The second really did just walk into it when he asked Ruth “So which of these two men are you with? Or is it both?” “Yes, both,” she replied, and, in the period of
silence while the comedian was still trying to comprehend what she’d said, added, “We’re polyamorous.”
I was so very proud of her in that moment.
For me, adopting the out and proud approach of the gay community is an important part of “poly activism”: it almost feels like it’s my duty to make sure that people can see
that we’re just another group of people in just another relationship, completely normal except for the fact that there are three of us instead of two. Talking openly and frankly about
this stuff is the only way to normalise it and break the taboo, so I feel like my mini-activism helps all people in nonmonogamous relationships, even if just a little
bit.
This post turned out longer than I expected. The first part is about comedy, whisky tasting, and a museum full of money. The second
part is about how we were “outed” as being in a nonmonogamous relationship, and how it went really well. Click either link to jump to that section, or just start reading to get the
whole thing.
Another Day Of Edinburgh
Our sixth day at Edinburgh was perhaps the booziest. Realising that we still had a significant amount of wine that we bought earlier in the week that we hadn’t yet consumed, we started
early: Ruth and I poured our first glasses at a hair before 11am, to go with our breakfast.
Our first show of the day was Sam Brady and the Eight Worldly
Winds, a beautiful and subtle piece of observational comedy based on the life of the comedian, a “failed Buddhist monk”, thrice married, interspersed with “mildly adapted” readings
of 11th century Chinese poetry. It was sedate and relaxing, as comedy shows go, but still funny and enjoyable, and I could have happily have listened to him for longer.
We had a little while before the next item on our schedule, and we opted to divert from our original plan to waste half an hour in a bar to instead explore the Mus£um On The Mound. This museum chronicles the history of money and banking, with a special focus on Scotland,
and it’s remarkably interesting. We learned about early banking computers, quality assurance processes in banknote printing, and the evolution of the Building Society. If you think that
all sounds terribly dull, then screw you.
JTA tried his hand at striking faces onto metal disks to make his own coins in the way that coinsmiths used to
before about the 16th century, and I used a remarkably modern-looking computer to issue myself a remarkably old-style life insurance certificate (covering me for everything except death
by duelling, suicide, or execution by the state).
Next, we made our way back to the Whiski Rooms for our second whisky tasting session of the week (our
first was on day two). This time around we were drinking Jura (10 year old and 16 year old, and Superstition –
one of my favourites) and Dalmore (12, 15, and 18 year old). We learned a lot about the different production processes for each, caskings and recaskings and still shapes and all kinds
of things. We also tried the Dalmore 15 with some orange chocolate that complemented one another very well, and tried our hand at identifying different refined flavours by smell, from a
set of numbered vials.
Next up, we watched The German Comedian (exactly what it says on the tin!), followed by You Are
Being Lied To, by David Mulholland. The former provided a hilariously funny (and somewhat racist, although only in a very tongue-in-cheek and mostly in a self-deprecating way)
commentary on European relations, world travel, and cultural differences in a brilliant and compelling way. The latter – by a comic who was formerly a journalist for the Wall Street
Journal – ran a show with a far more serious message, about how media like The Daily Mail, The Sun, and The Telegraph (in particular) spin stories in a way that the kernel of truth in
them is just about impossible to find. It was amusing enough, especially to hear him read, in a serious voice, genuine headlines and snippets of stories from those publications, and let
us spot the bullshit.
Polyamory Comes To The Fringe
The other thing that was remarkable about these two comedians is that they both independently asked about Ruth, JTA and I’s relationship structure. And what’s
most remarkable about this is that it took so long before it happened. We’ve been here six days, at dozens of different comedy shows, and virtually always sat at the
front. But today was the first day that the topic came up, and it came up twice in a row. What are the odds?
The first comedian had asked if Ruth and JTA were a couple, and, upon getting an affirmative (which would usually be as far as the conversation would go: we’re not in the business of
hijacking comedy shows with our relationships, I’d hasten to add), he asked “What’s the relationship between you two?”, gesturing to Ruth and I. So we answered. He asked for
clarification a number of times, looking quite stumped and lost for words the whole period, but he was fluffy about it in general, which was nice.
The second really did just walk into it when he asked Ruth “So which of these two men are you with? Or is it both?” “Yes, both,” she replied, and, in the period of silence
while the comedian was still trying to comprehend what she’d said, added, “We’re polyamorous.”
I was so very proud of her in that moment.
