Hetero Awesome… Hijacked

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I somehow missed this “most punk rock thing ever” moment the other month. If you did too, let me catch you up:

For a weekend in June, in what was clearly designed to act as a protest to Pride month events, human turd/bar owner Mark Fitzpatrick decided to put on a “straight pride” festival in Boise, Idaho. Called “Hetero Awesome Fest”, it was as under-subscribed as perhaps it ought to be (having a similar turnout to the “world’s smallest pride parade”). And that would have made it a non-story, except for the moment when local singer-songwriter Daniel Hamrick got up to perform his set:

I can’t begin to fathom the courage it takes to get on-stage in front of an ultra-conservative crowd (well, barely a crowd…) in a right-leaning US state to protest their event by singing a song about a trans boy. But that’s exactly what Hamrick did. After catching spectators off-guard, perhaps, by taking the perhaps-“masculine-telegraphing” step of drawing attention to part of his army uniform, the singer swiftly switched outfit to show off a “Keep Canyon County Queer” t-shirt, slip on a jacket with various Pride-related patches, and then immediately launched into Boy, a song lamenting the persecution of a trans child by their family and community.

Needless to say, this was the first, last, and only song Daniel Hamrick got to play at Hetero Awesome Fest. But man, what a beautiful protest!

(There are other videos online that aren’t nabbed from the official event feed and so don’t cut-out abruptly.)

Repost #27029

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I still get that powerful feeling that anything is possible when I open a web browser — it’s not as strong as it was 20 years ago, but it’s still there.

This. This is the optimistic side of the coin represented by the things I’ve been expressing in notes like this, articles like that, and reposts like the other.

As cynical as you can get at the state of the Web right now… as much as it doesn’t command the level of inspirational raw potential of “anything is possible” that it might have once… it’s still pretty damn magical, and we should lean into that.

The rise of Whatever

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A freaking excellent longread by Eevee (Evelyn Woods), lamenting the direction of popular technological progress and general enshittification of creator culture. It’s ultimately uplifting, I feel, but it’s full of bitterness until it gets there. I’ve pulled out a couple of highlights to try to get you interested, but you should just go and read the entire thing:

And so the entire Web sort of congealed around a tiny handful of gigantic platforms that everyone on the fucking planet is on at once. Sometimes there is some sort of partitioning, like Reddit. Sometimes there is not, like Twitter.

That’s… fine, I guess. Things centralize. It happens. You don’t get tubgirl spam raids so much any more, at least.

But the centralization poses a problem. See, the Web is free to look at (by default), but costs money to host. There are free hosts, yes, but those are for static things getting like a thousand visitors a day, not interactive platforms serving a hundred million. That starts to cost a bit. Picture logs being shoveled into a steam engine’s firebox, except it’s bundles of cash being shoveled into… the… uh… website hole.

I don’t want to help someone who opens with “I don’t know how to do this so I asked ChatGPT and it gave me these 200 lines but it doesn’t work”. I don’t want to know how much code wasn’t actually written by anyone. I don’t want to hear how many of my colleagues think Whatever is equivalent to their own output.

I glimpsed someone on Twitter a few days ago, also scoffing at the idea that anyone would decide not to use the Whatever machine. I can’t remember exactly what they said, but it was something like: “I created a whole album, complete with album art, in 3.5 hours. Why wouldn’t I use the make it easier machine?”

This is kind of darkly fascinating to me, because it gives rise to such an obvious question: if anyone can do that, then why listen to your music? It takes a significant chunk of 3.5 hours just to listen to an album, so how much manual work was even done here? Apparently I can just go generate an endless stream of stuff of the same quality! Why would I want your particular brand of Whatever?

Nobody seems to appreciate that if you can make a computer do something entirely on its own, then that becomes the baseline.

Do things. Make things. And then put them on your website so I can see them.

Clearly this all ties in to stuff that I’ve been thinking, lately. Expect more posts and reposts in this vein, I guess?

