More castles and mazes

Made a little progress on the game idea I’d been experimenting with. The idea is to do find a series of orthogonal (like a rook in chess!) moves that land on every square exactly once each before returning to the start, dodging walls and jumping pits.

But the squares have arrows (limiting the direction you can move out of them) or numbers (specifying the distance you must travel from them).

Four sample puzzles, one of them solved.

Every board is solvable, starting from any square. There’ll be a playable version to use on your device (with helpful features like “undo”) sometime soon, but for now you can give them a go by hand, if you like this kind of puzzle!

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Castles and mazes

Possibly I’m a little late for the “casual daily puzzle game” party. (Did Wordle already get invented in this timeline; I forget?)

I think there’s something in an idea I’ve been toying with. Bring on the weekend, when I can throw some brainpower at the frontend code!

A notebook is held in front of terminal output. The terminal begins with 'Start position: [0,4]' and then shows a series of 5×5 grids containing numbers: one, labelled 'Route:', shows random grid of the numbers 0 through 24; the second, labelled 'Puzzle:', contains 1s, 2s, and 3s, corresponding perhaps to the orthagonal distances between consecutive numbers from the first grid; the third, whose title is obscured by the notebook, shows the same thing again but with 'walls' drawn in ASCII art between some of the numbers. The notebook in front contains hand-drawn sketches of similar grids with arrows "jumping" around between them.

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It’s not cheating if you write the video game solver yourself

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

I didn’t know how to solve the puzzle, but I did know how to write a computer program to solve it for me. That would probably be even more fun, and I could argue that it didn’t actually count as cheating. I didn’t want the solution to reveal itself to me before I’d had a chance to systematically hunt it down, so I dived across the room to turn off the console.

I wanted to have a shower but I was worried that if I did then inspiration might strike and I might figure out the answer myself. So I ran upstairs to my office, hit my Pomodoro timer, scrolled Twitter to warm up my brain, took a break, made a JIRA board, Slacked my wife a status update, no reply, she must be out of signal. Finally I fired up my preferred assistive professional tool. Time to have a real vacation.

Obviously, I’d be a fan of playing your single-player video game any damn way you like. But beyond that, I see Robert’s point: there are some puzzles that are just as much (or more) fun to write a program to solve than to solve as a human. Digital jigsaws would be an obvious and ongoing example, for me, but I’ve also enjoyed “solving” Hangman (not strictly a single-player game, but my “solution” isn’t really applicable to human opponents anyway), Mastermind (this is single-player, in my personal opinion – fight me! – the codemaster doesn’t technically have anything “real” to do; their only purpose is to hold secret information), and I never got into Sudoku principally because I found implementing a solver much more fun that being a solver.

Anyway: Robert’s post shows that he’s got too much time on his hands when his wife and kids are away, and it’s pretty fun.

It is as if you were on your phone

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Being on your phone all the time and while also not being on your phone all the time has never been more important.

“It is as if you were on your phone” is a phone-based experience for pretending to be on your phone without needing to be on your phone. All from the comfort of your phone.

Relax and blend in with familiar gestures and realistic human behaviour.

When I tried this fun and experimental game, I was struck by a feeling of deja vu. Was this really new? It felt ever so familiar.

Turns out, it draws a lot of inspiration from its 2016 prequel, It is as if you were playing chess. Which I’d completely forgotten about until just now.

It really is almost as if I were on my phone.

Anyway, It is as if you were on your phone is… well, it’s certainly a faithful simulation of what it would be like to be on my phone. If you saw me, you’d genuinely think that I was on my phone, even though in reality I was just playing It is as if you were on your phone on my phone. That’s how accurate it is.

Give it a go on your phone and see if you agree.

Rewilding Slay

I’ve been playing Sean O’Connor’s Slay for around 30 years (!), but somehow it took until today, on the Android version, before I tried my hand at “rewilding” the game world.

Hex-based videogame board, entirely owned by the yellow player, but with only a single solitary soldier standing alone. The rest of the island is heavily forested in pine and, along one coast, palm trees, with the exception of the far North beyond a line of castles.

The rules of the game make trees… a bad thing: you earn no income from hexes with them. But by the time I was winning this map anyway, I figured that encouraging growback would be a pleasant way to finish the round.

