My love of the yesterweb forced me to teach myself just-enough Blender to make an animation for a stupid thing: an 88×31 button representing “me” (and, I suppose, my blog, whenever I
next end up redesigning its theme).
Possible future presentation concept: using a cafe/dining metaphor to help explain the proximity principle in user interface design (possibly with a “live waitstaffing” demo?).
Last month I implemented an alternative mode to view this website “like it’s 1999”, complete with with cursor trails, 88×31 buttons, tables for
layout1,
tiled backgrounds, and even a (fake) hit counter.
One thing I’d have liked to do for 1999 Mode but didn’t get around to would have been to make the images look like it was the 90s, too.
Back then, many Web users only had graphics hardware capable of displaying 256 distinct colours. Across different platforms and operating systems, they weren’t even necessarily
the same 256 colours2!
But the early Web agreed on a 216-colour palette that all those 8-bit systems could at least approximate pretty well.
I had an idea that I could make my images look “216-colour”-ish by using CSS to apply an SVG filter, but didn’t implement it.
But Spencer, a long-running source of excellent blog comments, stepped up and wrote an SVG
filter for me! I’ve tweaked 1999 Mode already to use it… and I’ve just got to say it’s excellent: huge thanks, Spencer!
The filter coerces colours to their nearest colour in the “Web safe” palette, resulting in things like this:
The flat surfaces are particularly impacted in this photo (as manipulated by the CSS SVG filter described above). Subtle hues and the gradients coalesce into slabs of colour, giving
them an unnatural and blocky appearance.
Plenty of pictures genuinely looked like that on the Web of the 1990s, especially if you happened to be using a computer only capable of 8-bit colour to view a page built by
somebody who hadn’t realised that not everybody would experience 24-bit colour like they did3.
Dithering
But not all images in the “Web safe” palette looked like this, because savvy web developers knew to dither their images when converting them to a limited palette.
Let’s have another go:
This image uses exactly the same 216-bit colour palette as the previous one, but looks a lot more “natural” thanks to the Floyd–Steinberg dithering algorithm.
Dithering introduces random noise to media4
in order to reduce the likelihood that a “block” will all be rounded to the same value. Instead; in our picture, a block of what would otherwise be the same colour ends up being rounded
to maybe half a dozen different colours, clustered together such that the ratio in a given part of the picture is, on average, a better approximation of the correct
colour.
The result is analogous to how halftone printing – the aesthetic of old comics and newspapers, with different-sized dots made from
few colours of ink – produces the illusion of a continuous gradient of colour so long as you look at it from far-enough away.
Zooming in makes it easy to see the noisy “speckling” effect in the dithered version, but from a distance it’s almost invisible.
The other year I read a spectacular article by Surma that explained in a very-approachable way
how and why different dithering algorithms produce the results they do. If you’ve any interest whatsoever in a deep dive or just want to know what blue noise is and why you
should care, I’d highly recommend it.
You used to see digital dithering everywhere, but nowadays it’s so rare that it leaps out as a revolutionary aesthetic when, for example, it gets used in
a video game.
Dithering can be so effective that it can even make an image “work” all the way down to 1-bit (i.e. true monochrome/black-and-white) colour. Here I’ve used Jarvis, Judice & Ninke’s dithering algorithm, which is highly-effective for picking out subtle colour differences in what would
otherwise be extreme dark and light patches, at the expense of being more computationally-expensive (to initially create) than other dithering strategies.
All of which is to say that: I really appreciate Spencer’s work to make my “1999 Mode” impose a 216-colour palette on images. But while it’s closer to the truth, it still doesn’t
quite reflect what my website would’ve looked like in the 1990s because I made extensive use of dithering when I saved my images in Web safe palettes5.
Why did I take the time to dither my images, back in the day? Because doing the hard work once, as a creator of graphical Web pages, saves time and computation (and can look
better!), compared to making every single Web visitor’s browser do it every single time.
Which, now I think about it, is a lesson that’s still true today (I’m talking to you, developers who send a tonne of JavaScript and ask my browser to generate the HTML for you
rather than just sending me the HTML in the first place!).
Footnotes
1 Actually, my “1999 mode” doesn’t use tables for layout; it pretty much only applies a
CSS overlay, but it’s deliberately designed to look a lot like my blog did in 1999, which did use tables for layout. For those too young to remember: back before CSS
gave us the ability to lay out content in diverse ways, it was commonplace to use a table – often with the borders and cell-padding reduced to zero – to achieve things that today
would be simple, like putting a menu down the edge of a page or an image alongside some text content. Using tables for non-tabular data causes problems, though: not only is
it hard to make a usable responsive website with them, it also reduces the control you have over the order of the content, which upsets some kinds of accessibility
technologies. Oh, and it’s semantically-invalid, of course, to describe something as a table if it’s not.
2Perhaps as few as 22 colours were defined the same across all
widespread colour-capable Web systems. At first that sounds bad. Then you remember that 4-bit (16 colour) palettes used to look look perfectly fine in 90s videogames. But then you
realise that the specific 22 “very safe” colours are pretty shit and useless for rendering anything that isn’t composed of black, white, bright red, and maybe one of a few
greeny-yellows. Ugh. For your amusement, here’s a copy of the image rendered using only the “very safe” 22 colours.
