The death of the internet

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hen I was very young, before I was on the internet — even before the internet was really a thing you could “go on” — I would dial into BBSs (bulletin board systems). BBSs were kind of like private, micro-internets that people set up in their houses. You had to use a dial-up modem to connect to them, and the people who were in charge of these networks (usually just some random technology enthusiast) could shut them off or boot you at any time. I got booted a lot when I was kid, because I was curious and annoying and all the things I am today but way less savvy about it. Once a guy who ran a BBS called my house to complain to my mother that her son had been snooping around in places he wasn’t supposed to go — I don’t remember what I was after, but I’m sure he had a very good reason to be angry.

Here’s why I mention this: What I was doing online, in a virtual space, had real-world repercussions. It was real. What I was doing was real. That guy who complained about me was real. And I realize now that I never treated or experienced the internet like some other thing — as if the physical world were “real” and what happened on the internet was something less. That was where my real life was. That’s where I was, as a person.

The internet was the most real thing to me that I’d ever had in my life, before my wife and my daughter; my job, my house, my things. Its existence helped to form the basis of my worldview, my politics, my obsessions. It gave me tools to talk and create in ways that would have been impossible in another age. But it was never not reality. I wish the rest of the world had always seen it this way…

Digest for November 2017

Summary

This month I attended a festive breadmaking workshop and I wrote about how I discovered that a Turkish university’s libraries stole the website of the University of Oxford’s and confronted them about it. I shared Elena Filatova’s latest video of her explorations of the Chernobyl exclusion zone, an article on the strange appeal of Bat Out Of Hell, and observations on the depiction of asexuality in Bojack Horseman.

All posts

Posts marked by an asterisk (*) are referenced by the summary above.

Articles

Notes

Reposts

Reposts marked with a dagger (†) include my comments or interpretation.

Ghost town 13. Night ride through the dead zone

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If you’ve not come across her before: Elena Filatova is a Ukranian woman who periodically motorcycles through the Chernobyl exclusion zone, recording her progress and filming/photographing what she sees on her adventures. I bought her photobook the other year and I’ve particularly enjoyed her videos ever since. Worth a look.

Diary

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The time capsule was buried in a secluded square in Murmansk in 1967 on the eve of the fiftieth anniversary of the Russian Revolution. Inside was a message dedicated to the citizens of the Communist future. At short notice, the authorities brought forward the capsule’s exhumation by ten days, to coincide with the city’s 101st birthday. With the stroke of an official’s pen, a mid-century Soviet relic was enlisted to honour one of the last acts of Tsar (now Saint) Nicholas II, who founded my hometown in October 1916. From socialism to monarchism in ten days. Some of the city’s pensioners accused the local government of trying to suppress the sacred memory of the revolution. ‘Our forefathers would be turning in their graves,’ one woman wrote in a letter to the local paper. The time capsule ‘is not some kind of birthday present to the city; it’s a reminder of the centenary of the great October Revolution and its human cost.’

My father had watched the time capsule being buried. He came to Murmansk aged 17. From his remote village, he had dreamed of the sea but he failed the navy’s eye test. In October 1967, he was a second-year student at the Higher Marine Engineering Academy, an elite training school for the Soviet Union’s massive fishing fleet. As a year-round warm water port, Murmansk – the largest human settlement above the Arctic Circle – is a major fishing and shipping hub, home to the world’s only fleet of nuclear-powered ice-breakers…

Enabling IPv6 Support in nginx

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This is going to be a really short post, but for someone it could save an hour of life.

So, you’ve nothing to do and you’ve decided to play around with IPv6 or maybe you’re happened to be an administrator of a web service that needs to support IPv6 connectivity and you need to make your nginx server work nicely with this protocol.

First thing you need to do is to enable IPv6 in nginx by recompiling it with --with-ipv6 configure option and reinstalling it. If you use some pre-built package, check if your nginx already has this key enabled by running nginx -V.