Play your videogames any damn way you want. Don’t let anybody tell you there’s a right or wrong way to enjoy a single-player game. Today I took a strategy wargame and grew a forest. How will you play?

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Queers make the world a safer place

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

A straight white guy friend was complaining about not being able to find any gaming groups for WoW that weren’t full of MAGA assholes. He said he keeps joining guilds with older (60+) casual gamers like himself because he can’t keep up with the kids, and he’ll start to make friends, but then they will reveal themselves to be Trump-lovers. He asked, “What am I doing wrong?”

This was about 3 months ago. Now, he tells me he joined a guild labeled as LGBTQ-friendly and has made several new cool friends.

He mentioned that there are many women and PoC in the group too, and “Everyone’s so nice on dungeon runs, telling people they did a good job and being supportive, sharing loot.”

I didn’t tell him that this is what the whole world would be like without patriarchal toxic masculinity, because I think he figured it out himself.

I’ve plucked out the highlights, but the deeper moral is in the full anecdote. I especially loved “…furries are like lichen…”. 😆

Trump’s Strategy

Portrait of Donald Trump in the style of the DOS version of 1991 strategy video game Sid Meier's Civilization, saying: "The Gulf of Mexico shall now be known as the Gulf of America."

Pixel art portrait of Claudia Sheinbaum in Civilization-style, against a background reminiscent of Mexico City, saying: "You're fucking kidding, right?"

Pixel-art of convicted felon Donald Trump, now saying: "We're also renaming the State of Canada, the State of Greenland, and the State of Panama. They all belong to me now."

Newspaper in the style of Sid Meier's Civilization, titled The Final Broadsheet, published February 1 2025 AD. The headline is "Donald Trump claims domination victory", with the subheadline "Google Maps now shows 100% of world is part of America". Below is the pixel-art portrait of Trump and a pixel-art world map with a stars-and-stripes pattern applied to the entire world. A pullquote reads "That's not how any of this works! - rest of world". A secondary story has the headline "Putin, Netanyahu, demand do-over: 'We didn't realise you could invade places by just renaming them yours!'".

What do you reckon? Is he trying to go for a domination victory without ever saying “MY THREATS ARE BACKED BY NUCLEAR WEAPONS!”? His track record shows that he’s arrogant enough to think that the strategy of simply renaming things until they’re yours is actually viable!

After I saw Mexico’s response to Google following Trump’s lead in renaming the Gulf of Mexico, this stupid comic literally came to me in a dream.

Adapts screenshots from Sid Meier’s Civilization (1991 DOS version), public domain assets from OpenGameArt.org, and AI-assisted images of world leaders on account of the fact that if I drew pixel-art world leaders without assistance then you’d be even less-likely to be able to recognise them.

Lego: Zero Dawn

Except to children, I don’t really give Christmas presents to (or expect to receive them from) others any more.

But that didn’t stop my buying myself a gift of a particularly fun Lego set to build over the festive period (with a little help from the eldest child!).

Lego model of a Tallneck from videogame Horizon: Zero Dawn/Forbidden West, with minifigure of protagonist Aloy standing atop its head.

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Note #25375

Today, while I cooked dinner, I introduced my two children (aged 10 and 8) to Goat Simulator.

Within half an hour, they’d added an imaginative twist and a role-playing element. My eldest had decreed themselves Angel of Goats and the younger Goat Devil and the two were locked in an endless battle to control the holy land at the top of a rollercoaster.

The shrieks of joy and surprise from the living room could be heard throughout the entire house. Perhaps our whole village.

Harswell Steel

My past self, receiving a copy of Transport Tycoon for his 14th birthday, would have his mind blown if he could see the kind of insanely-complex super-stations that are possible in (the open-source successor to) the game 30 years on.

Of course, this kind of thing – multiple simultaneously shared in-and-out routes on a bidirectional station – wasn’t (sensibly) possible before the introduction of path-based signalling in OpenTTD 0.7.0. And modern path-based signals in the game are even smarter.

But still, 14-year-old me had a dream. And nowadays that dream is real.

Double Sausages

This child is eating sausages with one hand while playing a video game about eating sausages with the other.

