Tag: web design

How a 2002 standard made 2022 bearable

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This is an alternate history of the Web. The premise is true, but the story diverges from our timeline and looks at an alternative “Web that might have been”.

Prehistory

This is the story of P3P, one of the greatest Web standards whose history has been forgotten1, and how the abject failure of its first versions paved the way for its bright future decades later. But I’m getting ahead of myself…

Drafted in 2002 in the wake of growing concern about the death of privacy on the Internet, P3P 1.0 aimed to make the collection of personally-identifiable data online transparent. Hurrah, right?

Not so much. Its immediate impact was lukewarm to negative: developers couldn’t understand why their cookies were no longer being accepted by Internet Explorer 6, the first browser to implement the standard, and the whole exercise was slated as providing a false sense of security, not stopping actual bad guys, and an attempt to apply a technical solution to a political problem.2

Flowchart showing the negotiation process between a user, browser, and server as the user browses an ecommerce site. The homepage's P3P policy states that it collects IP addresses, which is compatible with the user's preferences. Later, at checkout, the P3P policy states that the user's address will be collected and shared with a courier. The collection is fine according to the user's preferences, but she's asked to be notified if it'll be shared, so the browser notifies the user. The user approves of the policy and asks that this approval is remembered for this site, and the checkout process continues.
Initially, the principle was sound. The specification was weak. The implementation was apalling. But P3P 1.1 could have worked well.

Developers are lazy3 and soon converged on the simplest possible solution: add a garbage HTTP header like P3P: CP="See our website for our privacy policy." and your cookies work just fine! Ignore the problem, ignore the proposed solution, just do what gets the project shipped.

Without any meaningful enforcement it also perfectly feasible to, y’know, just lie about how well you treat user data. Seeing the way the wind was blowing, Mozilla dropped support for P3P, and Microsoft’s support – which had always been half-baked and lacked even the most basic user-facing controls or customisation options – languished in obscurity.

For a while, it seemed like P3P was dying. Maybe, in some alternate timeline, it did die: vanishing into nothing like VRML, WAP, and XBAP.

But fortunately for us, we don’t live in that timeline.

Revival

In 2009, the European Union revisited the Privacy and Electronic Communications Directive. The initial regulations, published in 2002, required that Web users be able to opt-out of tracking cookies, but the amendment required that sites ensure that users opted-in.

As-written, this confusing new regulation posed an immediate problem: if a user clicked the button to say “no, I don’t want cookies”, and you didn’t want to ask for their consent again on every page load… you had to give them a cookie (or use some other technique legally-indistinguishable from cookies). Now you’re stuck in an endless cookie-circle.4

This, and other factors of informed consent, quickly introduced a new pattern among those websites that were fastest to react to the legislative change:

Screenshot from how-i-experience-web-today.com showing an article mostly-covered by a cookie privacy statement and configuration options, utilising dark patterns to try to discourage users from opting-out of cookies.
The cookie consent banner, with all its confusing language and dark patterns, looked like it was going to become the new normal for web users in the early 2010s. But thankfully, our saviour had been waiting in the wings all along.

Web users rebelled. These ugly overlays felt like a regresssion to a time when popup ads and splash pages were commonplace. “If only,” people cried out, “There were a better way to do this!”

It was Professor Lorie Cranor, one of the original authors of the underloved P3P specification and a respected champion of usable privacy and security, whose rallying cry gave us hope. Her CNET article, “Why the EU Cookie Directive is a solved problem”5, inspired a new generation of development on what would become known as P3P 2.0.

While maintaining backwards compatibility, this new standard:

  • deprecated those horrible XML documents in favour of HTTP headers and <link> tags alone,
  • removing support for Set-Cookie2: headers, which nobody used anyway, and
  • added features by which the provenance and purpose of cookies could be stated in a way that dramatically simplified adoption in browsers

Internet Explorer at this point was still used by a majority of Web users. It still supported the older version of the standard, and – as perhaps the greatest gift that the much-maligned browser ever gave us – provided a reference implementation as well as a stepping-stone to wider adoption.

Opera, then Firefox, then “new kid” Chrome each adopted P3P 2.0; Microsoft finally got on board with IE 8 SP 1. Now the latest versions of all the mainstream browsers had a solid implementation6 well before the European data protection regulators began fining companies that misused tracking cookies.

Fabricated screenshot from Microsoft Edge, browsing 3r.org.uk: a "privacy" icon in the address bar has been clicked, and the resulting menu says: About 3r.org.uk. Connection is secure (with link for more info). Privacy and Cookies (with link for more info). Cookies (3 cookies in use) - Strictly necessary (2 in use), dropdown menu set to "Default (accept, delete later)"; Optional (1 in use), dropdown menu set to "Accept for this site". Checkbox for "Treat third-party cookies differently?", unchecked. Privacy (link to full policy): Legitimate interest - this site collects username, IP address, technical logs...; Consenmt - this site collects email address, phone number... Button to manage content. Button to "Exercise data rights".
Nowadays, we’ve pretty-well standardised on the address bar being the place where all cookie and privacy information and settings are stored. Can you imagine if things had gone any other way?