You MUST listen to RFC 2119

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With thanks to Ruth for sharing this with me:

RFC 2119 establishes language around requirement levels. Terms like “MUST”, “MUST NOT”, “SHOULD”, and “SHOULD NOT” are helpful when coordinating with engineers. I reference it a lot for work, as I create a lot of accessible component specifications.

Because of this familiarity—and because I’m an ass—I fired back in Discord:

I want to hire a voice actor to read 2119 in the most over the top, passive-aggressive way possible
wait, this is an achievable goal oh no

It turns out you can just pay people to do things.

I found a voice actor and hired them with the task of “Reading this very dry technical document in the most over-the-top sarcastic, passive-aggressive, condescending way possible. Like, if you think it’s too much, take that feeling, ignore it, and crank things up one more notch.”

RFC 2119 is one of few RFCs I can identify by number alone, too. That and RFCs 1945 and 1866, for some reason, and RFC 2822 (and I guess, by proxy, 822) because I’ve had to implement its shitty date format more times than I’d like to count.

But anyway: if you’ve ever wanted to hear a (sarcastic, passive aggressive) dramatic reading of RFC 2119, Eric – and the actor he found – have got you covered!

A Castle Built From Random Rooms

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A Castle Built From Random Rooms is a work in progress/early access/demo version of a full game that’ll probably never exist. But if it does exist, it will be basically the same as this, but on a grander scale, and include the following features:

   – over a hundred random rooms instead of about ten
   – character jobs and descriptions that actually add individualised effects/skills/starting equipment and so on
   – special pre-chosen characters with particulalrly challenging stats levels for extra difficult challenges
   – more stats! more items! more use of the stats and items within different rooms to create different outcomes!
   – high scores and loot rankings and possibly even achievements of some kind
   – less bugs (aspiration)
   – decent endings (stretch goal)

What the game almost certainly won’t ever have:

   – any semblance of quality or coherence
   – sound and/or music
   – monetary success

I saw and first played this ages ago, after its initial release was mentioned on Metafilter Projects last year. In case you missed it first time around, you can give it a go now!

It’s a Twine-like choose-your-own-adventure, but with the rooms randomly shuffled each time, in sort-of a semi-rougelite way. Some imaginative work in this. And the art style is wonderful!

Citing Lobachevsky

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The recent death of Tom Lehrer has resulted in all manner of interesting facts and anecdotes about the man being published around the Internet, but perhaps my favourite was the tale about how, while working for the NSA in 1957, he snuck an Easter Egg into a research paper… that went undetected for nearly 60 years:

I worked as a mathematician at the NSA during the second Obama administration and the first half of the first Trump administration. I had long enjoyed Tom Lehrer’s music, and I knew he had worked for the NSA during the Korean War era.

The NSA’s research directorate has an electronic library, so I eventually figured, what the heck, let’s see if we can find anything he published internally!And I found a few articles I can’t comment on. But there was one unclassified article– “Gambler’s Ruin With Soft-Hearted Adversary”.

The paper was co-written by Lehrer and R. E. Fagen, published in January, 1957. The mathematical content is pretty interesting, but that’s not what stuck out to me when I read it. See, the paper cites FIVE sources throughout its body. But the bibliography lists SIX sources. What’s the leftover?

Academic bibliography, citing six papers related principally to probability. The third paper, highlighted for the picture, is: Lobachevsky, "Analytic and Algebraic Topology of Locally Euclidean Metrizations of Infinitely Differentiable Remannian Manifolds" (Unpublished)

So I sent an email to the NSA historians. And I asked them: hey, when was this first noticed, and how much of a gas did people think it was? Did he get in trouble for it? That sort of stuff.

The answer came back: “We’ve never heard of this before. It’s news to us.”

In November of 2016, nearly 60 years after the paper was published internally, I had discovered the joke.

Bozhe moi!

Very Tom Lehrer to hide a joke so well that nobody would even notice it for most of six decades, while undermining and subverting bureaucratic government processes.