A child slouches in an airport lounge chair. Her right hand is being used to eat a plate of sausages. Her left hand is playing 'Fork N Sausage' on a tablet.

Is this life-imitating-art or the other way around? Who can possibly say?

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2024 in Videogames

Duration

Podcast Version

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My life affords me less time for videogames than it used to, and so my tastes have changed accordingly:

  • I appreciate games that I can drop at a moment’s notice and pick up again some other time, without losing lots of progress1.
  • And if the game can remind me what it was I was trying to achieve when I come back… perhaps weeks or months later… that’s a bonus!
  • I’ve a reduced tolerance for dynamically-generated content (oh, you want me to fetch you another five nirnroot do you? – hard pass2): if I might only get to throw 20 hours total at a game, I’d much prefer to spend that time exploring content deliberately and thoughtfully authored by a human.
  • And, y’know, it has to be fun. I rarely buy games on impulse anymore, and usually wait weeks or months after release dates even for titles I’ve been anticipating, to see what the reviewers make of it.

That said, I’ve played three excellent videogames this year that I’d like to recommend to you (no spoilers):

Horizon: Forbidden West

I loved Horizon: Zero Dawn. Even if this review persuades you that you should play its sequel, Forbidden West, you really oughta play Zero Dawn first3. There’s a direct continuation of plot going on there that you’ll appreciate better that way. Also: Zero Dawn stands alone as a great game in its own right.

Aloy, the protagonist of the Horizon games, wearing Mark of Pride face paint and red-stained Quen Deadeye armour, stands at sunset in a jungle environment.
Horizon gives a lot to love, from a rich world and story, immersive environments, near-seamless loading, excellent voice acting, and a rewarding difficulty curve. But perhaps all are second-place to what a kickass character the protagonist is.

The Horizon series tells the story of Aloy from her childhood onwards, growing up an outcast in a tribal society on a future Earth inhabited by robotic reimaginings of creatures familiar to us today (albeit some of them extinct). Once relatively docile, a mysterious event known as the derangement, shortly before Aloy’s birth, made these machines aggressive and dangerous, leading to a hostile world in which Aloy seeks to prove herself a worthy hunter to the tribe that cast her out.

All of which leads to a series of adventures that gradually explain the nature of the world and how it became that way, and provide a path by which Aloy can perhaps provide a brighter future for humankind. It’s well-written and clever and you’ll fight and die over and over as you learn your way around the countless permutations of weapons, tools, traps, and strategies that you’ll employ. But it’s the kind of learning curve that’s more rewarding than frustrating, and there are so many paths to victory that when I watch Ruth play she uses tactics that I’d never even conceived of.

Aloy aims a precision longbow at a Tremortusk, an elephant-like machine, in a sunny desert environment.
Horizon: Forbidden West is like Zero Dawn but… more. More quests, more exploration, more machines, more characters, and more of the same story, answering questions you might have found yourself thinking during the prequel. But it’s not just more-of-the-same.

Forbidden West is in some ways more-of-the-same, but it outgrows the mould of its predecessor, too. Faced with bigger challenges than she can take on by herself, Aloy comes to assemble a team of trusted party members, and when you’re not out fighting giant robots or spelunking underwater caves or exploring the ruins of ancient San Francisco you’re working alongside them, and that’s one of the places the game really shines. Your associates chatter to each other, grow and change, and each brings something special to the story that invites you to care for each of them as individuals.

The musical score – cinematic in its scope – has been revamped too, and shows off its ability to adapt dynamically to different situations. Face off against one of the terrifying new aquatic enemies and you’ll be treated to a nautical theme, for example. And the formulaic quests of the predecessor (get to the place, climb the thing…), which were already fine, are riddled with new quirks and complexities to keep you thinking.

And finally: I love the game’s commitment to demonstrating the diversity of humanity: both speaking and background characters express a rarely-seen mixture of races, genders, and sexualities, and the story sensitively and compassionately touches on issues of disability, neurodiversity, and transgender identity. It’s more presence than representation (“Hey look, it’s Sappho and her friend!”), but it’s still much better than I’m used to seeing in major video game releases.

Thank Goodness You’re Here!

If ever I need to explain to an American colleague why that one time they visited London does not give them an understanding of what life is like in the North of England… this is the videogame I’ll point them at.