3 Spencer’s SVG filter does pretty-much the same thing as a computer might if asked to
render a 24-bit colour image using only 8-bit colour. Simply “rounding” each pixel’s colour to the nearest available colour is a fast operation, even on older hardware and with larger
images.
4 Note that I didn’t say “images”: dithering is also used to produce the same “more
natural” feel for audio, too, when reducing its bitrate (i.e. reducing the number of finite states into which the waveform can be quantised for digitisation), for example.
5 I’m aware that my footnotes are capable of nerdsniping Spencer, so by writing this
there’s a risk that he’ll, y’know, find a way to express a dithering algorithm as an SVG filter too. Which I suspect isn’t possible, but who knows! 😅
I’m testing a handful of highly-experimental new features on my personal website using multivariate (“A/B”) testing.
“Dark Mode” is just one of the new features I’m testing out.
If you visit within the next day or so you’re likely to be randomly-selected to try out one of them. (If you’re not selected, you can manually enable one of the
experiments.)
I’d love to hear your feedback on these Very Serious New Features! Let me know which one(s) you see and whether you think they should become permanent fixtures on my site.
Yesterday, I wrote the stupidest bit of CSS of my entire career.
Two new visual elements and one textual one will make it clear where a product’s placement in the marketplace is sponsored.
Owners of online shops powered by WooCommerce can optionally “connect” their stores back to Woo.com. This enables them to manage their subscriptions to
any extensions they use to enhance their store1. They can also browse a
marketplace of additional extensions they might like to consider, which is somewhat-tailored to them based on e.g. their geographical location2
In the future, we’ll be adding sponsored products to the marketplace listing, but we want to be transparent about it so yesterday I was working on some code that would determine from
the appropriate API whether an extension was sponsored and then style it differently to make this clear. I took
a look at the proposal from the designer attached to the project, which called for
the word “Sponsored” to appear alongside the name of the extension’s developer,
a stripe at the top in the brand colour of the extension, and
a strange green blob alongside it
That third thing seemed like an odd choice, but I figured that probably I just didn’t have the design or marketing expertise to understand it, and I diligently wrote some appropriate code.3
I even attached to my PR a video demonstrating how my code reviewers could test it without spoofing actual sponsored
extensions.
After some minor tweaks, my change was approved. The designer even swung by and gave it a thumbs-up. All I needed to do was wait for the automated end-to-end tests to complete, and I’d
be able to add it to WooCommerce ready to be included in the next-but-one release. Nice.
In the meantime, I got started on my next bit of work. This one also included some design work by the same designer, and wouldn’t you know it… this one also had a little green
blob on it?
I’m almost embarrassed to admit that my first thought was that this must be part of some wider design strategy to put little green blobs everywhere.
Then it hit me. The blobs weren’t part of the design at all, but the designer’s way of saying “look at this bit, it’s important!”. Whoops!
So I got to rush over to my (already-approved, somehow!) changeset and rip out
the offending CSS: the stupidest bit of CSS of my entire career.
Not bad code per se, but reasonable code resulting from a damn-stupid misinterpretation of a designer’s wishes. Brilliant.
3 A fun side-effect of working on open-source software is that my silly mistake gets
immortalised somewhere where you can go and see it any time you like!
I mentioned yesterday that during Bloganuary I’d put non-Bloganuary-prompt post ideas onto the backburner, and considered
extending my daily streak by posting them in February. Here’s part of my
attempt to do that:
The page we’re interested in used to live at http://www.netscape.com/comprod/columns/webstories/index.html, and promised to be a showcase for best practice in Web
development. Back in October 1996, it looked like this:
The page is a placeholder for Netscape Webstories (or Web Site Stories, in some places). It’s part of a digital magazine called Netscape Columns which published pieces written by Marc
Andreeson, Jim Barksdale, and other bigwigs in the hugely-influential pre-AOL-acquisition Netscape Communications.
This new series would showcase best practice in designing and building Web sites1,
giving a voice to the technical folks best-placed to speak on that topic. That sounds cool!
Those white boxes above and below the paragraph of text aren’t missing images, by the way: they’re horizontal rules, using the little-known size attribute to specify a
thickness of <hr size=4>!2
Certainly you’re excited by this new column and you’ll come back in November 1996, right?
Oh. The launch has been delayed, I guess. Now it’s coming in January.
The <hr>s look better now their size has been reduced, though, so clearly somebody’s paying attention to the page. But let’s take a moment and look at that page
title. If you grew up writing web pages in the modern web, you might anticipate that it’s coded something like this:
There’s plenty of other ways to get that same effect. Perhaps you prefer font-feature-settings: 'smcp' in your chosen font; that’s perfectly valid. Maybe you’d use
margin: 0 auto or something to centre it: I won’t judge.
But no, that’s not how this works. The actual code for that page title is:
Back when this page was authored, we didn’t have CSS3.
The only styling elements were woven right in amongst the semantic elements of a page4.
It was simple to understand and easy to learn… but it was a total mess5.
Anyway, let’s come back in January 1997 and see what this feature looks like when it’s up-and-running.