Note #8034

Investigating a possible new bug in @firefox 57: after installing the service worker, going to an uncached page on a site like adactio.com (@adactio), danq.me, or 3r.org.uk results in a “NetworkError” and the offline page, even though the connection is fine…

When One Library Steals From Another

When I first started working at the Bodleian Libraries in 2011, their websites were looking… a little dated. I’d soon spend some time working with a vendor (whose premises mysteriously caught fire while I was there, freeing me up to spend my birthday in a bar) to develop a fresh, modern interface for our websites that, while not the be-all and end-all, was a huge leap forwards and has served us well for the last five years or so.

The Bodleian Libraries website as it appeared in 2011.
The colour scheme, the layout, the fact that it didn’t remotely work on mobiles… there was a lot wrong with the old design of the Bodleian Libraries’ websites.

Fast-forward a little: in about 2015 we noticed a few strange anomalies in our Google Analytics data. For some reason, web addresses were appearing that didn’t exist anywhere on our site! Most of these resulted from web visitors in Turkey, so we figured that some Turkish website had probably accidentally put our Google Analytics user ID number into their code rather than their own. We filtered out the erroneous data – there wasn’t much of it; the other website was clearly significantly less-popular than ours – and carried on. Sometimes we’d speculate about the identity of the other site, but mostly we didn’t even think about it.

Bodleian Library & Radcliffe Camera website
How a Bodleian Libraries’ website might appear today. Pay attention, now: there’ll be a spot-the-difference competition in a moment.

Earlier this year, there was a spike in the volume of the traffic we were having to filter-out, so I took the time to investigate more-thoroughly. I determined that the offending website belonged to the Library of Bilkent University, Turkey. I figured that some junior web developer there must have copy-pasted the Bodleian’s Google Analytics code and forgotten to change the user ID, so I went to the website to take a look… but I was in for an even bigger surprise.

Bilkent University Library website, as it appears today.
Hey, that looks… basically identical!

Whoah! The web design of a British university was completely ripped-off by a Turkish university! Mouth agape at the audacity, I clicked my way through several of their pages to try to understand what had happened. It seemed inconceivable that it could be a coincidence, but perhaps it was supposed to be more of an homage than a copy-paste job? Or perhaps they were ripped-off by an unscrupulous web designer? Or maybe it was somebody on the “inside”, like our vendor, acting unethically by re-selling the same custom design? I didn’t believe it could be any of those things, but I had to be sure. So I started digging…

Bodleian and Bilkent search boxes, side-by-side.
Our user research did indicate that putting the site and catalogue search tools like this was smart. Maybe they did the same research?

 

Bodleian and Bilkent menus side-by-side.
Menus are pretty common on many websites. They probably just had a similar idea.

 

Bodleian and Bilkent opening hours, side-by-side.
Tabs are a great way to show opening hours. Everybody knows that. And this is obviously just the a popular font.

 

Bodleian and Bilkent sliders, side-by-side.
Oh, you’ve got a slider too. With circles? And you’ve got an identical Javascript bug? Okay… now that’s a bit of a coincidence…

 

Bodleian and Bilkent content boxes, side-by-side.
Okay, I’m getting a mite suspicious now. Surely we didn’t independently come up with this particular bit of design?

 

Bodleian and Bilkent footers, side-by-side.
Well these are clearly different. Ours has a copyright notice, for example…

 

Copyright notice on Bilkent University Library's website.
Oh, you DO have a copyright notice. Hang on, wait: you’ve not only stolen our design but you’ve declared it to be open-source???

I was almost flattered as I played this spot-the-difference competition, until I saw the copyright notice: stealing our design was galling enough, but then relicensing it in such a way that they specifically encourage others to steal it too was another step entirely. Remember that we’re talking about an academic library, here: if anybody ought to have a handle on copyright law then it’s a library!