But where the story of P3P‘s successes shine brightest came in 2016, with the passing of the GDPR. The W3C realised that P3P could simplify both the expression and understanding of privacy policies for users, and formed a group to work on version 2.1. And that’s the version you use today.

When you launch a new service, you probably use one of the many free wizard-driven tools to express your privacy policy and the bases for your data processing, and it spits out a template privacy policy. You need the human-readable version, of course, since the 2020 German court ruling that you cannot rely on a machine-readable privacy policy alone, but the real gem is the P3P: 2.1 header version.

Assuming you don’t have any unusual quirks in your data processing (ask your lawyer!), you can just paste the relevant code into your server configuration and you’re good to go. Site users get a warning if their personal data preferences conflict with your data policies, and can choose how to act: not using your service, choosing which of your features to opt-in or out- of, or – hopefully! – granting an exception to your site (possibly with caveats, such as sandboxing your cookies or clearing them immediately after closing the browser tab).

Sure, what we’ve got isn’t perfect. Sometimes companies outright lie about their use of information or use illicit methods to track user behaviour. There’ll always be bad guys out there. That’s what laws are there to deal with.

But what we’ve got today is so seamless, it’s hard to imagine a world in which we somehow all… collectively decided that the correct solution to the privacy problem might have been to throw endless popovers into users’ faces, bury consent-based choices under dark patterns, and make humans do the work that should from the outset have been done by machines. What a strange and terrible timeline that would have been.

Footnotes

1 If you know P3P‘s history, regardless of what timeline you’re in: congratulations! You win One Internet Point.

2 Techbros have been trying to solve political problems using technology since long before the word “techbro” was used in its current context. See also: (a) there aren’t enough mental health professionals, let’s make an AI app? (b) we don’t have enough ventilators for this pandemic, let’s 3D print air pumps? (c) banks keep failing, let’s make a cryptocurrency? (d) we need less carbon in the atmosphere or we’re going to go extinct, better hope direct carbon capture tech pans out eh? (e) we have any problem at all, lets somehow shoehorn blockchain into some far-fetched idea about how to solve it without me having to get out of my chair why not?

3 Note to self: find a citation for this when you can be bothered.

4 I can’t decide whether “endless cookie circle” is the name of the New Wave band I want to form, or a description of the way I want to eventually die. Perhaps both.

5 Link missing. Did I jump timelines?

6 Implementation details varied, but that’s part of the joy of the Web. Firefox favoured “conservative” defaults; Chrome and IE had “permissive” ones; and Opera provided an ultra-configrable matrix of options by which a user could specify exactly which kinds of cookies to accept, linked to which kinds of personal data, from which sites, all somehow backed by an extended regular expression parser that was only truly understood by three people, two of whom were Opera developers.

Gutenberg versus Elementor – the beginners challenge

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

What happens when you give Gutenberg and Elementor to complete Beginners? In this challenge, Meg and Lily (two of my daughters) are tasked with re-creating a webpage. They’ve never used Elementor or Gutenberg before, and I only gave them 30 minutes each.

…

Jamie of Pootlepress challenged his daughters – who are presumably both digital natives, but have no WordPress experience – to build a page to a specific design using both Gutenberg and Elementor. In 30 minutes.

Regardless of what you think about the products under test or the competitors in the challenge (Lily + Gutenberg clearly seems to be the fan favourite, which I’d sort-of expect because IMO Gutenberg’s learning curve is much flatter that Elementor’s), this is a fantastic example of “thinking aloud” (“talkalong”) UX testing. And with (only) a £20 prize on offer, it’s possibly the best-value testing of its type I’ve ever seen too! Both the participants do an excellent job of expressing their praise of and frustration with different parts of the interface of their assigned editing platform, and the developers of both – and other systems besides – could learn a lot from watching this video.

Specifically, this video shows how enormous the gulf is between how developers try to express concepts that are essential to web design and how beginner users assume things will work. Concepts like thinking in terms of “blocks” that can resize or reposition dynamically, breakpoints, assets as cross-references rather than strictly embedded within documents, style as an overarching concept by preference to something applied to individual elements, etc… some as second nature once you’re sixteen levels deep into the DOM and you’ve been doing it for years! But they’re rarely intuitive… or, perhaps, not expressed in a way that makes them intuitive… to new users.

Higher/Lower Datepicker

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I’ve written before about the trend in web development to take what the web gives you for free, throw it away, and then rebuild it in Javascript. The rebuilt version is invariably worse in many ways – less-accessible, higher-bandwidth, reduced features, more fragile, etc. – but it’s more convenient for developers. Personally, I try not to value developer convenience at the expense of user experience, but that’s an unpopular opinion lately.

Screenshot showing a hovered hyperlink to "Digital Forest" on a list of green hosting providers in France.
Here’s a perfect example I bumped into earlier this week, courtesy of The Green Web Foundation. This looks like a hyperlink… but if you open it in a new tab/window, you see a page (not even a 404 page!) with the text “It looks like nothing was found at this location.”