And if you somehow don’t “get” the joke, Wikipedia can both explain and let you listen to the relevant song

ArtificialCast

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Type-safe transformation powered by inference.

ArtificialCast is a lightweight, type-safe casting and transformation utility powered by large language models. It allows seamless conversion between strongly typed objects using only type metadata, JSON schema inference, and prompt-driven reasoning.

Imagine a world where Convert.ChangeType() could transform entire object graphs, infer missing values, and adapt between unrelated types – without manual mapping or boilerplate.

ArtificialCast makes that possible.

Features

  • Zero config – Just define your types.
  • Bidirectional casting – Cast any type to any other.
  • Schema-aware inference – Auto-generates JSON Schema for the target type.
  • LLM-powered transformation – Uses AI to “fill in the blanks” between input and output.
  • Testable & deterministic-ish – Works beautifully until it doesn’t.

As beautiful as it is disgusting, this C# is fully-functional and works exactly as described… and yet you really, really should never use it (which its author will tell you, too).

Casting is the process of transforming a variable of one type into one of another. So for example you might cast the number 3 into a string and get "3" (though of course this isn’t the only possible result: "00000011" might also be a valid representation, depending on the circumstances1).

Casting between complex types defined by developers is harder and requires some work. Suppose you have a User model with attributes like “username”, “full name”, “hashed password”, “email address” etc., and you want to convert your users into instances of a new model called Customer. Some of the attributes will be the same, some will be absent, and some will be… different (e.g. perhaps a Customer has a “first name” and “last name” instead of a “full name”, and it’s probably implemented wrong to boot).

The correct approach is to implement a way to cast one as the other.

The very-definitely incorrect approach is to have an LLM convert the data for you. And that’s what this library provides.

ArtificialCast is a demonstration of what happens when overhyped AI ideas are implemented exactly as proposed – with no shortcuts, no mocking, and no jokes.

It is fully functional. It passes tests. It integrates into modern .NET workflows. And it is fundamentally unsafe.

This project exists because:

  • AI-generated “logic” is rapidly being treated as production-ready.
  • Investors are funding AI frameworks that operate entirely on structure and prompts.
  • Developers deserve to see what happens when you follow that philosophy to its logical conclusion.

ArtificialCast is the result.

It works. Until it doesn’t. And when it doesn’t, it fails in ways that look like success. That’s the danger.

I’ve played with AI in code a few times. There are some tasks it’s very good at, like summarising and explaining (when the developer before you didn’t leave a sufficiency of quality comments). There are some tasks it can be okay at, with appropriate framing and support: like knowing its way around unfamiliar-to-you but well-documented APIs2.

But if you ask an AI to implement an entire product or even just a significant feature from scratch, unsupervised, you’re at risk of rapidly hitting the realm of Heisenbugs, security vulnerabilities, and enormous redundancies.

This facetious example – of using AI as a universal typecasting engine – helps hammer that point home, and I love it.

Footnotes

1 How to cast basic types isn’t entirely standardised: PHP infamously casts the string "0" as false when it’s coerced into a boolean, which virtually no other programming language does, for example.

2 The other week, I had a GenAI help me write some code that writes to a Google Sheets document, because I was fuzzy on the API and knew the AI would pick it up faster than me while I wrote the code “around” it.

DOGWALK

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Well this was adorable.

Blender Studio’s official game project is a short casual interactive story. Play a big, adorable dog traversing through winter woods and help out a little kid decorate a snowman with colorful items hidden in the environment.

Animation from DOGWALK featuring a papercraft scene of a large hairy dog pulling a young child through a wintery forest.

DOGWALK is a free, open-source Godot game for Windows, MacOS and Linux, produced and given to the world by Blender Studio as a way of showcasing some of their video lessons. The beautiful, playful “papercraft” models were made by making actual hand-painted paper models of the assets, unfolding them, scanning them, and then re-folding the maps back into in-game assets, which is an amazing and imaginative approach.

It was released a little over a week ago, and it’s a short but adorable little game.