Main menu for Thank Goodness You're Here, featuring options "Gu On Then", "Faff", and "Si' Thi", superimposed on a picture of a street in Barnsley, Yorkshire.
Among the many language options available for the game are “English”, as you’d probably expect, and “Dialect”, which imposes a South Yorkshire accent to everything, as illustrated here by the main menu.

A short, somewhat minigame-driven, absurd to the point of Monty Python-ism, wildly British comedy game, Thank Goodness You’re Here! is a gem. It’s not challenging by any stretch of the imagination, but that only serves to turn focus even more on the weird and wonderful game world of Barnsworth (itself clearly inspired by real-world Barnsley).

Playing a salesman sent to the town to meet the lord mayor, the player ends up stuck with nothing to do4, and takes on a couple of dozen odd-jobs for the inhabitants of the town, meeting a mixed bag of stereotypes and tropes as they go along.

Hand-drawn advertisement for Big Ron's Big Pies (Barnsworth's Best since 1904).
Ahm gowin t’shop to gi’ sumof Big Ron’s Big Pies! Y’wanout, buggerlugs? Players without a grounding in Yorkshire English, and especially non-Brits, might benefit from turning the subtitles on.

Presented in a hand-drawn style that’s as distinctive and bizarre as it is an expression of the effort that must’ve gone into it, this game’s clearly a project of passion for Yorkshire-based developers Coal Supper (yes, that’s really what they call themselves). I particularly enjoyed a recurring joke in which the player is performing some chore (mowing grass for the park keeper, chopping spuds at the chippy) when the scene cuts to some typically-inanimate objects having a conversation (flowers, potatoes) while the player’s actions bring them closer and closer in the background. But it’s hard to pick out a very favourite part from this wonderful, crazy, self-aware slice of Northern life in game form.

Tactical Breach Wizards

Finally, I’ve got to sing the praises of Tactical Breach Wizards by Suspicious Developments (who for some reason don’t bother to list it on their website; the closest thing to an official page for the project other than its Steam entry might be this launch announcement!)5, the team behind Gunpoint and Heat Signature.

The game feels like a cross between XCOM/Xenonauts‘ turn-based tactical combat and Rainbow Six‘s special ops theme. Except instead of a squad of gun-toting body-armoured military/police types, your squad is a team of wizards in a world in which magical combat specialists work alongside conventionally-equipped soldiers on missions where their powers make all the difference.

Jen, the Storm Witch, throws a bolt of lightning through three enemies on a moving train carriage.
Jen the Storm Witch primarily uses large static shocks to fling targets around: relatively harmless, unless she and her teammates have arranged for/tricked enemies to be standing next to something they can be thrown into… or near a window they can be flung out of!

By itself, that could be enough: there’s certainly sufficient differences between all of the powers that the magic users exploit that you’ll find all kinds of ways to combine them. How about having your teleport-capable medic blink themselves to a corner so your witch’s multi-step lightning bolt can use them as a channel to get around a corner and zap a target there? Or what about using the time-manipulation powers of your Navy Seer (yes, really) to give your siege cleric enough actions that they can shield-push your opponent within range of the turret you hacked? And so on.

But Tactical Breach Wizards, which stands somewhere between a tactical squad-based shooter and a deterministic positional puzzle game, goes beyond that by virtue of its storytelling. Despite the limitations of the format, the game manages to pack in a lot of background and personality for every one of your team and even many of the NPCs too (Steve Clark, Traffic Warlock is a riot). Oh, and much of the dialogue is laugh-out-loud funny, to boot.

Three spec ops wizards have a conversation about an upcoming assault.
The dialogue between your teammates – most of it right as they’re about to breach a door – reads like lighthearted banter but exposes the underpinning backstory of the setting.

The writing’s great, to the extent that when I got to the epilogue – interactive segments during the credits where you can influence “what happens next” to each of the characters you’ve come to know – I genuinely flip-flopped on a few of them to give some of them a greater opportunity to continue to feature in one another’s lives. Even though the game was clearly over. It’s that compelling.

