A Psalm for the Wild-Built by Becky Chambers

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Book cover: A Psalm for the Wild-Built, by Becky Chambers. The cover art shows a winding trail weaving its way through a forest of diverse plants. At one end, a figure wearing brown and yellow robes sits on the front step of an old fashioned wagon carriage, cupping a hot beverage in both hands. Near the other end of the trail, a humanoid metal robot reaches out a finger to provide a landing spot to a pair of butterflies.I’d already read every prior book published by the excellent Becky Chambers, but this (and its sequel) had been sitting on my to-read list for some time, and so while I’ve been ill and off work these last few days, I felt it would be a perfect opportunity to pick it up. I’ve spent most of this week so far in bed, often drifting in and out of sleep, and a lightweight novella that I coud dip in and out of over the course of a day felt like the ideal comfort.

I couldn’t have been more right, as the very first page gave away. My friend Ash described the experience of reading it (and its sequel) as being “like sitting in a warm bath”, and I see where they’re coming from. True to form, Chambers does a magnificent job of spinning a believable utopia: a world that acts like an idealised future while still being familiar enough for the reader to easily engage with it. The world of Wild-Built is inhabited by humans whose past saw them come together to prevent catastrophic climate change and peacefully move beyond their creation of general-purpose AI, eventually building for themselves a post-scarcity economy based on caring communities living in harmony with their ecosystem.

Writing a story in a utopia has sometimes been seen as challenging, because without anything to strive for, what is there for a protagonist to strive against? But Wild-Built has no such problem. Written throughout with a close personal focus on Sibling Dex, a city monk who decides to uproot their life to travel around the various agrarian lands of their world, a growing philosophical theme emerges: once ones needs have been met, how does one identify with ones purpose? Deprived of the struggle to climb some Maslowian pyramid, how does a person freed of their immediate needs (unless they choose to take unnecessary risks: we hear of hikers who die exploring the uncultivated wilderness Dex’s people leave to nature, for example) define their place in the world?

Aside from Dex, the other major character in the book is Mosscap, a robot whom they meet by a chance encounter on the very edge of human civilisation. Nobody has seen a robot for centuries, since such machines became self-aware and, rather than consign them to slavery, the humans set them free (at which point they vanished to go do their own thing).

To take a diversion from the plot, can I just share for a moment a few lines from an early conversation between Dex and Mosscap, in which I think the level of mutual interpersonal respect shown by the characters mirrors the utopia of the author’s construction:

“What—what are you? What is this? Why are you here?”

The robot, again, looked confused. “Do you not know? Do you no longer speak of us?”

“We—I mean, we tell stories about—is robots the right word? Do you call yourself robots or something else?”

Robot is correct.”

“Okay. Mosscap. I’m Dex. Do you have a gender?”

“No.”

“Me neither.”

These two strangers take the time in their initial introduction to ensure they’re using the right terms for one another: starting with those relating to their… let’s say species… and then working towards pronouns (Dex uses they/them, which seems to be widespread and commonplace but far from universal in their society; Mosscap uses it/its, which provides for an entire discussion on the nature of objectship and objectification in self-identity). It’s queer as anything, and a delightful touch.

In any case: the outward presence of the plot revolves around a question that the robot has been charged to find an answer to: “What do humans need?” The narrative theme of self-defined purpose and desires is both a presenting and a subtextual issue, and it carries through every chapter. The entire book is as much a thought experiment as it is a novel, but it doesn’t diminish in the slightest from the delightful adventure that carries it.

Dex and Mosscap go on to explore the world, to learn more about it and about one another, and crucially about themselves and their place in it. It’s charming and wonderful and uplifting and, I suppose, like a warm bath: comfortable and calming and centering. And it does an excellent job of setting the stage for the second book in the series, which we’ll get to presently…

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For anybody who could use a break

Third day of being ill with what’s probably a winter vomiting bug, with one child home sick from school… and just having had to collect the other kid who started throwing up on his school trip… I finally got back to my bed and picked up the next book on my pile, Becky Chambers’ A Psalm for the Willd-Built.