Building “in public” was an act of commitment, a statement of intent, and an act of acceptance of the incompleteness of a digital garden. They’re sort-of coming back into fashion in the
interpersonal Web, with the “garden and stream” metaphor7
taking root. This isn’t anything new, of course – Mark Bernstein touched on the concepts in 1998 – but it’s not something that I can ever see returning to the “serious” modern
corporate Web: but if you’ve seen a genuine, non-ironic “under construction” page published to a non-root page of a company’s website within the last decade, please let me
know!
RSS doesn’t exist yet (although here’s a fun fact: the very first version of RSS came out of Netscape!). We’re just going to have to bookmark the page and check back later in the year, I guess…
Okay, so February clearly isn’t Spring, but they’ve updated the page… to add a search form.
It’s a genuine <form> tag, too, not one of those old-fashioned <isindex> tags you’d still sometimes find even as late as 1997. Interestingly, it specifies
enctype="application/x-www-form-urlencoded". Today’s developers probably don’t think about the enctype attribute except when they’re doing a form that handles
file uploads and they know they need to switch it to enctype="multipart/form-data", (or their framework does this automatically for them!).
But these aren’t the only options, and some older browsers at this time still defaulted to enctype="text/plain". So long as you’re using a POST
and not GET method, the distinction is mostly academic, but if your backend CGI program anticipates that special
characters will come-in encoded, back then you’d be wise to specify that you wanted URL-encoding or you might get a nasty surprise when somebody turns up using LMB or something
equally-exotic.
Anyway, let’s come back in June. The content must surely be up by now:
Oh come on! Now we’re waiting until August?
At least the page isn’t abandoned. Somebody’s coming back and editing it from time to time to let us know about the still-ongoing series of delays. And that’s not a trivial task: this
isn’t a CMS. They’re probably editing the .html file itself in their favourite text editor, then putting the
appropriate file:// address into their copy of Netscape Navigator (and maybe other browsers) to test it, then uploading the file – probably using FTP – to the webserver… all the while thanking their lucky stars that they’ve only got the one page they need to change.
We didn’t have scripting languages like PHP yet, you see8.
We didn’t really have static site generators. Most servers didn’t implement server-side includes. So if you had to make a change to every page on a site, for
example editing the main navigation menu, you’d probably have to open and edit dozens or even hundreds of pages. Little wonder that framesets caught on, despite their
(many) faults, with their ability to render your navigation separately from your page content.
Okay, let’s come back in August I guess:
Now we’re told that we’re to come back… in the Spring again? That could mean Spring 1998, I suppose… or it could just be that somebody accidentally re-uploaded an old copy of
the page.
Hey: the footer’s gone too? This is clearly a partial re-upload: somebody realised they were accidentally overwriting the page with the previous-but-one version, hit “cancel” in their
FTP client (or yanked the cable out of the wall), and assumed that they’d successfully stopped the upload before any damage was
done.
They had not.
I didn’t mention that top menu, did I? It looks like it’s a series of links, styled to look like flat buttons, right? But you know that’s not possible because you can’t rely on
having the right fonts available: plus you’d have to do some <table> trickery to lay it out, at which point you’d struggle to ensure that the menu was the same width
as the banner above it. So how did they do it?
The menu is what’s known as a client-side imagemap. Here’s
what the code looks like:
The image (which specifies border=0 because back then the default behaviour for graphical browser was to put a thick border around images within hyperlinks) says
usemap="#maintopmap" to cross-reference the <map> below it, which defines rectangular areas on the image and where they link to, if you click them! This
ingenious and popular approach meant that you could transmit a single image – saving on HTTP round-trips, which were
relatively time-consuming before widespread adoption of HTTP/1.1‘s persistent connections –
along with a little metadata to indicate which pixels linked to which pages.
The ismap attribute is provided as a fallback for browsers that didn’t yet support client-side image maps but did support server-side image maps: there were a few!
When you put ismap on an image within a hyperlink, then when the image is clicked on the href has appended to it a query parameter of the form
?123,456, where those digits refer to the horizontal and vertical coordinates, from the top-left, of the pixel that was clicked on! These could then be decoded by the
webserver via a .map file or handled by a CGI
program. Server-side image maps were sometimes used where client-side maps were undesirable, e.g. when you want to record the actual coordinates picked in a spot-the-ball competition or
where you don’t want to reveal in advance which hotspot leads to what destination, but mostly they were just used as a fallback.9
Both client-side and server-side image maps still function in every modern web browser, but I’ve not seen them used in the wild for a long time, not least because they’re hard (maybe
impossible?) to make accessible and they can’t cope with images being resized, but also because nowadays if you really wanted to make an navigation “image” you’d probably cut it into a
series of smaller images and make each its own link.
Anyway, let’s come back in October 1997 and see if they’ve fixed their now-incomplete page:
Oh, they have! From the look of things, they’ve re-written the page from scratch, replacing the version that got scrambled by that other employee. They’ve swapped out the banner and
menu for a new design, replaced the footer, and now the content’s laid out in a pair of columns.