And puzzling out some of the tougher levels, especially if you’re going for the advanced (“Confidence”) challenges, too, is really fun. But with autosaves every turn, the opportunity to skip and return to levels that are too challenging, and a within-turn “undo” feature that lets you explore different strategies before you commit to one, this is a great game for someone who, like me, doesn’t have much time to dedicate to play.


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SkiFreeeeeeee

This is a reply to a post published elsewhere. Its content might be duplicated as a traditional comment at the original source.

Rob Vincent said:

COME PLAY SOLITAIRE WITH US.

A screenshot of Windows 95's Solitaire program into which a bunch of surreal changes have been photoshopped. Suit pips and card numbers and letters are swapped around in impossible ways, the ocean from the beach-based card back design is leaking onto the playfield, and the text all warped and jumbled nightmarishly. The Windows title bar says "Solitolitololoreee".

I always preferred SkiFree!

A screenshot of SkiFree running in Windows 3.1 with a bunch of quirky edits. The window is warped to include a "Shroom Supply" with lots of mushroms, a sign advertises bagels, a helicopter has landed, two monsters are let's-say hugging on the ground, and the score box states Age, Sex, Location and Star Sign. The title of the window is "SkiFreeeeeeee".

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Ranking Every Elevator in the Myst Series

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

Dustin Garner

Part of the joy of the collaborative Internet is that people can share their passion. Today’s example comes from this YouTuber who’s made an hour long video demonstrating and ranking the 35 elevators in the first five games in the Myst series.

Starting with a discussion of what defines an elevator, the video goes on to show off some of the worst of the lifts in the series of games (mostly those that are uninspired, pointless, or which have confusing interfaces) before moving on to the well-liked majority.

I only ever played the first two Myst games (and certainly haven’t played the first since, what, the mid-1990s?) and I don’t think I finished either. But that didn’t stop me watching the entirety of this video and revelling in the sheer level of dedication and focus it’ll have taken on the part of the creator. When I made my (mere 15-minute!) video describing my favourite video game Easter Egg I spent tens of hours over the prior weeks researching the quirk and its background, configuring a copy of the (elderly) game so that it’d play and record in the way I wanted, and of course playing through the game far enough to be able to fully demonstrate the Easter Egg. Dustin’s video, which doubtless involved replaying (possibly multiple times) five different games released over a 12-year window is mindblowing by comparison.

I don’t really care about the Myst series. I care even less about its elevators. But I really enjoyed this video, if only for its creator’s enthusiasm.

ARCC

In the late ’70s, a shadowy group of British technologists concluded that nuclear war was inevitable and secretly started work on a cutting-edge system designed to help rebuild society. And thanks to Matt Round-and-friends at vole.wtf (who I might have mentioned before), the system they created – ARCC – can now be emulated in your browser.

3D rendering of an ARCC system, by HappyToast.

I’ve been playing with it on-and-off all year, and I’ve (finally) managed to finish exploring pretty-much everything the platform currently has to offer, which makes it pretty damn good value for money for the £6.52 I paid for my ticket (the price started at £2.56 and increases by 2p for every ticket sold). But you can get it cheaper than I did if you score 25+ on one of the emulated games.

ARCC system showing a high score table for M1, with DAN50 (score 13012) at the top.
It gives me more pride than it ought to that I hold the high score for a mostly-unheard-of game for an almost-as-unheard-of computer system.

Most of what I just told you is true. Everything… except the premise. There never was a secretive cabal of engineers who made this whackballs computer system. What vole.wtf emulates is an imaginary system, and playing with that system is like stepping into a bizarre alternate timeline or a weird world. Over several separate days of visits you’ll explore more and more of a beautifully-realised fiction that draws from retrocomputing, Cold War fearmongering, early multi-user networks with dumb terminal interfaces, and aesthetics that straddle the tripoint between VHS, Teletext, and BBS systems. Oh yeah, and it’s also a lot like being in a cult.

Needless to say, therefore, it presses all the right buttons for me.

ARCC terminal in which an email is being written to DAN50.
If you make it onto ARCC – or are already there! – drop me a message. My handle is DAN50.

If you enjoy any of those things, maybe you’d like this too. I can’t begin to explain the amount of work that’s gone into it. If you’re looking for anything more-specific in a recommendation, suffice to say: this is a piece of art worth seeing.

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