For me, adopting the out and proud approach of the gay community is an important part of “poly activism”: it almost feels like it’s my duty to make sure that people can see
that we’re just another group of people in just another relationship, completely normal except for the fact that there are three of us instead of two. Talking openly and frankly about
this stuff is the only way to normalise it and break the taboo, so I feel like my mini-activism helps all people in nonmonogamous relationships, even if just a little bit.
Ruth, however, is more-reserved, and less-inclined to put herself in the public spotlight by putting the fact that she’s got a “bonus” partner “out there”. So to see her take the lead
in saying, effectively, “Yes; I have two partners. Here they are. Yes, really. Is that okay?” – especially when she was sat sandwiched between a room full of strangers and a comedian (a
very precarious place, as anybody who’s been picked on by a comic knows) – made my heart swell.
Later, a man called Daniel asked me some reasonably well-thought-out questions about “how it works”, and Ruth and JTA were approached by a woman who mentioned a similar arrangement in
her own life. People in the same position are often delighted to “come out”, but only if somebody else does so first.
Had it been me that each comedian had spoken to first, instead of Ruth, I’d have certainly been as bold. But I might not have simultaneously been so frank and straightforward, so
clearly-honest and approachable as Ruth managed in this, one of the most brave acts of poly-advocacy I’ve ever seen.
After our attempt at a relaxing day off, which resulted in us
getting pretty-much soaked and exhausted, we returned on day five of our holiday to the comedy scene for more fun and laughter.
After failing to get into Richard Wiseman‘s Psychobabble, which attracted a huge queue
long before we got to the venue, Ruth, JTA and I
instead went to RomComCon: a two-woman show telling the story of how they road-tested all of the top romantic
comedy “boy meets girl” cliché situations, to see if they actually worked in real life. It was sweet, even where it wasn’t funny, and it was confidently-performed, even where
it wasn’t perfectly-scripted. The mixture of media (slides, video, audience participation, and good old-fashioned storytelling) was refreshing enough to help me overlook the
sometimes-stilted jumps in dialogue. I’ll admit: I cried a little, but then I sometimes do that during actual RomComs, too. Although I did have to say “Well d’uh!” when
the conclusion of the presentation was that to get into a great relationship, you have to be open and honest and willing to experiment and not to give up hope that you’ll find one. You
know: the kinds of things I’ve been saying for years.
We met up with Matt and his new girlfriend, Hannah-Mae, who turns out to be a lovely, friendly, and
dryly-sarcastic young woman who makes a wonderful match for our Matt. Then, after a drink together, parted ways to see different shows; promising to meet up again later in the day.
We watched Owen Niblock‘s Codemaker, and were pleased to discover that it was everything
that Computer Programmer Extraordinaire (which we saw on day two)
failed to be. Codemaker was genuinely geeky (Owen would put up code segments and then explain why they were interesting), funny (everything from the
five-months-a-year beard story to his relationship Service Level Agreement with his wife was fabulously-crafted), and moving. In some ways I’m sad that he isn’t attracting a larger
audience – we three represented about a quarter to a fifth of those in attendance, at the end – but on the other hand, his computer-centric humour (full of graphs and pictures of old
computers) is rather niche and perhaps wouldn’t appeal to the mainstream. Highly recommended to the geeks among you, though!
Back at the flat, we drank gin and played Ca$h ‘n’ Gun$ with Matt and
Hannah-Mae. JTA won three consecutive games, the jammy sod, despite the efforts of the rest of us (Matt or I with a hand grenade, Ruth or I as The Kid, or even Hannah-Mae once she had a
gun in each hand), and all the way along every single time insisted that he was losing. Sneaky bugger.
We all reconvened at the afternoon repeat of Richard Wiseman’s show, where he demonstrated (in a very fun and engaging way) a series of psychological, mathematical, and slight-of-hand
tricks behind the “mind-reading” and illusion effects used by various professional entertainers. I’ve clearly studied this stuff far too much, because I didn’t end up learning anything
new, but I did enjoy his patter and the way he makes his material interesting, and it’s well-worth a look. Later, Ruth and I would try to develop a mathematical formula for the smallest
possible sum totals possible for integer magic squares of a given order (Wiseman’s
final trick involved the high-speed construction of a perfect magic square to a sum total provided by a member of the audience: a simple problem: if anybody wants me to demonstrate how
it’s done, it’s quite fun).
Finally, we all went to see Thom Tuck again. Matt, JTA and I had seen him earlier in the week, but we’d insisted that Hannah-Mae and Ruth get the chance to see his fantastic
show, too (as well as giving ourselves an excuse to see it again ourselves, of course). He wasn’t quite so impressive the second time around, but it was great to see that his knowledge
of straight-to-DVD Disney movies really is just-about as encyclopaedic as he claims, when we gave us new material we hadn’t heard on his previous show (and omitted some that we had), as
well as adapting to suggestions of films shouted out by the audience. Straight-To-DVD remains for me a chilling and hilarious show and perhaps the most-enjoyable thing
I’ve ever seen on the Fringe.