There’s still no reliable CSS, so you’re not looking at columns: (no implementations until 2014) nor at
display: flex (2010) here. What you’re looking at is… a fixed-width <table> with a single row and three columns! Yes: three – the middle column
is only 10 pixels wide and provides the “gap” between the two columns of text.10
This wasn’t Netscape’s only option, though. Did you ever hear of the <multicol> tag? It was the closest thing the early Web had to a semantically-sound,
progressively-enhanced multi-column layout! The author of this page could have written this:
<multicol cols=2 gutter=10 width=301>
<p>
Want to create the best possible web site? Join us as we explore the newest
technologies, discover the coolest tricks, and learn the best secrets for
designing, building, and maintaining successful web sites.
</p>
<p>
Members of the Netscape web site team, recognized designers, and technical
experts will share their insights and experiences in Web Site Stories.
</p>
</multicol>
That would have given them the exact same effect, but with less code and it would have degraded gracefully. Browsers ignore tags they don’t understand, so a browser without
support for <multicol> would have simply rendered the two paragraphs one after the other. Genius!
So why didn’t they? Probably because <multicol>only ever worked in Netscape Navigator.
Introduced in 1996 for version 3.0, this feature was absolutely characteristic of the First Browser War. The two “superpowers”, Netscape and Microsoft, both engaged in unilateral
changes to the HTML specification, adding new features and launching them without announcement in order to try to get the
upper hand over the other. Both sides would often refuse to implement one-another’s new tags unless they were forced to by widespread adoption by page authors, instead
promoting their own competing mechanisms11.
Between adding this new language feature to their browser and writing this page, Netscape’s market share had fallen from around 80% to around 55%, and most of their losses were picked
up by IE. Using <multicol> would have made their page look worse in Microsoft’s hot up-and-coming
browser, which wouldn’t have helped them persuade more people to download a copy of Navigator and certainly wouldn’t be a good image on a soon-to-launch (any day now!) page about
best-practice on the Web! So Netscape’s authors opted for the dominant, cross-platform solution on this page12.
Anyway, let’s fast-forward a bit and see this project finally leave its “under construction” phase and launch!
Oh. It’s gone.
Sometime between October 1997 and February 1998 the long promised “Web Site Stories” section of Netscape Columns quietly disappeared from the website. Presumably, it never published a
single article, instead remaining a perpetual “Coming Soon” page right up until the day it was deleted.
I’m not sure if there’s a better metaphor for Netscape’s general demeanour in 1998 – the year in which they finally ceased to be the dominant market leader in web browsers – than the
quiet deletion of a page about how Netscape customers are making the best of the Web. This page might not have been important, or significant, or even completed, but
its disappearance may represent Netscape’s refocus on trying to stay relevant in the face of existential threat.
Of course, Microsoft won the First Browser War. They did so by pouring a fortune’s worth of developer effort into staying technologically one-step ahead, refusing to adopt standards
proposed by their rival, and their unprecedented decision to give away their browser for free13.
Footnotes
1 Yes, we used to write “Web sites” as two words. We also used to consistently capitalise
the words Web and Internet. Some of us still do so.
2 In case it’s not clear, this blog post is going to be as much about little-known and
archaic Web design techniques as it is about Netscape’s website.
3 This is a white lie. CSS was first proposed almost at the same time as the Web! Microsoft Internet Explorer was first to deliver a partial implementation
of the initial standard, late in 1996, but Netscape dragged their heels, perhaps in part because they’d originally backed a competing standard called JavaScript Style Sheets (JSSS).
JSSS had a lot going for it: if it had enjoyed widespread adoption, for example, we’d have had the equivalent of CSS variables a full twenty years earlier! In any case, back in 1996 you definitely wouldn’t want to rely on CSS support.
4 Wondering where the text and link colours come from? <body bgcolor="#ffffff"
text="#000000" link="#0000ff" vlink="#ff0000" alink="#ff0000">. Yes really, that’s where we used to put our colours.
5 Personally, I really loved the aesthetic Netscape touted when using Times New Roman (or
whatever serif font was available on your computer: webfonts weren’t a thing yet) with temporary tweaks to font sizes, and I copied it in some of my own sites. If you look back at
my 2018 blog post celebrating two decades of blogging, where I’ve got a
screenshot of my blog as it looked circa 1999, you’ll see that I used exactly this technique for the ordinal suffixes on my post dates! On the same post, you’ll see that I somewhat
replicated the “feel” of it again in my 2011 design, this time using a stylesheet.
6 There’s a whole section of Cameron’s World
dedicated to “under construction” banners, and that’s a beautiful thing!
7 The idea of “garden and stream” is that you publish early and often, refining as you go,
in your garden, which can act as an extension of whatever notetaking system you use already, but publish mostly “finished” content to your (chronological) stream. I see an increasing
number of IndieWeb bloggers going down this route, but I’m not convinced that it’s for me.
8 Another white lie. PHP was
released way back in 1995 and even the very first version supported something a lot like server-side includes, using the syntax <!--include/file/name.html-->. But it was a little computationally-intensive to run willy-nilly.
9 Server-side imagemaps are enjoying a bit of a renaissance on .onion services, whose visitors often keep JavaScript disabled, to
make image-based CAPTCHAs. Simply show the visitor an image and describe
the bit you want them to click on, e.g. “the blue pentagon with one side missing”, then compare the coordinates of the pixel they click on to the knowledge of the right answer.
Highly-inaccessible, of course, but innovative from a purely-technical perspective.