It’s also free on Steam, if that’s your preference.

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Adding a feature because ChatGPT incorrectly thinks it exists

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Our scanning system wasn’t intended to support this style of notation. Why, then, were we being bombarded with so many ASCII tab ChatGPT screenshots? I was mystified for weeks — until I messed around with ChatGPT myself and got this:

Screenshot of ChatGPT telling users to enter this ASCII tab into soundslice.com

Turns out ChatGPT is telling people to go to Soundslice, create an account and import ASCII tab in order to hear the audio playback. So that explains it!

With ChatGPT’s inclination to lie about the features of a piece of technology, it was only a matter of time before a frustrated developer actually added a feature that ChatGPT had imagined, just to stop users from becoming dissatisfied when they tried to use nonexistent tools that ChatGPT told them existed.

And this might be it! This could be the very first time that somebody’s added functionality based on an LLM telling people the feature existed already.

Adrian Holovaty runs a tool that can “read” scanned sheet music and provide a digital representation to help you learn how to play it. But after ChatGPT started telling people that his tool could also read ASCII-formatted guitar tablature, he went and implemented it!

His blog post’s got more details, and it’s worth a read. This could be a historic moment that we’ll look back on!

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Zip It – Finding File Similarity Using Compression Utilities

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This was an enjoyable video. Nothing cutting-edge, but a description of an imaginative use of an everyday algorithm – DEFLATE, which is what powers most of the things you consider “ZIP files” – to do pattern-matching and comparison between two files. The tl;dr is pretty simple:

  • Lossless compression works by looking for repetition, and replacing the longest/most-repeated content with references to a lookup table.
  • Therefore, the reduction-in-size from compressing a file is an indicator of the amount of repetition within it.
  • Therefore, the difference in reduction-in-size of compressing a single file to the reduction-in-size of compressing a pair of files is indicative of their similarity, because the greatest compression gains come from repetition of data that is shared across both files.
  • This can be used, for example, to compare the same document written in two languages as an indication of the similarity of the languages to one another, or to compare the genomes of two organisms as an indication of their genetic similarity (and therefore how closely-related they are).

I love it when somebody finds a clever and novel use for an everyday tool.

Historical Tech Tree

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Screenshot from HistoricalTechTree.com, highlighting how the invention of electromagnetic induction in 1831 led to the development of the dynamo and alternating current, amidst a collection of other 19th-century technological developments and a mess of connecting lines.

This wonderful project, released six weeks ago, attempts the impossible challenge of building a Civilization-style tech tree but chronicling the development and interplay of all of the actual technological innovations humanity has ever made. Even in its inevitably-incomplete state, it’s inspiring and informative. Or, as Open Culture put it:

Our civilization has made its way from stone tools to robotaxis, mRNA vaccines, and LLM chatbots; we’d all be better able to inhabit it with even a slightly clearer idea of how it did so.

The Last Post for the Nightline Association. How does that make you feel?

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Fellow geek, Nightline veteran, and general volunteering hero James Buller wrote a wonderful retrospective on his experience with Surrey Nightline, National Nightline, and the Nightline Association over most of the last three decades:

  • In 1997 I left a note in the Surrey Nightline pigeon-hole to volunteer and eventually become the Coordinator
  • In 1998 I emailed the leaders of National Nightline with a plea for support.
  • In 2000 I launched the first National Nightline website and email list
  • In 2003 I added the bulletin board online forum
  • In 2006 I led governance reform and the registration project that led to the Nightline Association charity
  • In 2007 I set up Google Apps for the recently established nightline.ac.uk domain
  • In 2008 We sent news via an email broadcast system for the first time
  • In 2025 All the user accounts and the charity were shut down.

So here’s my last post on volunteering with the confidential mental health helplines run ‘by students for students’ at universities, then the overarching association body.