The opening page reads: “For anybody who could use a break.”

Printed serifed text reading: 'For anybody who could use a break.'

Yes. Yes, please.

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The Blind Piemaker

Ruth bought me a copy of The Adventure Challenge: Couples Edition, which is… well, it’s basically a book of 50 curious and unusual ideas for date activities. This week, for the first time, we gave it a go.

Open book showing a scratch-off panel, whose contents read: Find your favonte pie recipe and gather the ingredients. Blindfold your partner. Now, guide them through the process of making a pie. No instructive sentences are allowed, you can only guide them with your hands. (Don't say "pick this up" or 'drop that", find a different way to communicate - only through touch). You can only touch your blindfolded partner's hands or body - NOTHING ELSE (ingredients, utensils, dishes, etc). IMPORTANT: this challenge works best when you follow these instructions as strictly as possible.
Each activity is hidden behind a scratch-off panel, and you’re instructed not to scratch them off until you’re committed to following-through with whatever’s on the other side. Only the title and a few hints around it provide a clue as to what you’ll actually be doing on your date.

As a result, we spent this date night… baking a pie!

The book is written by Americans, but that wasn’t going to stop us from making a savoury pie. Of course, “bake a pie” isn’t much of a challenge by itself, which is why the book stipulates that:

  • One partner makes the pie, but is blindfolded. They can’t see what they’re doing.
  • The other partner guides them through doing so, but without giving verbal instructions (this is an exercise in touch, control, and nonverbal communication).
Dan, wearing a black t-shirt, smiles as he takes a selfie. Alongside him Ruth, wearing a purple jumper, adjusts a grey blindfold to cover her eyes.
I was surprised when Ruth offered to be the blindfoldee: I’d figured that with her greater experience of pie-making and my greater experience of doing-what-I’m-told, that’d be the smarter way around.

We used this recipe for “mini creamy mushroom pies”. We chose to interpret the brief as permitting pre-prep to be done in accordance with the ingredients list: e.g. because the ingredients list says “1 egg, beaten”, we were allowed to break and beat the egg first, before blindfolding up.

This was a smart choice (breaking an egg while blindfolded, even under close direction, would probably have been especially stress-inducing!).

Dan takes a selfie showing himself, smiling, and Ruth, wearing a blindfold and balling up pastry on a wooden worksurface.
I’d do it again but the other way around, honestly, just to experience both sides! #JustSwitchThings

I really enjoyed this experience. It forced us into doing something different on date night (we have developed a bit of a pattern, as folks are wont to do), stretched our comfort zones, and left us with tasty tasty pies to each afterwards. That’s a win-win-win, in my book.

Plus, communication is sexy, and so anything that makes you practice your coupley-communication-skills is fundamentally hot and therefore a great date night activity.

Plate containing four beautifully-browned but slightly lopsided pies, held in a woman's hands.
Our pies may have been wonky-looking, but they were also delicious.

So yeah: we’ll probably be trying some of the other ideas in the book, when the time comes.

Some of the categories are pretty curious, and I’m already wondering what other couples we know that’d be brave enough to join us for the “double date” chapter: four challenges for which you need a second dyad to hang out with? (I’m, like… 90% sure it’s not going to be swinging. So if we know you and you’d like to volunteer yourselves, go ahead!)

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We’ll Prescribe You A Cat by Syou Ishida

Book cover of We'll Prescribe You A Cat by Syou Ishida, translated by E. Madison Shimoda. At the top is written 'The Japanese Bestseller'. The hospital-green cover shows an open pill bottle (with label written in Japanese) pouring out five cats of different breeds who tumble down to land on their feet atop the translator's name.Another book I received at Christmas Eve’s book exchange was We’ll Prescribe You A Cat by Syou Ishida, translated from the original Japanese by Emmie Madison Shimoda. It’s apparently won all kinds of acclaim and awards and what-have-you, so I was hoping for something pretty spectacular.