10 Nowadays, use of tables for layout – or, indeed, for anything other than tabular
data – is very-much frowned upon: it’s often bad for accessibility and responsive design. But back before we had the features granted to us by the modern Web, it was literally
the only way to get content to appear side-by-side on a page, and designers got incredibly creative about how they misused tables to lay out content, especially as
browsers became more-sophisticated and began to support cells that spanned multiple rows or columns, tables “nested” within one another, and background images.
11 It was a horrible time to be a web developer: having to make hacky workarounds in
order to make use of the latest features but still support the widest array of browsers. But I’d still take that over the horrors of rendering engine monoculture!
12 Or maybe they didn’t even think about it and just copy-pasted from somewhere else on
their site. I’m speculating.
13 This turned out to be the master-stroke: not only did it partially-extricate
Microsoft from their agreement with Spyglass Inc., who licensed their browser engine to Microsoft in exchange for a percentage of sales value, but once Microsoft started
bundling Internet Explorer with Windows it meant that virtually every computer came with their browser factory-installed! This strategy kept Microsoft on top until Firefox and Google
Chrome kicked-off the Second Browser War in the early 2010s. But that’s another story.
…every major OS vendor has been adhering to the convention that checkboxes are square and radio buttons are round.
…
Apple is the first major operating system vendor who had abandoned a four-decades-long tradition. Their new visionOS — for the first time in the history of Apple — will have round
checkboxes.
Anyway, with Apple’s betrayal, I think it’s fair to say there’s no hope for this tradition to continue.
I therefore officially announce 2024 to be the year when the square checkbox has finally died.
The Web did a bad enough job of making checkboxes and radiobuttons inconsistent. I’m not saying you can’t style them, Web developers, but let’s at least keep the fundamental
shape of them the way that they have been for decades so that users can understand them!
But yeah, Apple’s new designs could spell the beginning of the end of this long-established standard. Sad times.
This is an alternate history of the Web. The premise is true, but the story diverges from our timeline and looks at an alternative “Web that might have been”.
Prehistory
This is the story of P3P, one of the greatest Web standards whose history has been forgotten1, and how the abject failure of its first versions paved the
way for its bright future decades later. But I’m getting ahead of myself…
Drafted in 2002 in the wake of growing concern about the death of privacy on the Internet, P3P 1.0 aimed to make the collection of personally-identifiable data online transparent. Hurrah, right?
Initially, the principle was sound. The specification was weak. The implementation was apalling. But P3P 1.1
could have worked well.
Developers are lazy3 and soon converged on the simplest possible solution: add a garbage HTTP header like P3P: CP="See our website for our privacy policy." and your cookies work just fine! Ignore the problem, ignore the
proposed solution, just do what gets the project shipped.
Without any meaningful enforcement it also perfectly feasible to, y’know, just lie about how well you treat user data. Seeing the way the wind was blowing, Mozilla dropped
support for P3P, and Microsoft’s support – which had always been half-baked and lacked even the most basic user-facing
controls or customisation options – languished in obscurity.
For a while, it seemed like P3P was dying. Maybe, in some alternate timeline, it did die: vanishing into
nothing like VRML, WAP, and XBAP.
But fortunately for us, we don’t live in that timeline.
Revival
In 2009, the European Union revisited the Privacy and Electronic Communications
Directive. The initial regulations, published in 2002, required that Web users be able to opt-out of tracking cookies, but the amendment required that sites ensure that
users opted-in.
As-written, this confusing new regulation posed an
immediate problem: if a user clicked the button to say “no, I don’t want cookies”, and you didn’t want to ask for their consent again on every page load… you had to give them a cookie
(or use some other technique
legally-indistinguishable from cookies). Now you’re stuck in an endless cookie-circle.4
This, and other factors of informed consent, quickly introduced a new pattern among those websites that were fastest to react to the legislative change:
The cookie consent banner, with all its confusing language and dark patterns, looked like it was going to become the new normal for web users in the early 2010s. But thankfully, our
saviour had been waiting in the wings all along.
Web users rebelled. These ugly overlays felt like a regresssion to a time when popup ads and splash pages were commonplace. “If only,” people cried out, “There were a better way to do
this!”
It was Professor Lorie Cranor, one of the original authors of the underloved P3P specification and a respected champion of usable privacy and security, whose rallying cry gave us hope. Her CNET article, “Why
the EU Cookie Directive is a solved problem”5, inspired a new generation of development on what would become known as P3P 2.0.
While maintaining backwards compatibility, this new standard:
deprecated those horrible XML documents in favour of HTTP
headers and <link> tags alone,
removing support for Set-Cookie2: headers, which nobody used anyway, and
added features by which the provenance and purpose of cookies could be stated in a way that dramatically simplified adoption in browsers
Internet Explorer at this point was still used by a majority of Web users. It still supported the older
version of the standard, and – as perhaps the greatest gift that the much-maligned browser ever gave us – provided a reference implementation as well as a stepping-stone to wider
adoption.
Opera, then Firefox, then “new kid” Chrome each adopted P3P 2.0; Microsoft finally got on board with IE 8 SP 1. Now the latest versions of all the mainstream browsers had a solid
implementation6
well before the European data protection regulators began fining companies that misused tracking cookies.