I began volunteering with Aberystwyth Nightline in 1999, and I remember the 2000 launch of the National Nightline mailing list and website. It felt like a moment of coalescence and unity. We Nightline volunteers at the turn of the millennium were young, and tech-savvy, and in that window between the gradual decline of Usenet and the 2004-onwards explosion in centralised social networking, mailing lists and forums were The Hotness.

Nightlines (and Nightliners) disagreed with one another on almost everything, but the Internet-based connectivity that James put into place for National Nightline was enormously impactful. It made Nightline feel bigger than it had been before: it was an accessible and persistent reminder that you were part of a wider movement. It facilitated year-round discussions that might previously have been seen only at annual conferences. It brought communities together.

(Individuals too: when my friends Kit and Fiona met and got together back in 2003 (and, later, married), it probably wouldn’t have happened without the National Nightline forum.)

Screenshot of website 'NNL Bulletin Board', powered by PHPbb, featuring a variety of Nightline-related topics including Three Rings and a mention that registered user 'AvaPoet' (an alias of Dan Q's at the time) has posted today, along with 'Fiona M' and 'Kit' (mentioned elsewhere in this article).
Gosh, I spent an inordinate amount of time on this site, back in the day.

But while I praise James’ work in community-building and technology provision, his experience with Nightlines doesn’t stop there: he was an important force in the establishment of the Nightline Association, the registered charity that took over National Nightline’s work and promised to advance it even further with moves towards accreditation and representation.

As his story continues, James talks about one of his final roles for the Association: spreading the word about the party to “see it off”. Sadly, the Nightline Association folded last month, leaving a gap that today’s Nightlines, I fear, will struggle to fill, but this was at least the excuse for one last get-together (actually, three, but owing to schedule conflicts I was only able to travel up to the one in Manchester):

I had done a lot of the leg work to track down and invite former volunteers to the farewell celebrations. I’d gotten a real buzz from it, which despite a lot of other volunteering I’ve not felt since I was immersed in the Nightline world in the 2000’s. I felt all warm and fuzzy with nostalgia for the culture, comradeship and perhaps dolefully sense of youth too!

I was delighted that so many people answered the call (should have expected nothing less of great Nightliners!). Their reminiscing felt like a wave of love for the movement we’d all been a part of and had consumed such a huge part of our lives for so long. It clearly left an indelible mark on us all and has positively affected so many others through us.

Many people played their part in the story of the Nightline Association.

12 Caucasian people of a mix of ages and genders posing as a group in front of a Nightline Association banner. Dan is one of them.
I got to hang out with some current and former Nightline volunteers in Manchester, the smallest of the ‘Goodbye NLA’ parties.

My part in the story has mostly involved Three Rings (which this year adopted some of the Association’s tech infrastructure to ensure that it survives the charity’s unfortunate demise). But James, I’ve long felt, undermines his own staggering impact.

Volunteering in charity technical work is a force multiplier: instead of working on the front lines, you get to facilitate many times your individual impact for the people who do! Volunteering with Three Rings for the last 23 years has helped me experience that, and James’ experience of this kind of volunteering goes even further than mine. And yet he feels his impact most-strongly in a close and interpersonal story that’s humbling and beautiful:

I was recently asked by a researcher, ‘What is the best thing you have done as a volunteer in terms of impact?’. I was proud to reply that I’d been told someone had not killed themselves because of a call with me at Surrey Nightline.

I’d recommend going and reading the full post by James, right up to the final inspiring words.

(Incidentally: if you’re looking for a volunteering opportunity that continues to help Nightlines, in the absence of the Nightline Association, Three Rings can make use of you…)

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On Being

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Step into your head
that’s where planning happens

Step out of your head
and into your senses
and into the world
that’s where life happens

This week, my friend Boro shared a poem that he’d written. It’s simple, and energising, and insightful, and I really enjoyed it. Go read the whole thing; it’s not long.

Whether we’re riding high or low, there’s wisdom in being gentle with oneself. The rhythm of the piece feels a bit like breathing, to me, and from that is reminiscent of a breathing exercise I was shown, once, in which the inhalations were accompanied by a focus on self-awareness and the exhalations with one on situational awareness.