For our fourth day at the Edinburgh Fringe, Ruth, JTA and I decided to take a little break from the
rushing-around-to-comedy-shows game and get out and see the sights. Ruth had somehow acquired a somewhat romantic idea of nearby Leith: that it would be full of quays and boats and
suchlike, and not – as we would come to discover instead – full of rain and a foul-smelling burst sewer pipe.
We started with breakfast from Snax Cafe, under Matt‘s recommendation, which turned out to be a good one, as this tiny greasy spoon/takeaway turns out to serve a fantastic selection of
fried foods ready-to-eat at great prices. I opted for a fried egg sandwich, with which I quickly made a mess of my t-shirt and shorts when I accidentally spilt the yolk all over myself.
A combination of the weather quickly turning against us, Leith being significantly further away than it first appeared on a map, and the three of us still being remarkably tired since
the previous day turned this expedition into a far more arduous affair than we had initially expected. By the time we’d reached the pretty little boats and bars of the waterfront, we
were damp (admittedly, we’d all but JTA underdressed for the excursion: his overcoat helped protect him, but it had the side-effect of making him look like a flasher, his bare legs
poking out from under it).
We escaped from the weather just as it began to get sunnier again, into a pub called the Teuchter’s Landing, which Ruth had discovered earlier during her research into the area. There, we drank beer and played
some of the boardgames made available by the pub: Scrabble™ (at which I scored abysmally low, for which I partially blame rotten luck on draw after draw: my final hand – representative of
my fortunes – was R-R-R-L-L-U-O; my starting hand contained only one consonant), the Who Wants To Be A Millionare boardgame (which took a significant amount of sorting to put it back into
a working order, and in which we had to work around some missing pieces), and a few hands of Knockout Whist (with the most static-electricity-inducing deck of cards I’ve ever encountered:
almost impossible to deal without giving each player four or five cards at the same time).
The food was good, though: we lunched upon freshly-made haggis stovies, served in mugs, with chunky chips (in further mugs) and oatcakes. And when we were done, and set out into the
world again to explore the waterfront… that’s when it began raining again, even harder than before. Fucking marvellous.
By the time we’d worked our way around the docks, we were damp and tired, so we found a bus to take us back to Princes’ Street, cut across to a cheesemonger in Grassmarket to stock up
on delicious cheeses, and then returned to the flat for a quick nap, because we were all pretty pooped.
Later, we went out for another helping of Peter Buckley Hill and Some Comedians. Being Tuesday – the day before
Buckers’ day off – and close to the end of the Fringe, he was clearly exhausted, and kept digressing from the usual (awesome) shite to random stream-of-consciousness new
shite. Still all funny, and some enjoyable guests.
First up was Domestic Science, with “real life – for now – partners”
Helen Arney and Rob Wells. This pair brought science to life, opening by re-enacting an event from one of their
first dates when they discovered that turmeric contains curcumin, a pH indicator, and demonstrating how this can be used (by first dying noodles with turmeric, and then dipping them
into acidic and alkaline solutions to observe their colour change). Later, they’d go on to perform audience-participation demonstrations of gravitational wobbles (as a mechanism to
detect extrasolar planets), AM radiowave reflection off the ionosphere, and more. They also used us as a live experiment, having us listen to jokes written by comedians of different
genders (but recorded in both male and female voices) and rate them, in order to see if the gender can be determined by the listener. All in all, a really enjoyable first show for the
day.
Ruth and I took our lunch in David Bann’s vegetarian restaurant, here in Edinburgh, which was
delicious, although I probably should have stopped at two courses and not also had desert, as I then spent most of the afternoon waddling around like a fat penguin. I can particularly
recommend the aubergine, chick pea and cashew koftas.
Next up, we went to see Yianni‘s new show, Numb and Number. We’d first seen Yianni in 2006 (we had him take a photo of us with Peter Buckley Hill), and he was
even more brilliant now than he was back then. In this new show, he talks about autism, numbers, and rainbows, in exactly the right order (any other order would
be wrong, right?). Poor JTA was picked on and tricked into coming across as racist, but in the most hilarious possible way.
You might remember that yesterday, Matt was invited on stage to separate
currency for magicians Young & Strange? Well: coincidentally, Yianni
asked Matt what was significant about the sum £88.88, and quick as a flash Matt responded that it was the sum of all of the denominations of currency (1p, 2p, 5p, 10p, 20p, 50p, £1, £2,
£5, £10, £20, £50). He denies it, but I’m pretty sure that he wouldn’t have been able to pull off this trick if he hadn’t have been reminded of this just the previous day.