In the site shown in the screenshot above, the developer took something the web gave them for free (a hyperlink), threw it away (by making it a link-to-nowhere), and rebuilt its functionality with Javascript (without thinking about the fact that you can do more with hyperlinks than click them: you can click-and-drag them, you can bookmark them, you can share them, you can open them in new tabs etc.). Ugh.

Date pickers

Particularly egregious are the date pickers. Entering your date of birth on a web form ought to be pretty simple: gov.uk pretty much solved it based on user testing they did in 2013.

Here’s the short of it:

  • Something you can clearly type a numeric day, month and year into is best.
  • Three dropdowns are slightly worse, but at least if you use native HTML <select> elements keyboard users can still “type” to filter.
  • Everything else – including things that look like <select>s but are really funky React <div>s, is pretty terrible.
Calendar datepicker with slider-based timepicker and no text-based fallback.
Calendars can be great for choosing your holiday date range. But pressing “Prev” ~480 times to get to my month of birth isn’t good. Also: what’s with the time “sliders”? (Yes, I know I’ve implemented these myself, in the past, and I’m sorry.)

My fellow Automattician Enfys recently tweeted:

People designing webforms that require me to enter my birthdate:

I am begging you: just let me type it in.

Typing it in is 6-8 quick keystrokes. Trying to navigate a little calendar or spinny wheels back to the 1970s is time-consuming, frustrating and unnecessary.

They’re right. Those little spinny wheels are a pain in the arse if you’ve got to use one to go back 40+ years.

Date "spinner" currently showing 20 December 2012.
These things are okay (I guess) on mobile/touchscreen devices, though I’d still prefer the option to type in my date of birth. But send one to my desktop and I will curse your name.

Can we do worse?

If there’s one thing we learned from making the worst volume control in the world, the other year, it’s that you can always find a worse UI metaphor. So here’s my attempt at making a date of birth field that’s somehow even worse than “date spinners”:

My datepicker implements a game of “higher/lower”. Starting from bounds specified in the HTML code and a random guess, it narrows-down its guess as to what your date of birth is as you click the up or down buttons. If you make a mistake you can start over with the restart button.

Amazingly, this isn’t actually the worst datepicker into which I’ve entered my date of birth! It’s cognitively challenging compared to most, but it’s relatively fast at narrowing down the options from any starting point. Plus, I accidentally implemented some good features that make it better than plenty of the datepickers out there:

  • It’s progressively enhanced – if the Javascript doesn’t load, you can still enter your date of birth in a sensible way.
  • Because it leans on a <input type="date"> control, your browser takes responsibility for localising, so if you’re from one of those weird countries that prefers mm-dd-yyyy then that’s what you should see.
  • It’s moderately accessible, all things considered, and it could easily be improved further.

It turns out that even when you try to make something terrible, so long as you’re building on top of the solid principles the web gives you for free, you can accidentally end up with something not-so-bad. Who knew?

<blink> and <marquee>

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I was chatting with a fellow web developer recently and made a joke about the HTML <blink> and <marquee> tags, only to discover that he had no idea what I was talking about. They’re a part of web history that’s fallen off the radar and younger developers are unlikely to have ever come across them. But for a little while, back in the 90s, they were a big deal.

Macromedia Dreamweaver 3 code editor window showing a <h2> heading wrapped in <marquee> and <blink> tags, for emphasis.
Even Macromedia Dreamweaver, which embodied the essence of 1990s web design, seemed to treat wrapping <blink> in <marquee> as an antipattern.

Invention of the <blink> element is often credited to Lou Montulli, who wrote pioneering web browser Lynx before being joining Netscape in 1994. He insists that he didn’t write any of the code that eventually became the first implementation of <blink>. Instead, he claims: while out at a bar (on the evening he’d first meet his wife!), he pointed out that many of the fancy new stylistic elements the other Netscape engineers were proposing wouldn’t work in Lynx, which is a text-only browser. The fanciest conceivable effect that would work across both browsers would be making the text flash on and off, he joked. Then another engineer – who he doesn’t identify – pulled a late night hack session and added it.

And so it was that when Netscape Navigator 2.0 was released in 1995 it added support for the <blink> tag. Also animated GIFs and the first inklings of JavaScript, which collectively would go on to define the “personal website” experience for years to come. Here’s how you’d use it:

<BLINK>This is my blinking text!</BLINK>

With no attributes, it was clear from the outset that this tag was supposed to be a joke. By the time HTML4 was published as a a recommendation two years later, it was documented as being a joke. But the Web of the late 1990s saw it used a lot. If you wanted somebody to notice the “latest updates” section on your personal home page, you’d wrap a <blink> tag around the title (or, if you were a sadist, the entire block).

Cameron's World website, screenshot, showing GIFS and bright pallette
If you missed this particular chapter of the Web’s history, you can simulate it at Cameron’s World.

In the same year as Netscape Navigator 2.0 was released, Microsoft released Internet Explorer 2.0. At this point, Internet Explorer was still very-much playing catch-up with the features the Netscape team had implemented, but clearly some senior Microsoft engineer took a look at the <blink> tag, refused to play along with the joke, but had an innovation of their own: the <marquee> tag! It had a whole suite of attributes to control the scroll direction, speed, and whether it looped or bounced backwards and forwards. While <blink> encouraged disgusting and inaccessible design as a joke, <marquee> did it on purpose.