It’s… pretty good, I guess? Less a novel, it’s more like a collection of short stories with an overarching theme, within which a deeper plot which spans them all begins to emerge… but is never entirely resolved.

That repeating theme might be summed up as this: a person goes to visit a clinic – often under the illusion that it’s a psychiatric specialist – where, after briefly discussing their problems with the doctor, they’re prescribed a dose of “cat” for some number of days. There’s a surprising and fun humour in the prescription, each time: the matter-of-fact way that the doctor dispenses felines as if they were medications and resulting reactions of his nonplussed patients. Fundamentally, a prescription of cat works, and by the time the cat is returned to the clinic, its caretaker is cured, albeit not necessarily in the way in which they would have originally expected.

Standing alone, each chapter short story is excellent. The writing is compelling and rich and the characters well-developed, particularly in the short timeframes in which we get to know each of them. There’s a lot of interesting bits of Japanese culture represented, too, which – as an outsider – piqued my curiosity: whether by the careful work of the author or her translator it never left me feeling lost, although I suspect there might be a few subtler points I missed as a result of my geographic bias1.

The characters (whether human, feline, or… otherwise…?) and their situations are quirky and amusing, and there are a handful of heart-warming… and heart-wrenching… moments that I thoroughly enjoyed. But by the time I was half-way through the book, I was becoming invested in a payoff that would never come to be delivered. The nature of the doctor, his receptionist, and their somewhat-magical clinic is never really resolved, and the interconnections between the patients is close to non-existent, leaving the book feeling like a collection of tales that are related to… but not connected to… one another. As much as I’d enjoyed every story – and I did! – I nonetheless felt robbed of the opportunity to wrap up the theme that they belong to.

Instead, we’re given just more unanswered questions: hints at the nature of the clinic and its occupants, ideas that skirt around ideas of magic and ghosts, and no real explanation. Maybe the author’s planning to address it in the upcoming sequel, but unless I’m confident that’s the case, I’ll probably skip it.

In summary: some beautifully-written short stories with a common theme and a fun lens on Japanese culture, particularly likely to appeal to a cat lover, but with no payoff for getting invested in the overarching plot.

Footnotes

1 Ishida spends a significant amount of intention describing the regional accents of various secondary characters, and comparing those to the Kyoto dialect, for example. I’m pretty sure there’s more I could take from this if I had the cultural foothold to better understand the relevance! But most of the cultural differences are less-mysterious.

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James Acaster’s Classic Scrapes

Book cover of James Acaster's Classic Scrapes.On the flight over to Trinidad I finished reading James Acaster’s Classic Scrapes by James Acaster, which I received as part of our family’s traditional Christmas Eve book exchange. I’m a big fan of his stand-up work (and I maintain that his 2018 serialised show Repertoire is among of the most artfully-crafted pieces of live comedy ever written) and clearly JTA recalled this fact when giving me this book.

Many of the stories in Classic Scrapes have featured in his work before, in various forms, and I found myself occasionally recognising one and wondering if I’d accidentally skipped back a chapter. It helps a lot to read them in Acaster’s “voice” – imagining his delivery – because they’re clearly written to be enjoyed in that way. In the first few chapters the book struggled to “grab” me, and it wasn’t until I started hearing it as if I were listening in to James’s internal monologue that it gave me my first laugh-out-loud moment.

After that, though, it got easier to enjoy each and every tall tale told. Acaster’s masterful callback humour ties together anecdotes about giant letter Ws, repeated car crashes, and the failures of his band (and, I suppose, almost everything else in his life, at some point or another), across different chapters, which is fun and refreshing and adds a new dimension to each that wouldn’t be experienced in isolation.

A further ongoing concept seems to be a certain idolisation of Dave Gorman, whose Are You Dave Gorman? and Googlewhack storytelling style was clearly an inspiration. In these, of course, a series of (mis)adventures with a common theme or mission becomes a vehicle for a personal arc within which the absurdity of the situations described is made accessible and believable. But with James Acaster’s self-deprecating style, this is delivered as a negative self-portrayal: somebody who doesn’t live up to their idea of their own hero, and becomes a parody of themselves for trying. It’s fun, but perhaps not for everybody (I tried to explain to Ruth why I’d laughed out loud at something but then needed to explain to her who Dave Gorman is and why that matters.)