Boro’s poem makes me wonder if he’s come across the same exercise: that through my appreciation of his post I’m sharing in his experience of the same exercise, in another time and place.

Or maybe it’s just a nice bit of writing.

If this man isn’t hired immediately, it’s a huge loss

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When I posted to LinkedIn about my recent redundancy, I saw a tidal wave of reposts and well-wishes. But there’s one that I’ve come back to whenever I need a pick-me-up before I, y’know, trawl the job boards: a comment-repost by my big-hearted, sharp-minded former co-worker Kyle. I’m posting it here because I want to keep a copy forever1:

Bad news: I’m among the sixth of Automattic that’s been laid-off this week.

Good news: I’m #OpenToWork, and excited about the opportunity to bring my unique skillset to a new role. Could I be the Senior Software Engineer, Full-Stack Web Developer, or Technical Lead that you’re looking for?

Here’s what makes me special:

🕸️ 26+ years experience of backend and frontend development, with a focus on standards, accessibility, performance, security, and the open Web
🌎 20+ years experience of working in and leading remote/distributed teams in a diversity of sectors
👨‍💻 Professional experience of many of the technologies you’ve heard of (PHP, Ruby, Java, Perl, SQL, Go, DevOps, JS, jamstacks, headless…), and probably some you haven’t…
👨‍🎓 Degrees and other qualifications spanning computer science and software engineering, psychotherapy, ethical hacking, and digital forensics (I don’t believe there’s a career in the world that makes use of all of these, but if you know differently, tell me!)

If this man isn’t hired immediately, it’s a huge loss. Dan is easily one of the most talented engineers I’ve ever met. His skills are endless, his personal culture is delightful, and I don’t think I went a day working with him where I didn’t learn something. Let him build you beautiful things. I dare you.

Incidentally, Kyle’s looking for a new role too. If you’re in need of a WordPress/PHP/React pro with a focus on delivering the MVP fast and keeping the customer’s needs front-and-centre, you should look him up. He’s based in Cape Town but he’s a remote/distributed veteran that you could slot into your Web team anywhere.

Footnotes

1 My blog was already 5 years old when LinkedIn was founded: my general thinking is that I can’t trust any free service younger than my blog to retain information for perpetuity longer than my blog, which is why so much of my content from around the web gets PESOS‘d or POSSE‘d here.

The Who Cares Era

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It’s so emblematic of the moment we’re in, the Who Cares Era, where completely disposable things are shoddily produced for people to mostly ignore.

In the Who Cares Era, the most radical thing you can do is care.

In a moment where machines churn out mediocrity, make something yourself. Make it imperfect. Make it rough. Just make it.

At a time where the government’s uncaring boot is pressing down on all of our necks, the best way to fight back is to care. Care loudly. Tell others. Get going.

Smart words, well-written by Dan Sinker.

I like the fact that he correctly identifies that the “Who Cares Era” – illustrated by the bulk creation of low-effort, low-quality media, for a disheartened audience that no longer has a reason to give a damn – isn’t about AI.

I mean… AI’s certainly not helping! AI slop dominates social media (especially in right-wing spaces, for retrospectively-obvious reasons) and bleeds out into the mainstream. LLM-generated content, lacking even the slightest human input, is becoming painfully ubiquitous. It’s pretty sad out there.

But AI’s doing some useful things too: it’s not without its value, even just in popular use.

So while the “Who Cares Era” might be exemplified by the proliferation of AI slop… it’s much bigger than that. It’s a sociological change, tied perhaps to a growing dissatisfaction with our governments and the increasing feeling of powerlessness to change the unjust social systems we’re locked into?

I don’t know how to fix it. I don’t even know if it’s fixable. But I agree with Dan’s argument that a great starting point is to care.

And I, for one, am going to continue to create things I care about, giving them the time and attention they deserve. And maybe if enough of us can do that, just that, then maybe that’ll make the difference.