Nowadays, we’ve pretty-well standardised on the address bar being the place where all cookie and privacy information and settings are stored. Can you imagine if things had
gone any other way?
But where the story of P3P‘s successes shine brightest came in 2016, with the passing of the GDPR. The W3C realised that P3P could simplify both the expression and understanding of privacy policies for users, and formed a group to work on version 2.1. And that’s
the version you use today.
When you launch a new service, you probably use one of the many free wizard-driven tools to express your privacy policy and the bases for your data processing, and it spits out a
template privacy policy. You need the human-readable version, of course, since the 2020 German court ruling that you cannot rely on a machine-readable privacy policy alone, but
the real gem is the P3P: 2.1 header version.
Assuming you don’t have any unusual quirks in your data processing (ask your lawyer!), you can just paste the relevant code into your server configuration and you’re good to go. Site
users get a warning if their personal data preferences conflict with your data policies, and can choose how to act: not using your service, choosing which of your
features to opt-in or out- of, or – hopefully! – granting an exception to your site (possibly with caveats, such as sandboxing your cookies or clearing them immediately after closing
the browser tab).
Sure, what we’ve got isn’t perfect. Sometimes companies outright lie about their use of information or use illicit methods to track user behaviour. There’ll always be bad guys out there. That’s what laws are there to deal with.
But what we’ve got today is so seamless, it’s hard to imagine a world in which we somehow all… collectively decided that the correct solution to the privacy problem might have been to
throw endless popovers into users’ faces, bury consent-based choices under dark patterns, and make humans do the work that should from the outset have been done by machines. What a
strange and terrible timeline that would have been.
Footnotes
1 If you know P3P‘s
history, regardless of what timeline you’re in: congratulations! You win One Internet Point.
2 Techbros have been trying to solve political problems using technology since long before
the word “techbro” was used in its current context. See also: (a) there aren’t enough mental health professionals, let’s make an AI app? (b) we don’t have enough ventilators for this
pandemic, let’s 3D print air pumps? (c) banks keep failing, let’s make a cryptocurrency? (d) we need less carbon in the atmosphere or we’re going to go extinct, better hope direct
carbon capture tech pans out eh? (e) we have any problem at all, lets somehow shoehorn blockchain into some far-fetched idea about how to solve it without me having to get out of my
chair why not?
3 Note to self: find a citation for this when you can be bothered.
4 I can’t decide whether “endless cookie circle” is the name of the New Wave band I want
to form, or a description of the way I want to eventually die. Perhaps both.
6 Implementation details varied, but that’s part of the joy of the Web. Firefox favoured
“conservative” defaults; Chrome and IE had “permissive” ones; and Opera provided an ultra-configrable matrix of options by which a user could specify exactly which kinds of cookies to
accept, linked to which kinds of personal data, from which sites, all somehow backed by an extended regular expression parser that was only truly understood by three people, two of
whom were Opera developers.
What happens when you give Gutenberg and Elementor to complete Beginners? In this challenge, Meg and Lily (two of my daughters) are tasked with re-creating a webpage. They’ve never
used Elementor or Gutenberg before, and I only gave them 30 minutes each.
…
Jamie of Pootlepress challenged his daughters – who are presumably both digital natives, but have no WordPress experience – to build a page to a specific design using both Gutenberg and Elementor. In 30 minutes.
Regardless of what you think about the products under test or the competitors in the challenge (Lily + Gutenberg clearly seems to be the fan favourite, which I’d sort-of expect because
IMO Gutenberg’s learning curve is much flatter that Elementor’s), this is a fantastic example of “thinking aloud” (“talkalong”)
UX testing. And with (only) a £20 prize on offer, it’s possibly the best-value testing of its type I’ve ever seen too! Both the
participants do an excellent job of expressing their praise of and frustration with different parts of the interface of their assigned editing platform, and the developers of both – and
other systems besides – could learn a lot from watching this video.
Specifically, this video shows how enormous the gulf is between how developers try to express concepts that are essential to web design and how beginner users assume things will work.
Concepts like thinking in terms of “blocks” that can resize or reposition dynamically, breakpoints, assets as cross-references rather than strictly embedded within documents, style as
an overarching concept by preference to something applied to individual elements, etc… some as second nature once you’re sixteen levels deep into the DOM and you’ve been doing it for years! But they’re rarely intuitive… or, perhaps, not expressed in a way that makes them intuitive… to new users.
Here’s a perfect example I bumped into earlier this week, courtesy of The Green Web Foundation. This looks like a
hyperlink… but if you open it in a new tab/window, you see a page (not even a 404 page!) with the text “It looks like nothing was found at this location.”
In the site shown in the screenshot above, the developer took something the web gave them for free (a hyperlink), threw it away (by making it a link-to-nowhere), and rebuilt its
functionality with Javascript (without thinking about the fact that you can do more with hyperlinks than click them: you can click-and-drag them, you can bookmark them, you can share
them, you can open them in new tabs etc.). Ugh.
Something you can clearly type a numeric day, month and year into is best.
Three dropdowns are slightly worse, but at least if you use native HTML <select> elements keyboard
users can still “type” to filter.
Everything else – including things that look like <select>s but are really funky React <div>s, is pretty terrible.