A fun read if you enjoy Acaster’s comedic style.

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Note #25478

Just visited the Logos Hope, an ocean-going, volunteer-staffed floating book fair (run by a Christian charity, but it’s not-TOO-religiousy inside, if that’s not your jam) that’s coincidentally docked for a fortnight right next door to my hotel on Trinidad!

What a strange concept. Fun diversion though.

White and blue passenger ship docked alongside a building whose roof reads 'Welcome to Port of Spain'.

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Entitled by Kate Manne

Book cover: Entitled by Kate Manne. Subtitle: How Male Privilege Hurts Women. Shows a picture of two playing cards; the King of Diamonds sits atop, mostly-covering the Queen of Hearts beneath.I just finished reading Kate Manne‘s Entitled. I can’t remember where I first heard about it or why I opted to buy a copy, but it had been sitting in my to-read pile for a while and so I picked it up last month to read over the festive period.

The book takes a pop-sci dive into research around male entitlement and the near-universal influence of patriarchal ideology. It’s an often bleak and sometimes uncomfortable read: Kate Manne draws a line connecting the most egregious and widely-reported abuses of power by men to much-more-commonplace “everyday” offences, many of which are routinely overlooked or dismissed. The examples she provides are a sad reminder of quite how deeply-embedded into our collective subconscious (regardless of our genders) are our ideas of gender roles and expectations.

It’s feels somewhat chastening to see oneself in some of those examples, whether by my own assumed entitlement or merely by complicity with problematic social norms. We’ve doubtless all done it, at some point or another, though, and we don’t make progress towards a better world by feeling sorry for ourselves. By half way through the book I was looking for action points that never came; instead, the author (eventually) lays out what she’s doing and leaves the reader to make their own decisions.

The vast majority of the book is pretty bleak, and it takes until the final chapter before it reaches anything approximating hope (although the author refrains from classifying it as such), using Manne’s then-imminent parenthood as a vehicle. She finishes by talking about the lessons she hopes to impart to her daughter about how to thrive in this world, which seems less-optimistic than discussing, perhaps, how to improve the world for everybody, but is still the closest thing it delivers to answering “what can we do about this?”.

But I suppose that’s the message in this book: male entitlement is a product of our endemic patriarchy and, try as we might, it’s not going away any time soon. Instead, we should be picking our battles: producing a generation of women and girls who are better-equipped to understand and demand their moral rights and of men and boys who try to work against, rather than exploit, the unfair advantages they’re afforded at the expense of other genders.

That I’d hoped to come to the end of the book with a more feel-good outlook betrays the fact that I’d like there to be some kind of magical quick fix to a problem that I’ve certainly helped perpetuate. There isn’t, and that’s a let down after the book’s uncomfortable ride (not a let down on the part of the book, of course: a let down on the part of the world). The sadness that comes from reading it is magnified by the fact that since its publication in 2020, many parts of the Western world and especially Manne’s own USA have gotten worse, not better, at tackling the issue of male entitlement.

But wishful thinking doesn’t dismantle the patriarchy, and I was pleased to get to the back cover with a slightly sharper focus on the small areas in which I might be able to help fight for a better future. A good read, so long as you can tolerate the discomfort that may come from casting a critical lens over a society that you’ve been part of (arguably it could be even-more-important if you can’t tolerate such a discomfort, but that’s another story).

(In 2025 I’m going to try blogging about the books I read, in addition to whatever else I write about. Expect an eclectic mix of fiction and non-fiction, probably with a few lapses where I forget to write about something until well after I’m deep into what follows it and then forget to say anything about it ever.)