We retreated to the flat for a haggis dinner and a round of whisky before heading out again. My stomach was already bloated from my huge lunch, and I’m not sure that a large dinner
really agreed with it: I almost required help to roll me up the street to the next show.
We finished our day with Peter Buckley Hill And Some Comedians, still probably our go-to Free Fringe show. This evening, his line-up featured Phill Jupitus of Never Mind The Buzzcocks fame, who talked about the week that he
met a Beatle and two Rolling Stones, leaving the audience laughing themselves to tears. Also in the line-up was Wil Hodgson, a heavily-tattooed former wrestler with a shaved head, who talked mostly about his hobbies of collecting My Little Pony toys. He won
JTA over, I think, when he finished his set shouting “Fuck Laughing Horse!”
Our second day at the Edinburgh Fringe brought new
opportunities for fun and merriment. Once we finally dragged ourselves from our beds.
First up, we insisted that Matt joined us in watching the show of Young & Strange, a talented pair of magicians we first saw earlier this year, at the Oxford
Fringe. Their act wasn’t quite so magical on a second viewing, and some of their tricks wear thin on the closer-inspection made possible by the tiny venue and the
orientation of the lights, but they’re still remarkable showmen and real masters of their craft. Matt was invited on stage to assist with a trick involving separating all of the
different denominations of currency into twelve numbered envelopes (1p, 2p, 5p, 10p, 20p, 50p, £1, £2, £5, £10, £20, £50). I tell you this because it’ll be relevant in a subsequent blog
post. Seriously.
Later, we watched the incredibly disappointing Computer Programmer Extraordinaire, by comedian Raph Shirley.
For all of his good ideas (and he certainly had enough of them to fill a 15 minute set, but 45 minutes seemed like far too long), his delivery was sorely lacking. Maybe we went in
expecting something that we wouldn’t get – his “geeky” computer programmer persona didn’t really cut it for those of us who were genuine geeky computer programmers in the audience – but
even if we put that aside, there weren’t enough laughs in the show to have been worth the time it took to “get there”, even at no cost.
Ruth, JTA and I then disappeared off to Whiski Rooms for a “Whisky & Cheese Tasting” event. This was really quite enjoyable, and I was surprised to be able
to, under a little guidance (and with the inclination to pay particular attention to the subtler facets of what I was drinking), find entirely new flavours even in whiskies with which I
was already familiar. Pairing whiskies with cheeses was also a new experience for me, and – even for somebody like me, who enjoys cheese in moderation but doesn’t have the palate for
the full spectrum of cheeses – provided some fascinating opportunities to find new flavours.*
This – coupled with the drinks we’d already had and those we had later – left us rather tipsy. Although thankfully still nowhere near as drunk as Claire was, here in Edinburgh, when six years ago she did the most embarrassing thing in the world.
Finally, we reconvened with Matt for a dose of Peter Buckley Hill And Some Comedians. I don’t remember his name, but I was particularly impressed with the dry, deadpan delivery of the
dutch comedian. If it comes back to me, I’ll come back and write his name in here: ____________________. Look, I’ve left a nice long gap and everything.
* For anybody who’s interested, the whiskies we tried (and the cheeses they were paired with)
were: Tobermory 10 with Keens Cheddar; Jura Superstition with Old Smokey; Bruichladdich 10 with Adrahan; and Bowmore 12 with Dunsyre Blue.
Wasting no time, we arrived, hooked up with Matt R (who’s also up here for the Fringe), and went off
to our first show: Peter Buckley Hill, of course, with his new the repeat of his 1994 show,
titled “It’s Shite, Not Sh*te”. Buckers was on form again, of course, and we laughed and sang along with all of his classic shite.
Later, Matt and I caught Tesco
Chainsaw Massacre, a comedy piece billed as “spoken word”, which had some funny and clever ideas but could perhaps do with a little refinement, and a remarkably wonderful queer
performance poet named Sophia Blackwell, from whom I later bought two books.
We were rejoined by JTA for Thom Tuck‘s Free Fringe show, Straight To DVD. This… was simply spectacular. Perhaps the best show I’ve ever seen at the Edinburgh Fringe, Thom’s
encyclopaedic analysis of straight-to-DVD Disney movies (interspersed with tales of his sad and tragic love life) is one of the best things that I’ve ever seen at the Fringe.
So yeah: that was Day One for us at the Edinburgh Fringe. An epic start to the holiday.