Calendars can be great for choosing your holiday date range. But pressing “Prev” ~480 times to get to my month of birth isn’t good. Also: what’s with the time “sliders”? (Yes, I know I’ve implemented these myself, in the past, and I’m sorry.)
People designing webforms that require me to enter my birthdate:
I am begging you: just let me type it in.
Typing it in is 6-8 quick keystrokes. Trying to navigate a little calendar or spinny wheels back to the 1970s is time-consuming, frustrating and unnecessary.
They’re right. Those little spinny wheels are a pain in the arse if you’ve got to use one to go back 40+ years.
These things are okay (I guess) on mobile/touchscreen devices, though I’d still prefer the option to type in my date of birth. But send one to my desktop and I will
curse your name.
Can we do worse?
If there’s one thing we learned from making the worst volume control in the world, the other
year, it’s that you can always find a worse UI metaphor. So here’s my attempt at making a date of birth field that’s somehow
even worse than “date spinners”:
My datepicker implements a game of “higher/lower”. Starting from bounds specified in the HTML code and a random guess, it
narrows-down its guess as to what your date of birth is as you click the up or down buttons. If you make a mistake you can start over with the restart button.
Amazingly, this isn’t actually the worst datepicker into which I’ve entered my date of birth! It’s cognitively challenging compared to most, but it’s relatively fast at
narrowing down the options from any starting point. Plus, I accidentally implemented some good features that make it better than plenty of the datepickers out there:
It’s progressively enhanced – if the Javascript doesn’t load, you can still enter your date of birth in a sensible way.
Because it leans on a <input type="date"> control, your browser takes responsibility for localising, so if you’re from one of those weird countries that prefers
mm-dd-yyyy then that’s what you should see.
It’s moderately accessible, all things considered, and it could easily be improved further.
It turns out that even when you try to make something terrible, so long as you’re building on top of the solid principles the web gives you for free, you can accidentally end
up with something not-so-bad. Who knew?
I was chatting with a fellow web developer recently and made a joke about the HTML <blink> and
<marquee> tags, only to discover that he had no idea what I was talking about. They’re a part of web history that’s fallen off the radar and younger developers are
unlikely to have ever come across them. But for a little while, back in the 90s, they were a big deal.
Even Macromedia Dreamweaver, which embodied the essence of 1990s web design, seemed to treat wrapping
<blink> in <marquee> as an antipattern.
Invention of the <blink> element is often credited to Lou Montulli, who wrote pioneering web browser Lynx before being joining Netscape in 1994. He insists that he didn’t write any
of the code that eventually became the first implementation of <blink>. Instead, he claims: while out at a bar (on the evening he’d first meet his wife!), he
pointed out that many of the fancy new stylistic elements the other Netscape engineers were proposing wouldn’t work in Lynx, which is a text-only browser. The fanciest conceivable
effect that would work across both browsers would be making the text flash on and off, he joked. Then another engineer – who he doesn’t identify – pulled a late night hack session and
added it.
And so it was that when Netscape Navigator 2.0 was released in 1995 it added support for
the <blink> tag. Also animated GIFs and the first inklings of JavaScript, which collectively
would go on to define the “personal website” experience for years to come. Here’s how you’d use it:
<BLINK>This is my blinking text!</BLINK>
With no attributes, it was clear from the outset that this tag was supposed to be a joke. By the time HTML4 was
published as a a recommendation two years later, it was documented as being a joke. But the Web of the late 1990s
saw it used a lot. If you wanted somebody to notice the “latest updates” section on your personal home page, you’d wrap a <blink> tag around the title (or,
if you were a sadist, the entire block).
If you missed this particular chapter of the Web’s history, you can simulate it at Cameron’s World.
In the same year as Netscape Navigator 2.0 was released, Microsoft released Internet Explorer
2.0. At this point, Internet Explorer was still very-much playing catch-up with the features the Netscape team had implemented, but clearly some senior Microsoft engineer took a
look at the <blink> tag, refused to play along with the joke, but had an innovation of their own: the <marquee> tag! It had a whole suite of attributes to control the scroll direction, speed, and whether it looped or bounced backwards and forwards. While
<blink> encouraged disgusting and inaccessible design as a joke, <marquee> did it on purpose.
<MARQUEE>Oh my god this still works in most modern browsers!</MARQUEE>
But here’s the interesting bit: for a while in the late 1990s, it became a somewhat common practice to wrap content that you wanted to emphasise with animation in both a
<blink> and a <marquee> tag. That way, the Netscape users would see it flash, the IE users
would see it scroll or bounce. Like this:
<MARQUEE><BLINK>This is my really important message!</BLINK></MARQUEE>
Wrap a <blink> inside a <marquee> and IE users will see the marquee. Delightful.
The web has always been built on Postel’s Law: a web browser should assume that it won’t understand everything it reads,
but it should provide a best-effort rendering for the benefit of its user anyway. Ever wondered why the modern <video> element is a block rather than a self-closing
tag? It’s so you can embed within it code that an earlier browser – one that doesn’t understand <video> – can read (a browser’s default state when seeing a
new element it doesn’t understand is to ignore it and carry on). So embedding a <blink> in a <marquee> gave you the best of both worlds, right?