<MARQUEE>Oh my god this still works in most modern browsers!</MARQUEE>

Oh my god this still works in most modern browsers!

If you see the text above moving… you’re looking at a living fossil in browser history.

But here’s the interesting bit: for a while in the late 1990s, it became a somewhat common practice to wrap content that you wanted to emphasise with animation in both a <blink> and a <marquee> tag. That way, the Netscape users would see it flash, the IE users would see it scroll or bounce. Like this:

<MARQUEE><BLINK>This is my really important message!</BLINK></MARQUEE>
Internet Explorer 5 showing a marquee effect.
Wrap a <blink> inside a <marquee> and IE users will see the marquee. Delightful.

The web has always been built on Postel’s Law: a web browser should assume that it won’t understand everything it reads, but it should provide a best-effort rendering for the benefit of its user anyway. Ever wondered why the modern <video> element is a block rather than a self-closing tag? It’s so you can embed within it code that an earlier browser – one that doesn’t understand <video> – can read (a browser’s default state when seeing a new element it doesn’t understand is to ignore it and carry on). So embedding a <blink> in a <marquee> gave you the best of both worlds, right? (welll…)

Netscape Navigator 5 showing a blink effect.
Wrap a <blink> inside a <marquee> and Netscape users will see the blink. Joy.

Better yet, you were safe in the knowledge that anybody using a browser that didn’t understand either of these tags could still read your content. Used properly, the web is about progressive enhancement. Implement for everybody, enhance for those who support the shiny features. JavaScript and CSS can be applied with the same rules, and doing so pays dividends in maintainability and accessibility (though, sadly, that doesn’t stop people writing sites that needlessly require these technologies).

Opera 5 showing no blinking nor marquee text.
Personally, I was a (paying! – back when people used to pay for web browsers!) Opera user so I mostly saw neither <blink> nor <marquee> elements. I don’t feel like I missed out.

I remember, though, the first time I tried Netscape 7, in 2002. Netscape 7 and its close descendent are, as far as I can tell, the only web browsers to support both <blink> and <marquee>. Even then, it was picky about the order in which they were presented and the elements wrapped-within them. But support was good enough that some people’s personal web pages suddenly began to exhibit the most ugly effect imaginable: the combination of both scrolling and flashing text.

Netscape 7 showing text that both blinks and marquee-scrolls.
If Netscape 7’s UI didn’t already make your eyes bleed (I’ve toned it down here by installing the “classic skin”), its simultaneous rendering of <blink> and <marquee> would.

The <blink> tag is very-definitely dead (hurrah!), but you can bring it back with pure CSS if you must. <marquee>, amazingly, still survives, not only in polyfills but natively, as you might be able to see above. However, if you’re in any doubt as to whether or not you should use it: you shouldn’t. If you’re looking for digital nostalgia, there’s a whole rabbit hole to dive down, but you don’t need to inflict <marquee> on the rest of us.

CSS Logical Properties

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

…

.my-element {
  margin-inline-start: 1em;
}

What this now does is instead of saying “add margin to the left”, it says “regardless of direction, put margin on the starting side”. If the language of the document was right to left, like Arabic, that margin would be on the right hand side.

…

This is clever. If you use e.g. margin-left on every list element after the first to put space “between” them, the spacing isn’t quite right when the order of the elements is reversed, for example because your page has been automatically translated into a language that reads in the opposite direction (e.g. right-to-left, rather than left-to-right). When you use margin-left in this way you’re imposing a language-direction-centric bias on your content, and there’s no need: margin-inline-start and its friends are widely-supported and says what you mean: “place a margin before this element”. I’ll be trying to remember to use this where it’s appropriate from now on.

Loading CSS Asynchronously Without JS Dependency

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tl;dr? skip to the proof-of-concept/demo of lazy-loading CSS where possible while still loading it “conventionally” to users without Javascript

In a “daily tip” a couple of days ago, the excellent Chris Ferdinandi recommended an approach to loading CSS asynchronously based on a refined technique by Scott Jehl. The short of it is that you load your stylesheets like this:

<link rel="stylesheet" href="/path/to/my.css" media="print" onload="this.media='all'">

You see what that’s doing? It’s loading the stylesheet for the print medium, but then when the document finishes loading it’s switching the media type from “print” to “all”. Because it didn’t apply to begin with the stylesheet isn’t render-blocking. You can use this to delay secondary styles so the page essentials can load at full speed.

This website's Lighthouse score showing a Total Blocking Time of 0ms.
Reducing blocking times, like I have on this page, is one of many steps in optimising perceived page performance.

I don’t like this approach. I mean: I love the elegance… I just don’t like the implications.

Why I don’t like lazy-loading CSS using Javascript

Using Javascript to load CSS, in order to prevent that CSS blocking rendering, feels to me like it conceptually breaks the Web. It certainly violates the expectations of progressive enhancement, because it introduces a level of fault-intolerance that I consider (mostly) unacceptable.