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Book Exchange

Our family Christmas Eve tradition, which we absolutely stole from Icelandic traditions (cultural appropriation? I’m not sure…) via some newspaper article we saw years ago, is a book exchange.

verybody gives each other person a book,then we sit around and read until people retire to bed (first the kids, then – eventually – the adults).

We love it.

Dan sits by firelight reading a red-spined book.

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Magical

For World Book Day (which here in the UK is marked a month earlier than the rest of the world) the kids’ school invited people to come “dressed as a word”.

As usual, the kids and teachers participated along with only around two other adults. But of course I was one of them.

This year, I was “magical”.

Dan, a white man with long hair (tied back) and a beard, stands in a Cotswolds-esque village green wearing a black jacket and holding three large novelty playing cards and a magic wand.

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Where?

I’m pretty sure that Wally/Waldo, Woof, and Wizard Whitebeard must be out on this mountain somewhere, too.

Composite image showing (1) a woman at an alpine terrace bar wearing a red-and-white striped jumper, and (2) a skiier wearing a yellow-and-black striped snowsuit. They look somewhat like Wilma and Odlaw from the Where's Wally?/Where's Waldo? series of books.

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[Bloganuary] Reading List

This post is part of my attempt at Bloganuary 2024. Today’s prompt is:

What books do you want to read?

Well, I probably ought to start with my backlog! Between our traditional Family Christmas Book Exchange and my birthday, it’s pretty common for me to have a lot of books on the “next to read” pile on my bedside table, this time of year1.

A pile of books on a round-topped wooden bedside table. From top to bottom: Time's Mouth by Edan Lepucki, a slim book whose spine doesn't show a name, Bad Words by Philip Gooden, Absolute Efficiency: Book One by Neil Wilson, Market Forces by Richard Morgan, Kids on Brooms by Jonathan Gilmour, Doug Levandowski, and Spenser Starke, Terry Pratchett: A Life With Footnotes by Rob Wilkins, The New Watch by Sergei Lukyanenko, and a book whose spine is turned away from the camera.
I’m enjoying Time’s Mouth, but it’s taking some time to enjoy fully. Note that my previous paragraph may be misleading: not all of these books were (recent) gifts, and not all the books I recently received as gifts are shown here. Trust nothing: or all you know an AI made the entire image based on the prompt “eclectic pile of books Dan might like”.

Aside from that: a book that I’d really like to re-read2 is Antkind by Charlie Kaufman.

Antkind is quite something. Here’s a synopsis: film critic “B.”, its protagonist, discovers an independent filmmaker who’s spent literally his entire life producing a film with a three-month runtime. The filmmaker agrees to show it to B., but only if thon3 watches it in a single sitting: the film is scripted to provide opportunities for breaks for sleep, toilet trips, eating and so on. B. watches it and discovers to be a masterpiece and the most impressive piece of art thon has even seen.

Photograph of Dan in bed, seemingly asleep with an open copy of Antkind on his face.
In local news, a man was killed today when he was crushed to death by a book after he fell asleep reading it.

Despite the arduous effort required to watch the film, B. decides that it’s a sufficiently important and significant piece of work, with great artistic merit, that it needs to be seen by the world!

Thon takes the print for distribution… and then promptly loses the entire thing in a fire. All but one frame, with which – with the addition of thon’s own memories of their single viewing of the movie – B. attempts to reconstruct and recreate. The process drives thon somewhat insane, and the story begins (continues?) to be told by an delusional and unreliable narrator in a an increasingly surreal-to-the-point-of-absurdity setting.

Page 657 of the book, featuring a number 1 footnote (indicated by a finger).
Somehow, despite everything else that might make this book confusing, the biggest headscratcher for me was this footnote reference. There are no footnotes nor endnotes in the entire volume. It’s the only such reference in the entire story. It could be a printing error or the result of some editorial cuts… but it appears in a section about the impossibility of perfectly recreating a piece of art, which makes such an “mistake” strangely fitting: is it a deliberate piece of meta-humour?