(welll…)
Wrap a <blink> inside a <marquee> and Netscape users will see the blink. Joy.
Better yet, you were safe in the knowledge that anybody using a browser that didn’t understand either of these tags could still read your content. Used properly, the
web is about progressive enhancement. Implement for everybody, enhance for those who support the shiny features. JavaScript and CSS can be applied with the same rules, and doing so pays dividends in maintainability and accessibility (though, sadly, that doesn’t stop people writing
sites that needlessly require these technologies).
Personally, I was a (paying! – back when people used to pay for web browsers!) Opera user so I mostly saw neither <blink> nor <marquee> elements.
I don’t feel like I missed out.
I remember, though, the first time I tried Netscape 7, in 2002. Netscape 7 and its close descendent are, as far as I can tell, the only web browsers to support both<blink> and <marquee>. Even then, it was picky about the order in which they were presented and the elements wrapped-within them. But support was
good enough that some people’s personal web pages suddenly began to exhibit the most ugly effect imaginable: the combination of both scrolling and flashing text.
If Netscape 7’s UI didn’t already make your eyes bleed (I’ve toned it down here by installing the “classic skin”), its simultaneous
rendering of <blink> and <marquee> would.
The <blink> tag is very-definitely dead (hurrah!), but you can bring it back with pure CSS if you must.
<marquee>, amazingly, still survives, not only in polyfills but natively, as you might be able to see above. However, if you’re in any doubt as to whether or not
you should use it: you shouldn’t. If you’re looking for digital nostalgia, there’s a whole
rabbit hole to dive down, but you don’t need to inflict <marquee> on the rest of us.
What this now does is instead of saying “add margin to the left”, it says “regardless of direction, put margin on the starting side”. If the language of the document was
right to left, like Arabic, that margin would be on the right hand side.
…
This is clever. If you use e.g. margin-left on every list element after the first to put space “between” them, the spacing isn’t quite right when the order of the elements
is reversed, for example because your page has been automatically translated into a language that reads in the opposite direction (e.g. right-to-left, rather than left-to-right). When
you use margin-left in this way you’re imposing a language-direction-centric bias on your content, and there’s no need: margin-inline-start and its friends
are widely-supported and says what you mean: “place a margin before this element”. I’ll be trying to remember to
use this where it’s appropriate from now on.
You see what that’s doing? It’s loading the stylesheet for the print medium, but then when the document finishes loading it’s switching the media type from “print” to “all”.
Because it didn’t apply to begin with the stylesheet isn’t render-blocking. You can use this to delay secondary styles so the page essentials can load at full speed.
Reducing blocking times, like I have on this page, is one of many steps in optimising perceived page performance.
I don’t like this approach. I mean: I love the elegance… I just don’t like the implications.
Why I don’t like lazy-loading CSS using Javascript
Using Javascript to load CSS, in order to prevent that CSS
blocking rendering, feels to me like it conceptually breaks the Web. It certainly violates the expectations of progressive enhancement, because it introduces a level of
fault-intolerance that I consider (mostly) unacceptable.
CSS and Javascript are independent of one another. A well-designed progressively-enhanced page should function with
HTML only, HTML-and-CSS only, HTML-and-JS only, or all
three.CSS adds style, and JS adds behvaiour to a page; and when
you insist that the user agent uses Javascript in order to load stylistic elements, you violate the separation of these technologies (I’m looking at you, the majority of heavyweight
front-end frameworks!).
If you’re thinking that the only people affected are nerds like me who browse with Javascript wholly or partially disabled, you’re wrong: gov.uk research shows that around 1% of your visitors have Javascript fail for some reason or another: because it’s disabled
(whether for preference, privacy, compatibility with accessibility technologies, or whaterver), blocked, firewalled, or they’re using a browser that you didn’t expect.
Can we lazy-load CSS in a way that doesn’t depend on Javascript? (spoiler: yes)
Chris’s daily tip got me thinking: could there exist a way to load CSS in a non-render-blocking way but which degraded
gracefully in the event that Javascript was unavailable? I.e. if Javascript is working, lazy-load CSS, otherwise: load
conventionally as a fallback. It turns out, there is!
In principle, it’s this:
Link your stylesheet from within a <noscript> block, thereby only exposing it where Javascript is disabled. Give it a custom attribute to make it easy to find
later, e.g. <noscript lazyload> (if you’re a standards purist, you might prefer to use a data- attribute).
Have your Javascript extract the contents of these <noscript> blocks and reinject them. In modern browsers, this is as simple as e.g.
[...document.querySelectorAll('noscript[lazyload]')].forEach(ns=>ns.outerHTML=ns.innerHTML).
If you need support for Internet Explorer, you need a little more work, because Internet Explorer doesn’t expose<noscript> blocks to the DOM in a helpful way. There are a variety of possible workarounds; I’ve implemented one but not put too much thought into it because I rarely have to
think about Internet Explorer these days.
In any case, I’ve implemented a proof of concept/demonstration if you’d like to see it in action: just take a look and view source (or read the page)
for details. Or view the source alone via this gist.
Lazy-loading CSS using my approach provides most of the benefits of other approaches… but works properly in environments without
Javascript too.
Update: Chris Ferdinandi’s refined this into an even cleaner approach that takes the best of both worlds.
