Oh my god I’m so excited. I’m afraid they might fuck up the story even more than David Lynch did in 1984 (not that I don’t love that film, too, but in a very different way than the books). I mean: I’d have hoped a modern adaptation would have a bigger part for Chani than it clearly does. And I know nothing at all about the lead, Timothée Chalamet. If only there was something I could do about these fears?
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
Yeah, that’s the kind of thing.
The supporting cast look excellent. I think Josh Brolin will make an awesome Gurney Halleck, Jason Momoa will rock Duncan Idaho, and I’m looking forward to seeing Stephen McKinley Henderson play Thufir Hawat. But if there’s just one thing you should watch the trailer for… it’s to listen to fragments of Hans Zimmer’s haunting, simplistic choral adaptation of Pink Floyd’s Eclipse.
It’s one of the best visual gags in a movie filled with them.
In the classic 1980 comedy Airplane!, two passengers are seen reading magazines. First, we see a nun reading Boys’ Life. Moments later, there’s a boy reading Nuns’ Life.
The scene is over in seconds, but the memory of this joke lives on. That’s especially true for those of us who have been reading Boys’ Life since we were kids.
Here are seven things you might not know about this bit of visual humor.
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Of the many things I love, here are two of them:
The Airplane series of movies.
People who, like me, get carried away researching something trivial and accidentally become an expert in a miniscule field.
This fantastic piece takes a deep dive into a tiny scene in Airplane. What issue of Boys’ Life was the nun reading? What page was she looking at? What actual magazine was the boy reading within the Nuns’ Life cover? These and more questions you never thought about before are answered!
This beautifully-shot short film won Best Live Action Short Film at the Oscars last month, and if you haven’t seen it you owe it to yourself to do so. Over the course of 20 artfully-crafted minutes it tells two distinct stories, and before long you realise that what you’re really watching is the third story that emerges, Rubin vase-style, from the mind of the watcher and in the gaps between the two. Official website. Probably NSFW.
After 8 or 10 (depending on how you count them) films and hundreds of hours of TV, finally we have reached the end of the whole Star Wars saga. Hooray,…
Exactly my thoughts on the latest Star Wars films, concisely expressed.
You could fit almost the entire history of videogames into the time span covered by the silent film era, yet we consider it a mature medium, rather than one just breaking out of its infancy. Like silent movies, classic games are often incomplete, damaged, or technically limited, but have a beauty all their own. In this spirit, indie game developer Joe Blair and I built Metropoloid, a remix of Fritz Lang’s Metropolis which replaces its famously lost score with that of its contemporaries from the early days of games.
I’ve watched Metropolis a number of times over the decades, in a variety of the stages of its recovery, and I love it. I’ve watched it with a pre-recorded but believed-to-be-faithful soundtrack and I’ve watched it with several diolive accompaniment. But this is the first time I’ve watched it to the soundtrack of classic (and contemporary-retro) videogames: the Metroid, Castlevania, Zelda, Mega Man and Final Fantasy series, Doom, Kirby, F-Zero and more. If you’ve got a couple of hours to spare and a love of classic film and classic videogames, then you’re in the slim minority that will get the most out of this fabulous labour of love (which, at the time of my writing, has enjoyed only a few hundred views and a mere 26 “thumbs up”: it certainly deserves a wider audience!).
In the future, media organizations might have to do away with the “film” and “TV” tags entirely, if indeed there are media organizations as we currently think of them.
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Based on my own experience chronicling both art forms, I’m increasingly convinced that film and TV started merging a long time ago, before most of us were aware of what was going on. Some of us have accepted the change. Others are in denial about it. But as my grandfather used to say, there’s no point trying to close the barn doors after the horses have already escaped.
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Interesting article summarising the ongoing changes to the concepts of what we consider “film” versus “television” and the increasingly blurred distinction, and an exploration of how that’s embodied by phenomena like Avengers: Endgame and the final series of Game of Thrones. Spoilers about the former and about the first three episodes of the latter, obviously.
Who’s for a rewatch of the entire Marvel Cinematic Universe, in the “correct” order, before Endgame? No?
The thinking behind this infographic (and in particular the shuffling of Ant-Man and the Wasp behind Infinity War) is like an even bigger, possibly-nerdier variant of the kind of thinking that lead to Star Wars – Machete Order.
A wise man once said “To Infinity and Beyond”, Unfortunately there’s no way of knowing who that man was or in what context it was meant to be understood, so let us instead turn our attention to the Toy Story porn parody – Sex Toy Story The XXX Parody Part 1.
It says Part 1, but I searched and there’s no Part 2. Unless they’re doing like a Toy Story 3 thing where they wait like ten years for Andy to grow up and go off to college, in which case we will have to wait with bated breath for ten years for Part 2.
We open on an unnamed woman played by Veruca James (Lesbian Anal Vampires, Emo Teen Fucks at Work) getting ready to masturbate. She does so the normal way we all do, by rubbing her clothed body.
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“Does it exist?”, I asked, when the conversation drifted perilously close to this topic. Well of course it exists: Rule 34, duh. I was so glad that this article existed, to spare me from having to watch it to work out how much I didn’t want to watch it. Now all I have to do is scrub the idea of this article from my mind, which is hopefully easier than the retina-burning image of the film itself would have been.
Is it just me, or is this some fantastic fucking casting. For the first time perhaps ever, I feel confident that a remake of an already-good film has the potential to be awesome.
Either I’m getting older or movies are getting longer… and longer … and longer. So which is it? I took a look at the numbers. I studied the running time of the top 100 US-grossing films since 1994 (2,200 films in total) and all films shot in the UK 2005-14 (2,142 films). In summary… The median length of …
Either I’m getting older or movies are getting longer… and longer … and longer. So which is it? I took a look at the numbers.
I studied the running time of the top 100 US-grossing films since 1994 (2,200 films in total) and all films shot in the UK 2005-14 (2,142 films). In summary…
The median length of a top 100 US-grossing films between 1994 and 2015 was 110 minutes
Running times have increased in six of the past seven years
The longest films are historical and western films and the shortest are animations and documentaries.
Peter Jackson makes the longest movies in Hollywood, with a median running time of 169 minutes.
The median running time of UK feature films (2008-14) was 94 minutes.
Films with lower budgets have shorter running times
The complete extended Lord of the Rings and Hobbit trilogies are a combined 21 hours long
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It’s reassuring to read that I wasn’t the only one to observe this trend in filmmaking, and to find that somebody else had done the research to save me from feeling the need to do so myself! The full article also makes a number of other interesting observations; worth a read.
Pop quiz: In your typical James Bond movie, who is the protagonist?
Seems like a strange, obvious question, right? It’s obviously Bond. He’s the hero. He’s played by the top-billed actor. The franchise is basically named after him. So, clearly, Bond is the protagonist. Right?
Put a pin in that…
Pop quiz: In your typical James Bond movie, who is the protagonist?
Seems like a strange, obvious question, right? It’s obviously Bond. He’s the hero. He’s played by the top-billed actor. The franchise is basically named after him. So, clearly, Bond is the protagonist. Right?
Put a pin in that, and we’ll come back to it.
Now, here’s a similar question: In the new Avengers: Infinity War, who is the protagonist?
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This article mirrors almost-exactly the conversation that Ruth and I had coming out of the cimena after seeing Infinity War the other week.
This is amazing, and I’ve no idea how it’s only got (at the time of writing) ~28,000 views. Seriously: push on through the first two minutes and pay atention to how the effects and filming are executed. Then keep watching.
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