CSS and Javascript are independent of one another. A well-designed progressively-enhanced page should function with HTML only, HTML-and-CSS only, HTML-and-JS only, or all three.CSS adds style, and JS adds behvaiour to a page; and when you insist that the user agent uses Javascript in order to load stylistic elements, you violate the separation of these technologies (I’m looking at you, the majority of heavyweight front-end frameworks!).

If you’re thinking that the only people affected are nerds like me who browse with Javascript wholly or partially disabled, you’re wrong: gov.uk research shows that around 1% of your visitors have Javascript fail for some reason or another: because it’s disabled (whether for preference, privacy, compatibility with accessibility technologies, or whaterver), blocked, firewalled, or they’re using a browser that you didn’t expect.

The Web Pyramid. In the style of a "food pyramid", shows Text Worth Reading at the bottom, supporting Markup, supporting Images, supporting CSS, supporting (a small amount of) Scripts.
Maciej Cegłowski‘s 2015 talk “Website Obesity” draws the boundaries firmly, using this great diagram.

Can we lazy-load CSS in a way that doesn’t depend on Javascript? (spoiler: yes)

Chris’s daily tip got me thinking: could there exist a way to load CSS in a non-render-blocking way but which degraded gracefully in the event that Javascript was unavailable? I.e. if Javascript is working, lazy-load CSS, otherwise: load conventionally as a fallback. It turns out, there is!

In principle, it’s this:

  1. Link your stylesheet from within a <noscript> block, thereby only exposing it where Javascript is disabled. Give it a custom attribute to make it easy to find later, e.g. <noscript lazyload> (if you’re a standards purist, you might prefer to use a data- attribute).
  2. Have your Javascript extract the contents of these <noscript> blocks and reinject them. In modern browsers, this is as simple as e.g. [...document.querySelectorAll('noscript[lazyload]')].forEach(ns=>ns.outerHTML=ns.innerHTML).

If you need support for Internet Explorer, you need a little more work, because Internet Explorer doesn’t expose<noscript> blocks to the DOM in a helpful way. There are a variety of possible workarounds; I’ve implemented one but not put too much thought into it because I rarely have to think about Internet Explorer these days.

In any case, I’ve implemented a proof of concept/demonstration if you’d like to see it in action: just take a look and view source (or read the page) for details. Or view the source alone via this gist.

Lazy-loading CSS using my approach provides most of the benefits of other approaches… but works properly in environments without Javascript too.

Update: Chris Ferdinandi’s refined this into an even cleaner approach that takes the best of both worlds.

Digital Climate Strike’s Carbon Footprint

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Ironically, the web page promoting the “Digital Climate Strike” is among the dirtiest on the Internet, based on the CO2 footprint of visiting it.

Global Climate Strike's "Take Action" webpage
Save your bandwidth: just look at this screenshot of the site instead of visiting.

Going to that page results in about 14 Mb of data being transmitted from their server to your device (which you’ll pay for if you’re on a metered connection). For comparison, reading my recent post about pronouns results in about 356 Kb of data. In other words, their page is forty times more bandwidth-consuming, despite the fact that my page has about four times the word count. The page you’re reading right now, thanks to its images, weighs in at about 650 Kb: you could still download it more than twenty times while you were waiting for theirs.

globalclimatestrike.net/action: "Uh oh! This web page is dirtier than 97% of web pages tested. Oh my, 7.74g of CO2 is produced every time someone visits this web page."
Well that’s got to be pretty embarassing.

Worse still, the most-heavyweight of the content they deliver is stuff that’s arguably strictly optional and doesn’t add to the message:

  • Eight different font files are served from three different domains (the fonts alone consume about 140 Kb) – seven more are queued but not used.
  • Among the biggest JavaScript files they serve is that of Hotjar analytics: I understand the importance of measuring your impact, but making your visitors – and the planet – pay for it is a little ironic.
  • The biggest JavaScript file seems to be for Mapbox, which as far as I can see is never actually used: that map on the page is a static image which, incidentally, I was able to reduce from 0.5 Mb to 0.2 Mb just by running it through a free online image compressor.
Image compression comparison for the map image. Before: 536K, after: 201K (-63%).
This took me literally seconds to do but would save about a twelfth of a second for every single typical 4G user to their site. And it’s not even the worst culprit.

And because the site sets virtually no caching headers, even if you’ve visited the website before you’re likely to have to download the whole thing again. Every single time.

It’s not just about bandwidth: all of those fonts, that JavaScript, their 60 Kb of CSS (this page sent you 13 Kb) all has to be parsed and interpreted by your device. If you’re on a mobile device or a laptop, that means you’re burning through lithium (a non-renewable resource whose extraction and disposal is highly polluting) and regardless of your device you’re using you’re using more electricity to visit their site than you need to. Coding antipatterns like document.write() and active event listeners that execute every time you scroll the page keep your processor working hard, turning electricity into waste heat. It took me over 12 seconds on a high-end smartphone and a good 4G connection to load this page to the point of usability. That’s 12 seconds of a bright screen, a processor running full tilt,a  data connection working its hardest, and a battery ticking away. And I assume I’m not the only person visiting the website today.

