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And on a way, way lighter note to my last repost, Parry Gripp’s latest song and video is the catchiest song about tacos or robots that you’ll ever hear.
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I discovered Philosophy Tube earlier this year but because I’ve mostly been working my way through the back catalogue it took until very recently before I got around to watching the video Men. Abuse. Trauma. And about 95% of everything he says in it so-closely parallels my own experience of an abusive relationship that I was periodically alarmed by his specificity. I’ve written before about the long tail an abusive relationship can have and that this video triggered in me such a strong reaction of recognition (and minor distress) is a testament to that.
I escaped from my abusive relationship seventeen years ago this month. It took me around seven years to acknowledge that the relationship had been abusive and to see the full picture of the damage it had done me. It took at least another four or five before I reached a point that I suspect I’m “recovered”: by which I mean “as recovered as I think is feasible.” And the fact that this video – on the first two viewings, anyway – was still able to give me a moment of panic (albeit one well-short of flashbacks) is a reminder that no, I’m not yet 100% okay.
Regardless – I’ve wanted to plug the channel for a while now, and this was the vehicle I had to hand. Go watch.
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Last week I happened to be at an unveiling/premiere event for the new Renault Clio. That’s a coincidence: I was actually there to see the new Zoe, because we’re hoping to be among the first people to get the right-hand-drive version of the new model when it starts rolling off the production line in 2020.
But I’ll tell you what, if they’d have shown me this video instead of showing me the advertising stuff they did, last week, I’d have been all: sure thing, Clio it is, SHUT UP AND TAKE MY MONEY! I’ve watched this ad four times now and seen more things in it every single time. (I even managed to not-cry at it on the fourth watch-through, too; hurrah!).
Yesterday, I shared with you the introduction video I made for my new employer. A few friends commented that it seemed very well-presented and complimented me on my presentation, so I thought I’d dispel the illusion by providing this: the “outtakes”. My process was to write a loose script and then perform it multiple times (while being sure to wear the same hoodie) over the course of several days as I walked or cycled around, and then take only the “good” content.
That I’m able to effortlessly make a longer video out of a selection of the outtakes should be evidence enough that I’m just as capable of mucking-up a simple task as anybody else, probably moreso.
You may observe in this video that I made a number of “Hey, I found a…” snippets; I wasn’t sure what would scan best (I eventually went with “Hey, I found a… nothing?”). Folks who’ve seen this video have already criticised my choice; apparently the cow I found was more photogenic than me.
Also available on: VideoPress, QTube, YouTube.
New employees at Automattic – like me! – are encouraged to make a “howdymattic” video, introducing themselves to their co-workers. Some are short and simple, others more-ornate, but all are a great way to provide the kind of interpersonal connection that’s more-challenging in an entirely-distributed company with no fixed locations and staff spread throughout the globe.
In anticipation of starting, tomorrow, I made such a video. And I thought I’d share it with you, too.
Also available on: VideoPress, QTube, YouTube.
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Truly in the style and spirit of Challenge Robin / Challenge Robin II, this sweary idiot decides to try to cross Wales in as close as possible to a completely straight line, cutting through dense woods, farms, rivers, hedgerows and back gardens. Cut up by barbed wire, stung by nettles, swimming through freezing rivers, and chased by farmers, it makes for gruelling, hilarious watching. Link is to the four-hour playlist; put it on in the background.
Eight years, six months, and one week after I started at the Bodleian, we’ve gone our separate ways. It’s genuinely been the nicest place I’ve ever worked; the Communications team are a tightly-knit, supportive, caring bunch of diverse misfits and I love them all dearly, but the time had come for me to seek my next challenge.
(For anybody out-of-the-loop, I’m moving to Automattic after surviving their amazing, mind-expanding recruitment process).
Being awesome as they are, my team threw a going-away party for me, complete with food from Najar’s Place, about which I’d previously raved as having Oxford’s best falafels. I wasn’t even aware that Najar’s place did corporate catering… actually, it’s possible that they don’t and this was just a (very) special one-off.
Following in the footsteps of recent team parties, they’d even gotten a suitably-printed cake with a picture of my face on it. Which meant that I could leave my former team with one final magic trick, the never-before-seen feat of eating my own head (albeit in icing form).
As the alcohol started to work, I announced an activity I’d planned: over the weeks prior I’d worked to complete but not cash-in reward cards at many of my favourite Oxford eateries and cafes, and so I was now carrying a number of tokens for free burritos, coffees, ice creams, smoothies, pasta and more. Given that I now expect to spend much less of my time in the city centre I’d decided to give these away to people who were able to answer challenge questions presented – where else? – on our digital signage simulator.
I also received some wonderful going-away gifts, along with cards in which a few colleagues had replicated my long tradition of drawing cartoon animals in other people’s cards, by providing me with a few in return.
Later, across the road at the Kings’ Arms and with even more drinks inside of me, I broke out the lyrics I’d half-written to a rap song about my time at the Bodleian. Because, as I said at the time, there’s nothing more-Oxford than a privileged white boy rapping about how much he’d loved his job at a library (video also available on QTube [with lyrics] and on Videopress).
It’s been an incredible 8½ years that I’ll always look back on with fondness. Don’t be strangers, guys!
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JSON inventor Douglas Crockford explains why he gave permission for the reference implementation of JSLint to be used for evil. Funny.
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I’m not sure which is the most-hypnotic in this video: the graceful click-clack motion of the finished product or the careful and methodical production steps that precede it. Either way, this perpetual calendar is brilliant, but if I owned it I’d absolutely spend the entire time playing with it rather than using it for its intended purpose.
This checkin to GC7QG1Z Oxford’s Wild Wolf Three reflects a geocaching.com log entry. See more of Dan's cache logs.
Performed routine maintenance at the cache site; everything seems well.
A couple of ‘cachers have reported that the GZ is inaccessible owing to the path being overgrown. The “obvious” path to the cache really is pretty heavily overgrown and I’ll be increasing the terrain rating from 3 to 3.5 accordingly, but the “obvious” path isn’t the only path! If you need a hint as to the direction from which the alternative path (which is quite a bit longer, but much more-usable) comes, see my GZ video below:
(video also available on QTube)
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Possibly CGP Grey‘s best video yet: starting with the usual lighthearted and slightly silly look into an interesting piece of history, it quickly diverges from a straightforward path through the Forest of All Knowledge (remember No Flag Northern Ireland?) and becomes an epic adventure into fact-checking, healthy scepticism, and demonstrable information literacy. Speaking admittedly as somebody who genuinely loved the Summer of Grey Tesla Road Trip series of vlogs, this more-human-than-average Grey adventure is well-worth watching to the end.
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Rapping about video games is one thing. Rapping about music/beatmatching video games takes this to a whole new level.
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Some people fight their haters. Some people ignore their haters. Madilyn Bailey goes one step further and uses hate comments as the lyrics to a song.
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If the different land uses of the UK were divided up into their percentage-ratio blocks, what would a 100-second tour of the country (with each second covering a single percent of the land usage) look like?