I remember getting to the bit set in the far future, where there’s a war between the employees of a fast-food chain and an endlessly replicating army of robot replicas of Donald Trump… and as I reached that part of the story I thought to myself… wait, how did I get here? Every step along the way felt like it was part of the same narrative, but if you compare what’s happening right now to what happened at the start of the story then you wouldn’t believe for a moment that they were in the same book.

It’s truly bizarre and I’m looking forward to my re-read of it4… just as soon as I can face lugging the mammoth tome off the shelf.

In other news: after doing Bloganuary for 27 straight days, this is now my longest consecutive daily streak of blogging, beating a 24-year-old record streak from late 1999! Hurrah!

Footnotes

1 Gotta admit, this was a convenient blog post to be writing from bed during a Saturday morning lie-in.

2 I keep promising myself I’ll re-read Antkind some day, and possibly blog more-deeply about my thoughts on it, but it’s been sitting on my bookshelf gathering dust since I first read it, shortly after its release. It’s too heavy to comfortably read in bed, is part of the problem! Maybe I could get the ebook version…

3 B. uses thon/thons/thonself pronouns.

4 But I’ll probably stop at reading it twice, unlike the protagonist who would, based on thon’s description of their usual film review process, read it seven times in several different ways (forward, backward, etc.).

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[Bloganuary] Traditions

This post is part of my attempt at Bloganuary 2024. Today’s prompt is:

Write about a few of your favourite family traditions.

We’ve got a wonderful diversity of family traditions. This by virtue, perhaps, of us being a three-parent family, and so bringing 50% more different traditions and 100% less decisiveness over which to accept than a traditional two-parent family. Or it might reflect our outlook and willingness to evaluate and try new things: to experiment and adopt what works. Or perhaps we just like to be just-barely on this side of the line across the the quirky/eccentric scale1.

Posed sepia photograph of Dan, JTA, Ruth, and their children and dog, dressed in Victorian-era clothing, by a Christmas tree.
Having family photos taken in the style and dress of the Victorian era might be becoming a family tradition: this hangs proudly in our living room in the space formerly occupied by its similar predecessor from some years ago.

But there are plenty of other traditions we’ve inherited or created, such as:

  • Pancake Brunch Sundays sort-of evolved out of a fried Sunday breakfast that used to be a household tradition many years ago. If you come visit us for a weekend you’ll find you’re served pancakes (or possibly waffles) with a mixture of traditional toppings plus, usually, a weekly “feature flavour” around midday on Sunday. For no reason now other than it’s just what we do.
A boy in blue-and-brown striped pyjamas, on a table stacked with plates of waffles, slices into a birthday cake with six candles.
Sunday Brunch stops for nothing, not even birthdays.
  • Family Day is an annual event, marked on or near 3 July each year, with gifts for children and possibly an outing or trip away for everybody to enjoy. It celebrates the fact that we get to be a family together, despite forces outside of our control trying to conspire to prevent it.2
  • Family Film Night takes place most months: in rotation, the five of us take turns to nominate a film or two that we’ll all watch together along with snacks and sweet treats. It might be seen as a continuation of the pre-children tradition of Troma Night from back in the day, except that we don’t go out of our way to deliberately watch terrible films: now that happens just as a result of good or bad fortune! We also periodically schedule a Family Board Games Night, and a Family Videogames Night.
Family members read books in a living room, seen over the top of the pages of an (out of focus) book in the foreground.
Books! Books books books! BOOKS!
  • Christmas Eve Books: a tradition we stole from Iceland is that we give books on Christmas Eve. Adults in our household now don’t really get Christmas gifts, but everybody present is encouraged to exchange books on Christmas eve and then sit up late reading together, often with gingerbread, chocolate, and/or a pan of mulled wine keeping warm on the stove. I find it a fun way to keep my reading list stocked early in the year, plus it encourages the kids to read3
  • Festive meals, while I’m thinking about that end of the year, are pretty-well established. Christmas Eve is all about roast duck pancakes. Christmas Day sees me roast a goose. New Years’ Eve is for fondue. Plus vegetarian (and sometimes vegan) alternatives to the otherwise-unsuitable things, of course.