This isn’t really about this particular website, of course (and I certainly don’t want to discourage anybody from the important cause of saving the planet!). It’s about the bigger picture: there’s a widespread and long-standing trend in web development towards bigger, heavier, more power-hungry websites, built on top of heavyweight frameworks that push the hard work onto the user’s device and which favour developer happiness over user experience. This is pretty terrible: it makes the Web slow, and brittle, and it increases the digital divide as people on slower connections and older devices get left behind.

(Bonus reading: luckily there’s a counterculture of lean web developers…)

But this trend is also bad for the environment, and when your website exists to try to save it, that’s more than a little bit sad.

Why the GOV.UK Design System team changed the input type for numbers

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

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Android number pad

Using <input type="text" inputmode="numeric" pattern="[0-9]*"> allows for a degree of separation between how the user enters data (“input mode”), what the browser expects the user input to contain (type equals number), and potentially how it tries to validate it.

…

I’ve sung the praises of the GDS research team before, and it’s for things like this that I respect them the most: they’re knowing for taking a deep-dive user-centric approach to understanding usability issues, and they deliver valuable actionable answers off the back of it.

If you’ve got Web forms that ask people for numbers, this is how you should be doing it. If you’re doing so specifically for 2FA purposes, see that post I shared last month on a similar topic.

BingO Bakery

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Don’t understand why Web accessibility is important? Need a quick and easily-digestible guide to the top things you should be looking into in order to make your web applications screenreader ready? Try this fun, video-game-themed 5 minute video from Microsoft.

There’s a lot more to accessibility than is covered here, and it’s perhaps a little over-focussed on screenreaders, but it’s still a pretty awesome introduction.

Building the most inaccessible site possible with a perfect Lighthouse score

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Google’s built-in testing tool Lighthouse judges the accessibility of our websites with a score between 0 and 100. It’s laudable to try to get a high grading, but a score of 100 doesn’t mean that the site is perfectly accessible. To prove that I carried out a little experiment.

…

Manuel Matuzovic wrote a web page that’s pretty-much inaccessible to everybody: it doesn’t work with keyboard navigation, touchscreens, or mice. It doesn’t work with screen readers. Even if you fix the other problems, its contrast is bad enough that almost nobody could read it. It fails ungracefully if CSS or JavaScript is unavailable. Even the source code is illegible. This took a special kind of evil.

But it scores 100% for accessibility on Lighthouse! I earned my firework show for this site last year but I know better than to let that lull me into complacency: accessibility isn’t something a machine can test for you, only something that (at best) it can give you guidance on.

HTML attributes to improve your two factor experience

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

There are plenty of opportunities for friction in the user experience when logging in, particularly while entering a two factor authentication code. As developers we should be building applications that support the need for account security but don’t detract from the user experience. Sometimes it can feel as though these requirements are in a battle against each other.

In this post we will look at the humble <input> element and the HTML attributes that will help speed up our users’ two factor authentication experience.

…

Summary: simple changes like making your TOTP-receiving <input> to have inputmode="numeric" gives user-agents solid hints about what kind of data is expected, allowing mobile phones to show a numeric keypad rather than a full keyboard, while setting autocomplete="one-time-code" hints to password managers and autocomplete tools that what’s being collected needn’t be stored for future use as it’ll expire (and can also help indicate to authenticators where they should auto-type).

As my current research project will show, the user experience of multifactor authentication is a barrier to entry for many users who might otherwise benefit from it. Let’s lower that barrier.

CSS4 is here!

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

I think that CSS would be greatly helped if we solemnly state that “CSS4 is here!” In this post I’ll try to convince you of my viewpoint.

I am proposing that we web developers, supported by the W3C CSS WG, start saying “CSS4 is here!” and excitedly chatter about how it will hit the market any moment now and transform the practice of CSS.

Of course “CSS4” has no technical meaning whatsoever. All current CSS specifications have their own specific versions ranging from 1 to 4, but CSS as a whole does not have a version, and it doesn’t need one, either.

Regardless of what we say or do, CSS 4 will not hit the market and will not transform anything. It also does not describe any technical reality.

Then why do it? For the marketing effect.

…

Hurrah! CSS4 is here!

I’m sure that, like me, you’re excited to start using the latest CSS technologies, like paged media, hyphen control, the zero-specificity :where() selector, and new accessibility selectors like the ‘prefers-reduced-motion’ @media query. The browser support might not be “there” yet, but so long as you’ve got a suitable commitment to progressive enhancement then you can be using all of these and many more today (I am!). Fantastic!

But if you’ve got more than a little web savvy you might still be surprised to hear me say that CSS4 is here, or even that it’s a “thing” at all. Welll… that’s because it isn’t. Not officially. Just like JavaScript’s versioning has gone all evergreen these last few years, CSS has gone the same way, with different “modules” each making their way through the standards and implementation processes independently. Which is great, in general, by the way – we’re seeing faster development of long-overdue features now than we have through most of the Web’s history – but it does make it hard to keep track of what’s “current” unless you follow along watching very closely. Who’s got time for that?