I took a dive into the source code to see if this really was, as it appeared to be, a copy-paste-and-change-the-name job (rather than “merely” a rip-off of the entire graphic design), and, sure enough…

HTML source code from Bilkent University Library.
In their HTML source code, you can see both the Bodleian’s Google Analytics code (which they failed to remove) but also their own. And a data- attribute related to a project I wrote and that means nothing to their site.

It looks like they’d just mirrored the site and done a search-and-replace for “Bodleian”, replacing it with “Bilkent”. Even the code’s spelling errors, comments, and indentation were intact. The CSS was especially telling (as well as being chock-full of redundant code relating to things that appear on our website but not on theirs)…

CSS code from Bilkent University.
The search-replace resulted in some icky grammar, like “the Bilkent” appearing in their code. And what’s this? That’s MY NAME in the middle of their source code!

So I reached out to them with a tweet:

Tweet: Hey @KutphaneBilkent (Bilkent University Library): couldn't help but notice your website looks suspiciously like those of @bodleianlibs...?
My first tweet to Bilkent University Library contained a “spot the difference” competition.

I didn’t get any response, although I did attract a handful of Turkish followers on Twitter. Later, they changed their Twitter handle and I thought I’d take advantage of the then-new capability for longer tweets to have another go at getting their attention:

Tweet: I see you've changed your Twitter handle, @librarybilkent! Your site still looks like you've #stolen the #webdesign from @bodleianlibs, though (and changed the license to a #CreativeCommons one, although the fact you forgot to change the #GoogleAnalytics ID is a giveaway...).
This time, I was a little less-sarcastic and a little more-aggressive. Turns out that’s all that was needed.

Clearly this was what it took to make the difference. I received an email from the personal email account of somebody claiming to be Taner Korkmaz, Systems Librarian with Bilkent’s Technical Services team. He wrote (emphasis mine):

Dear Mr. Dan Q,

My name is Taner Korkmaz and I am the systems librarian at Bilkent. I am writing on behalf of Bilkent University Library, regarding your share about Bilkent on your Twitter account.

Firstly, I would like to explain that there is no any relation between your tweet and our library Twitter handle change. The librarian who is Twitter admin at Bilkent did not notice your first tweet. Another librarian took this job and decided to change the twitter handle because of the Turkish letters, abbreviations, English name requirement etc. The first name was @KutphaneBilkent (kutuphane means library in Turkish) which is not clear and not easy to understand. Now, it is @LibraryBilkent.

About 4 years ago, we decided to change our library website, (and therefore) we reviewed the appearance and utility of the web pages.

We appreciated the simplicity and clarity of the user interface of University of Oxford Bodlien Library & Radcliffe Camera, as an academic pioneer in many fields. As a not profit institution, we took advantage of your template by using CSS and HTML, and added our own original content.

We thought it would not create a problem the idea of using CSS codes since on the web page there isn’t any license notice or any restriction related to the content of the template, and since the licenses on the web pages are mainly more about content rather than templates.

The Library has its own Google Analytics and Search Console accounts and the related integrations for the web site statistical data tracking. We would like to point out that there is a misunderstanding regarding this issue.

In 2017, we started to work on creating a new web page and we will renew our current web page very soon.

Thank you in advance for your attention to this matter and apologies for possible inconveniences.

Yours sincerely,

Or to put it another way: they decided that our copyright notice only applied to our content and not our design and took a copy of the latter.

Do you remember when I pointed out earlier that librarians should be expected to know their way around copyright law? Sigh.

They’ve now started removing evidence of their copy-pasting such as the duplicate Google Analytics code fragment and the references to LibraryData, but you can still find the unmodified code via archive.org, if you like.

That probably ends my part in this little adventure, but I’ve passed everything on to the University of Oxford’s legal team in case any of them have anything to say about it. And now I’ve got a new story to tell where web developers get together over a pint: the story of the time that I made a website for a university… and a different university stole it!

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