I’m certain there must be more, but the thing with family traditions is they become part of the everyday tapestry of your life after a while. Eventually traditions become hard to see them because they’re always there. I’m sure there are more “everyday rituals” that we’ve taken on that are noteworthy or interesting to outsiders but which to us are so mundane as to be unworthy of mention!

But every single one of these is something special to us. They’re an element of structure for the kids and a signifier of community to all of us. They’re routines that we’ve taken on and made “ours” as part of our collective identity as a family. And that’s just great.

Footnotes

1 Determining which side of the line I mean is left as an exercise to the reader.

2 It’s been what…? 6½ years…? And I’m still not ready even emotionally to blog about the challenges we faced, so maybe I never will. So if you missed that chapter of our lives, suffice to say: for a while, it looked like we might not get to continue being a family, and over the course of one exceptionally-difficult year it took incredible effort, resolve, sleepless nights, supportive families, and (when it came down to brass tacks) enough money and lawyers to seek justice… in order to ensure that we got to continue to be. About which we’re all amazingly grateful, and so we celebrate it.

3 Not that they need any help with that, little bookworms that they are.

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[Bloganuary] Live Long and Prosper

This post is part of my attempt at Bloganuary 2024. Today’s prompt is:

What are your thoughts on the concept of living a very long life?

Today’s my 43rd birthday. Based on the current best statistics available for my age and country, I might expect to live about the same amount of time again: I’m literally about half-way through my anticipated life, today.1

Naturally, that’s the kind of shocking revelation that can make a person wish for an extended lifespan. Especially if, y’know, you read Andrew’s book on the subject and figured that, excitingly, we’re on the cusp of some meaningful life extension technologies!

Paperback copy of Ageless: The New Science of Getting Older Without Getting Old, by Andrew Steele.
I’ll be leaning heavily on the only book I’ve read on the subject for this one.

My very first thought when I read Andrew’s thoughts on lifespan extension was exactly the kind of knee-jerk panic response he tries to assuage with his free bonus chapter. He spends a while explaining how he’s not just talking about expending lifespan but healthspan, and so the need healthcare resources that are used to treat those in old-age wouldn’t increase dramatically as a result of lifespan increase, but that’s not the bit that worries me. My concern is that lifespan extension technologies will be unevenly distributed, and the (richer) societies that get them first are those same societies whose (richer) lifestyle has the greater negative impact on the Earth’s capacity to support human life.2

Andrew anticipates this concern and does some back-of-napkin maths to suggest that the increase in population doesn’t make too big an impact:

In this ‘worst’ case, the population in 2050 would be 11.3 billion—16% larger than had we not defeated ageing.

Is that a lot? I don’t think so—I’d happily work 16% harder to solve environmental problems if it meant no more suffering from old age.

This seems to me to be overly-optimistic:

  • The Earth doesn’t care whether or not you’re happy to work 16% harder to solve environmental problems if that extra effort isn’t possible (there’s necessarily an upper limit to how much change we can actually effect).
  • 16% extra population = 16% extra “work” to save them implies a linear relationship between the two that simply doesn’t exist.
  • And that you’re willing to give 16% more doesn’t matter a jot if most of the richest people on the planet don’t share that ideal.

Fortunately, I’m reassured by the fact that – as Andrew points out – change is unlikely to happen fast. That means that the existing existential threat of climate change remains a bigger and more-significant issue than potential future overpopulation does!

In short: while I’m hoping I’ll live happily and healthily to say 120, I don’t think I’m ready for the rest of the world to all suddenly start doing so too! But I think there are bigger worries in the meantime. I don’t fancy my chances of living long enough to find out.

Gosh, that’s a gloomy note for a birthday, isn’t it? I’d better get up and go do something cheerier to mark the day!

Dan waves, his head and shoulders peeping out from underneath a white duvet.
This post brought to you from my bed at the forest chalet I’ve spent the weekend in!