When CSS2 gained prominence at around the turn of the millennium it was revolutionary, and part of the reason for that – aside from the fact that it gave us all some features we’d wanted for a long time – was that it gave us a term to rally behind. This browser already supports it, that browser’s getting there, this other browser supports it but has a f**ked-up box model (you all know the one I’m talking about)… we at last had an overarching term to discuss what was supported, what was new, what was ready for people to write articles and books about. Nobody’s going to buy a book that promises to teach them “CSS3 Selectors Level 3, Fonts Level 3, Writing Modes Level 3, and Containment Level 1”: that title’s not even going to fit on the cover. But if we wrapped up a snapshot of what’s current and called it CSS4… now that’s going to sell.

Can we show the CSS WG that there’s mileage in this idea and make it happen? Oh, I hope so. Because while the modular approach to CSS is beautiful and elegant and progressive… I’m afraid that we can’t use it to inspire junior developers.

Also: I don’t want this joke to forever remain among the top results when searching for CSS4…

Reply to: A modern font loading strategy with the vanilla JS FontFaceSet.load() method

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Chris Ferdinandi‘s daily tip for yesterday addressed a common familiar to Web developers using custom fonts (i.e. basically all of them):

In many browsers, if a custom typeface is declared but hasn’t finished downloading and parsing yet, browsers will leave space for the text but not render it until the file is ready.

This is often called a Flash Of Invisible Text (or FOIT).

In a now slightly outdated article, Ilya Grigorik, a web performance engineer at Google, reports:

29% of page loads on Chrome for Android displayed blank text: the user agent knew the text it needed to paint, but was blocked from doing so due to the unavailable font resource. In the median case the blank text time was ~350 ms, ~750 ms for the 75th percentile, and a scary ~2300 ms for the 95th.

To make matters worse, some mobile browsers never timeout a failed font file, and therefore never show text in a fallback typeface if the custom one fails to load. You get nothing at all.

Let’s talk about how to fix that.

…

Chris is right…

He’s right that the FOIT is annoying, and he’s right that for most text (and especially body text) the best result would be if a fallback system font was used immediately and swapped-out for the designer’s preferred font as soon as it becomes available: this maximises usability, especially on slower devices and connections. His solution is this:

  1. Set the font to a fallback font initially.
  2. Set the font to the preferred font once a CSS class is applied to a root element.
  3. Use Javascript to set apply that CSS class either when FontFaceSet.load() indicates that the font is available, and (via a cookie) for as long as the font file is expected to appear in the browser cache.

This approach is not without its problems. It requires Javascript (users for whom Javascript fails for some reason won’t see the font at all, but may still have to download the font file!), conflates cookie lifetime with cache lifetime (the two can be cleared independently, cookies can sometimes be synchronised across devices that don’t necessarily share caches, etc.), and uses Javascript techniques that don’t work in some browsers (Edge and Internet Explorer are both capable of showing custom web fonts but both will use the fallback font unless either (a) further Javascript is added (which Chris doesn’t supply) or (b) browser detection and/or conditional comments are used to trigger different behaviour in these browsers (which is icky).

…but he’s also wrong…

If only there was a better way to prevent the FOIT. One which degrades gracefully in older browsers, doesn’t require Javascript, doesn’t make assumptions about user cookie/cache configuration, and ideally involves a lot less code. It turns out, there is!

The font-display CSS directive exists to solve this exact issue [MDN]. Here’s what it looks like being used to solve the problem Chris presents (example taken from my blog’s CSS!):

@font-face{
  font-family:"Raleway";
  font-style:normal;
  font-weight:400;
  src: local("Raleway"),
       local("Raleway-Regular"),
       url(/wp-content/themes/q18/fonts/raleway-v11-latin-regular.woff2) format("woff2"),
       url(/wp-content/themes/q18/fonts/raleway-v11-latin-regular.woff) format("woff");
  font-display:swap;
}

Setting font-display: swap in the @font-face block tells the browser to use fallback fonts in place of this font while it loads. That’s probably exactly what you want for text fonts and especially body text; it means that the user sees the text as soon as possible and it’s swapped-out for the preferred font the moment it becomes available: no Javascript necessary! Conversely, font-display: block is a better choice for icon fonts where you want to force the browser to wait as long as possible for the font file to load (because any content rendered using it makes no sense otherwise).

font-display works out-of-the-box with Chrome, Firefox, and Safari and with the next version of Edge; older versions of Edge and Internet Explorer will simply fall-back to their default behaviour (FOIT where-necessary) – this is a progressive enhancement technique. But instead of a couple of dozen lines of Javascript, it’s a single line of CSS.

The only downside is that Google Web Fonts won’t add this directive, so you’ll need to self-host your font files (which is really easy, by the way: there’s a tool that’ll show you how). You should consider doing this anyway, of course: CDNs introduce a number of problems and no longer provide the relative performance benefits they used to. So self-host your fonts, add font-display: swap, and enjoy the most-lightweight and well-standardised approach possible to combatting the FOIT.

