that’s fine: let the player’s guess go ahead.
But if the player’s managing to narrow down the possibilities, attempt to change the word that they’re trying to guess! The new word must be:
Legitimate: it must still be the same length, have correctly-guessed letters in the same places, and contain no letters that have been declared to be incorrect
guesses.
Harder: after resolving the player’s current guess, the number of possible words must be larger than the number of possible words that would have
resulted otherwise.
You might think that this strategy would just involve changing the target word so that you can say “nope” to the player’s current guess. That happens a lot, but it’s not always the
case: sometimes, it’ll mean changing to a different word in which the guessed letter also appears. Occasionally, it can even involve changing from a word in which the guessed
letter didn’t appear to one in which it does: that is, giving the player a “freebie”. This may seem counterintuitive as a strategy, but it sometimes makes sense: if
saying “yeah, there’s an E at the end” increases the number of possible words that it might be compared to saying “no, there are no Es” then this is the right move for a
cheating hangman.
Playing against a cheating hangman also lends itself to devising new strategies as a player, too, although I haven’t yet looked deeply into this. But logically, it seems that the
optimal strategy against a cheating hangman might involve making guesses that force the hangman to bisect the search space: knowing that they’re always going to adapt towards the
largest set of candidate words, a perfect player might be able to make guesses to narrow down the possibilities as fast as possible, early on, only making guesses that they actually
expect to be in the word later (before their guess limit runs out!).
I also find myself wondering how easily I could adapt this into a “helpful hangman”: a game which would always change the word that you’re trying to guess in order to try to make you
win. This raises the possibility of a whole new game, “suicide hangman”, in which the player is trying to get themselves killed and so is trying to pick letters that can’t
possibly be in the word and the hangman is trying to pick words in which those letters can be found, except where doing so makes it obvious which letters the player must avoid next.
Maybe another day.
In the meantime, you’re welcome to go play the game (and let me know what you think, below!) and, if you’re of such an inclination, read the source code. I’ve used some seriously ugly techniques to make this work, including regular expression metaprogramming (using
regular expressions to write regular expressions), but the code should broadly make sense if you want to adapt it. Have fun!
Update 26 September 2019, 16:23: I’ve now added “helpful mode”, where the computer tries to cheat on your behalf
rather than against you, but it’s not as helpful as you’d think because it assumes you’re playing optimally and have already memorised the dictionary!
Let’s face the truth. We are in an abusive relationship with our phones.
Ask yourself the first three questions that UK non-profit Women’s Aid
suggests to determine if you’re in an abusive relationship:
Has your partner tried to keep you from seeing your friends or family?
Has your partner prevented you or made it hard for you to continue or start studying, or from going to work?
Does your partner constantly check up on you or follow you?
If you substitute ‘phone’ for ‘partner’, you could answer yes to each question. And then you’ll probably blame yourself.
…
A fresh take by an excellent article. Bringing a feminist viewpoint to our connection to our smartphones helps to expose the fact that our relationship with the devices would easily be
classified as abusive were they human. The article goes on to attempt to diffuse the inevitable self-blame that comes from this realisation and move forward to propose a more-utopian
future in which our devices might work for us, rather than for the companies that provide the services for which we use them.
Possibly CGP Grey‘s best video yet: starting with the usual lighthearted and slightly silly look into an interesting piece of history, it quickly
diverges from a straightforward path through the Forest of All Knowledge (remember No Flag Northern Ireland?) and
becomes an epic adventure into fact-checking, healthy scepticism, and demonstrable information literacy. Speaking admittedly as somebody who genuinely loved the Summer of Grey Tesla Road Trip series of vlogs, this more-human-than-average Grey
adventure is well-worth watching to the end.
This afternoon, the kids and I helped with some citizen science as part of the Thames WaterBlitz, a collaborative effort
to sample water quality of the rivers, canals, and ponds of the Thames Valley to produce valuable data for the researchers of today and tomorrow.
My two little science assistants didn’t need any encouragement to get out of the house and into the sunshine and were eager to go. I didn’t even have to pull out my trump card of
pointing out that there were fruiting brambles along the length of the canal. As I observed in a vlog last year, it’s usually pretty easy to
motivate the tykes with a little foraging.
The EarthWatch Institute had provided all the chemicals and instructions we needed by post, as well as a mobile app with which to record our results (or paper forms, if we preferred).
Right after lunch, we watched their instructional video and set out to the sampling site. We’d scouted out a handful of sites including some on the River Cherwell as it snakes through
Kidlington but for this our first water-watch expedition we figured we’d err on the safe side and aim to target only a single site: we chose this one both because it’s close to home and
because a previous year’s citizen scientist was here, too, improving the comparability of the results year-on-year.
Our results are now online, and we’re already looking forward to seeing the overall
results pattern (as well as taking part in next year’s WaterBlitz!).
One way I’ve found to enhance my nights as Dungeon Master is to call on experiences as an amateur musician and fan, to ramp up the intensity and sense of fantasy with playlists of
tunes from the history of composed and recorded music.
I realised that this might be something I was OK at when I saw our party’s rogue lost in imagination and stabbing to the beat of a bit of Shostakovich.
Over the months some of the collections I’ve curated have picked up a few followers on Spotify and upvotes on Reddit but I thought it was time to put more effort in and start
writing about it.
The opening post from Lute the Bodies, a new blog by my friend Alec. It promises an exploration of enhancing tabletop roleplaying with
music, which is awesome: I’ve occasionally been known to spend longer picking out the music for a given roleplaying event than I have on planning the roleplaying activities themselves!
Looking forward to see where this goes…