Footnotes

1 Assuming I don’t die of something before them, of course. Falling off a cliff isn’t a heritable condition, is it? ‘Cos there’s a family history of it, and I’ve always found myself affected by the influence of gravity, which I believe might be a precursor to falling off things.

2 Fun fact: just last month I threw together a little JavaScript simulator to illustrate how even with no population growth (a “replacement rate” of one child per adult) a population grows while its life expectancy grows, which some people find unintuitive.

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Incredible Doom

I just finished reading Incredible Doom volumes 1 and 2, by Matthew Bogart and Jesse Holden, and man… that was a heartwarming and nostalgic tale!

Softcover bound copies of volumes 1 and 2 of Incredible Doom, on a wooden surface.
Conveniently just-over-A5 sized, each of the two volumes is light enough to read in bed without uncomfortably clonking yourself in the face.

Set in the early-to-mid-1990s world in which the BBS is still alive and kicking, and the Internet’s gaining traction but still lacks the “killer app” that will someday be the Web (which is still new and not widely-available), the story follows a handful of teenagers trying to find their place in the world. Meeting one another in the 90s explosion of cyberspace, they find online communities that provide connections that they’re unable to make out in meatspace.

A "Geek Code Block", printed in a dot-matrix style font, light-blue on black, reads: GU D-- -P+ C+L? U E M+ S-/+ N--- H-- F--(+) !G W++ T R? X?
I loved some of the contemporary nerdy references, like the fact that each chapter page sports the “Geek Code” of the character upon which that chapter focusses.1
So yeah: the whole thing feels like a trip back into the naivety of the online world of the last millenium, where small, disparate (and often local) communities flourished and early netiquette found its feet. Reading Incredible Doom provides the same kind of nostalgia as, say, an afternoon spent on textfiles.com. But it’s got more than that, too.
Partial scan from a page of Incredible Doom, showing a character typing about "needing a solution", with fragments of an IRC chat room visible in background panels.
The user interfaces of IRC, Pine, ASCII-art-laden BBS menus etc. are all produced with a good eye for accuracy, but don’t be fooled: this is a story about humans, not computers. My 9-year-old loved it too, and she’s never even heard of IRC (I hope!).

It touches on experiences of 90s cyberspace that, for many of us, were very definitely real. And while my online “scene” at around the time that the story is set might have been different from that of the protagonists, there’s enough of an overlap that it felt startlingly real and believable. The online world in which I – like the characters in the story – hung out… but which occupied a strange limbo-space: both anonymous and separate from the real world but also interpersonal and authentic; a frontier in which we were still working out the rules but within which we still found common bonds and ideals.

A humorous comic scene from Incredible Doom in which a male character wearing glasses walks with a female character he's recently met and is somewhat intimidated by, playing-out in his mind the possibility that she might be about to stab him. Or kiss him. Or kiss him THEN stab him.
Having had times in the 90s that I met up offline with relative strangers whom I first met online, I can confirm that… yeah, the fear is real!

Anyway, this is all a long-winded way of saying that Incredible Doom is a lot of fun and if it sounds like your cup of tea, you should read it.

Also: shortly after putting the second volume down, I ended up updating my Geek Code for the first time in… ooh, well over a decade. The standards have moved on a little (not entirely in a good way, I feel; also they’ve diverged somewhat), but here’s my attempt:

----- BEGIN GEEK CODE VERSION 6.0 -----
GCS^$/SS^/FS^>AT A++ B+:+:_:+:_ C-(--) D:+ CM+++ MW+++>++
ULD++ MC+ LRu+>++/js+/php+/sql+/bash/go/j/P/py-/!vb PGP++
G:Dan-Q E H+ PS++ PE++ TBG/FF+/RM+ RPG++ BK+>++ K!D/X+ R@ he/him!
----- END GEEK CODE VERSION 6.0 -----

Footnotes

1 I was amazed to discover that I could still remember most of my Geek Code syntax and only had to look up a few components to refresh my memory.

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