Reducing motion with the picture element

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This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

I was just talking with Dave about the accessibility of moving images on the web, and he said:

hm… I wonder if you could use picture + prefers-reduced-motion?

He then sends the following code:

<picture>
  <source srcset="no-motion.jpg" media="(prefers-reduced-motion: reduce)"></source> 
  <img srcset="animated.gif alt="brick wall"/>
</picture>

I copied the code, dropped it into a post of mine, created a static image of an animated GIF, and turned on the “reduce motion” preference (System Preferences > Accessibility > Display). And then BOOM. Just worked. In real time!

…

I added reduced-motion support to DanQ.me earlier this year, but I only bothered to pay attention to the animated parts of the layout and design itself (the “bounce” on the menus and the cutesy motion of the logo, for example) and considered the (few) GIF animations and the like that I’ve added to be out-of-scope. But this approach is really quite simple and elegant, and I’ll bear it in mind if I ever have need of such a thing!

Blogging with semantic insertions and deletions

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When I write a blog post, it generally becomes a static thing: its content always usually stays the same for the rest of its life (which is, in my case, pretty much forever). But sometimes, I go back and make an amendment. When I make minor changes that don’t affect the overall meaning of the work, like fixing spelling mistakes and repointing broken links, I just edit the page, but for more-significant changes I try to make it clear what’s changed and how.

An insertion and a deletion on a 2007 blog post announcing Troma Night plans.
This blog post from 2007, for example, was amended after its publication with the insertion of content at the top and the deletion of content within.

Historically, I’d usually marked up deletions with the HTML <strike>/<s> elements (or other visually-similar approaches) and insertions by clearly stating that a change had been made (usually accompanied by the date and/or time of the change), but this isn’t a good example of semantic code. It also introduces an ambiguity when it clashes with the times I use <s> for comedic effect in the Web equivalent of the old caret-notation joke:

Be nice to this fool^H^H^H^Hgentleman, he's visiting from corporate HQ.

Better, then, to use the <ins> and <del> elements, which were designed for exactly this purpose and even accept attributes to specify the date/time of the modification and to cite a resource that explains the change, e.g. <ins datetime="2019-05-03T09:00:00+00:00" cite="https://alices-blog.example.com/2019/05/03/speaking.html">The last speaker slot has now been filled; thanks Alice</ins>. I’ve worked to retroactively add such semantic markup to my historical posts where possible, but it’ll be an easier task going forwards.

Of course, no browser I’m aware of supports these attributes, which is a pity because the metadata they hold may well have value to a reader. In order to expose them I’ve added a little bit of CSS that looks a little like this, which makes their details (where available) visible as a sort-of tooltip when hovering over or tapping on an affected area. Give it a go with the edits at the top of this post!

ins[datetime], del[datetime] {
  position: relative;
}

ins[datetime]::before, del[datetime]::before {
  position: absolute;
  top: -24px;
  font-size: 12px;
  color: #fff;
  border-radius: 4px;
  padding: 2px 6px;
  opacity: 0;
  transition: opacity 0.25s;
  hyphens: none;                    /* suppresses sitewide line break hyphenation rules */
  white-space: nowrap;              /* suppresses extraneous line breaks in Chrome      */
}

ins[datetime]:hover::before, del[datetime]:hover::before {
  opacity: 0.75;
}

ins[datetime]::before {
  content: 'inserted ' attr(datetime) ' ' attr(cite);
  background: #050;                 /* insertions are white-on-green                    */
}

del[datetime]::before {
  content: 'deleted ' attr(datetime) ' ' attr(cite);
  background: #500;                 /* deletions are white-on-red                       */
}
CSS facilitating the display of <ins>/<del> datetimes and citations on hover or touch.

I’m aware that the intended use-case of <ins>/<del> is change management, and that the expectation is that the “final” version of a document wouldn’t be expected to show all of the changes that had been made to it. Such a thing could be simulated, I suppose, by appropriately hiding and styling the <ins>/<del> blocks on the client-side, and that’s something I might look into in future, but in practice my edits are typically small and rare enough that nobody would feel inconvenienced by their inclusion/highlighting: after all, nobody’s complained so far and I’ve been doing exactly that, albeit in a non-semantic way, for many years!

I’m also slightly conscious that my approach to the “tooltip” might cause it to obstruct interactivity with something directly above an insertion or deletion: e.g. making a hyperlink inaccessible. I’ve tested with a variety of browsers and devices and it doesn’t seem to happen (my line height works in my favour) but it’s something I’ll need to be mindful of if I change my typographic design significantly in the future.

A final observation: I love the CSS attr() function, and I’ve been using it (and counter()) for all kinds of interesting things lately, but it annoys me that I can only use it in a content: statement. It’d be amazingly valuable to be able to treat integer-like attribute values as integers and combine it with a calc() in order to facilitate more-dynamic styling of arbitrary sets of HTML elements. Maybe one day…

For the time being, I’m happy enough with my new insertion/deletion markers. If you’d like to see them in use in their natural environment, see the final paragraph of my 2012 review of The Signal and The Noise.