In these complicated times, this is how I get my groove on.
“Passport Photos” looks at one of the most mundane and unexciting types of photography. Heavily restricted and regulated, the official passport photo requirements include that the subject needs to face the camera straight on, needs a clear background without shadow, no glare on glasses and most importantly; no smile.
It seems almost impossible for any kind of self-expression.
The series tries to challenge these official rules by testing all the things you could be doing while you are taking your official document photo.
I love this weird, wonderful, and truly surreal photography project. Especially in this modern age in which a passport photo does not necessarily involve a photo booth – you’re often permitted now to trim down a conventional photo or even use a born-digital picture snapped from an approved app or via a web application – it’s more-feasible than ever that the cropping of your passport photo does not reflect the reality of the scene around you.
Max’s work takes this well beyond the logical extreme, but there’s a wider message here: a reminder that the way in which any picture is cropped is absolutely an artistic choice which can fundamentally change the message. I remember an amazing illustrative example cropping a photo of some soldiers, in turn inspired I think by a genuine photo from the second world war. Framing and cropping an image is absolutely part of its reinterpretation.
It was presented to her more than two decades ago by the Society for Imaging Science and Technology, in recognition of the pivotal—and altogether unexpected—role she played in shaping the digital world as we know it.
Among some computer engineers, Lena is a mythic figure, a mononym on par with Woz or Zuck. Whether or not you know her face, you’ve used the technology it helped create; practically every photo you’ve ever taken, every website you’ve ever visited, every meme you’ve ever shared owes some small debt to Lena. Yet today, as a 67-year-old retiree living in her native Sweden, she remains a little mystified by her own fame. “I’m just surprised that it never ends,” she told me recently.
While I’m not sure that it’s fair to say that Lena “remained a mystery” until now – the article itself identifies several events she’s attended in her capacity of “first lady of the Internet” – but this is still a great article about a picture that you might have seen but never understood the significance of nor the person in front of the lens. Oh, and it’s pronounced “lee-na”; did you know?
Jigsaw puzzle companies tend to use the same cut patterns for multiple puzzles. This makes the pieces interchangeable, and I sometimes find that I can combine portions from two or more puzzles to make a surreal picture that the publisher never imagined. I take great pleasure in “discovering” such bizarre images lying latent, sometimes for decades, within the pieces of ordinary mass-produced puzzles.
It feels like most of the time I’ve spent in a car this year, so far, has been for travel related to somebody’s recent death. And so it was that yesterday, Ruth, JTA and I zipped up and down the motorway to attend the funeral of Ruth’s grandmother.
It went really well, but what I wanted to share with you today was two photos that I took at service stations along the the way.
This one confuses me a lot. If I buy alcohol from this service area, I can’t drink it either inside… or outside… the premises. Are they unlicensed, perhaps, and so the only way they’re allowed to sell us alcohol is if we promise not to drink it? Or is it perhaps the case that they expect us only to consume it when we’re in a parallel dimension?
It’s hard to see in the second photo without clicking (to see it in large-o-vision), but the sign on the opposite wall in this Costa Coffee implies the possibility of being an “Americano Addict”. And there was something about that particular marketing tack that made me cringe.
Imagine that this was not a café but a bar, and substitute the names of coffees with the names of alcoholic beverages. Would it be cool to advertise your products to the “wine addicts” or the “beer addicts” of the world? No: because alcoholism isn’t hip and funny… but caffeine addiction is? Let’s not forget that caffiene is among the most-addictive drugs in the world. Sure, caffeine addiction won’t wreck your liver like alcohol will or give you cancer like smoking tobacco (the most-popular way to consume nicotine) will, but that doesn’t detract from the fact that there are many people for whom a dependency upon caffeine is a very real part of their everyday life.
Is it really okay to make light of this by using such a strong word as “addict” in Costa’s marketing? Even if we’re sticking with alliteration to fit in with the rest of their marketing, wouldn’t “admirer” or “aficionado” be better? And at least that way, Costa wouldn’t leave me with a bitter taste in my mouth.
I couldn’t (easily) post these pictures while out-and-about, so I thought I’d share them now:
The tailbackon the M6. That’s a serious amount of traffic at a complete standstill, and people million about on the carriageway. In the distance, in the first one, you can just about make out the tops of the emergency services vehicles, despite the low resolution of the picture.
Gareth and Penny’s birthday cakes. Gareth’s is decorated with a small place flying across a blue sky, while Penny’s is shaped like a fairytale castle.
This was the moment during their recollection of their boating holiday that Matt suddenly realised that what Liz was telling him about a “steaking incident” was actually true and not something he’d dreamt.
Claire, Jimmy, and Beth. I don’t think Beth approves of this photo being taken.
A fabulous example of BiCon’s non-assuming, gender-doesn’t-really-matter thinking, in the form of the signs on the toilet doors. Behind these, the secondary signs are the same, except the the “Toilets with urinals” sign has had appended to it “Standing up okay,” and the “Toilets without urinals” sign has had appended to it “Standing up okay, put you might end up pissing on the seat.”
Not only a transgender-friendly statement, these signs also function as a reminder that in an environment where your gender is one preferred by not 50% but closer to 95% of the people present, imposing privacy by something as arbitary as gender is even more pointless than it is in the rest of the world.
The organisers of BiCon run a census each year. I think this photograph of a small part of the survey really does reflect “BiCon thinking” when it comes to the definition of gender and sexuality. One question reads “What term(s) do you use to describe your gender?”, with the following options – female only, female mostly, female somewhat more, female/male equally, male somewhat more, male mostly, male only, none/no gender, androgynous, genderqueer, other (please specify). Where almost any other survey would provide in the region of two mutually-exclusive choices, BiCon’s survey provides 10, which can be used in combination, and the space to define an answer yourself if you’re not satisfied with those available.
BiCon attendees are encouraged to decorate their name badge with stickers showing their affiliation to various groups, causes, ideologies, relationship structures, fetishes, etc. These make really good conversation-starters, but the list on the first day – with about six different “codes” – tends to have no bearing on the final-day list, fully-expanded by people adding their own codes and encouraging one another to make use of them. Click on the list to zoom in.