A Hundred Inconveniences

It’s F-Day plus 31 – a whole month (and a bit; thanks February) since our house filled with water and rendered us kinda-homeless.

We continue to live out of a series of AirBnB-like accommodations, flitting from place to place after a week or fortnight. I can’t overstate how much this feels like a hundred tiny inconveniences, piling up in front of me all at once and making it hard to see “past” them.

An attractive Cotswold-stone converted barn with a gravel driveway and a broad grassy lawn.
Our current two-week stint is spent at a place that’s perfectly delightul… but it’s not home.

They’re all small potatoes compared to the bigger issue of, y’know… our house being uninhabitable. But they’re still frustrating.

I’m talking about things like discovering your spare toothbrush heads are at the “wrong” house. Or having to take extra care to plan who’s going to use which car to go to the office because the kids and the dog need dropping off (because our lives were all optimised for our local walking and bus routes). It’s a level of cognitive load that, frankly, I could do without.

Dan and JTA sit with pints of beer in a cluttered brewery, at a table with large tomato cans repurposed as holders for chilli oil and pizza cutters.
I’m trying to look on the bright side. One particular highlight was JTA and I discovering the epic pizza restaurant inside the brewery that’s about four minutes walk from where we’re living, right now.

Meanwhile, any relief is slow to come. We’re still without a medium-term plan for somewhere to live, because even though the insurance company has pulled their finger out and agreed to pay for say six months of rental of a place, we’re struggling to find a suitable property whose landlord is open to such a short-term let.

When the house first flooded and friends told me that I’d be faced with many months of headaches, I figured this was hyperbole. Or that, somehow, with the epic wrangling and project management skills of Ruth, JTA and I combined, that we’d be able to accelerate the process somewhat. Little did I know that so many of the problems wouldn’t be issues of scale or complexity but of bureaucracy and other people’s timescales. Clearly, we’re in it for the long haul.

It feels silly that we’re still in the first quarter of this 2026 and already I’m looking forward to next year and the point where we can look back and laugh, saying “ah, remember 2026: the year of the flood?” Sigh.

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[Bloganuary] Toilet Paper

This post is part of my attempt at Bloganuary 2024. Today’s prompt is:

What do you complain about the most?

I’m British. So I complain about very little. Instead, I tut loudly to myself.

But the thing that makes me tut the loudest, perhaps, is when I discover that somebody has put a roll of toilet paper on its holder the wrong way.

Annotated composite photograph showing two toilet rolls on their holster. One hangs in front of the roll, as is correct and proper, and it labelled "right". The other hangs behind the roll, in the terrible forbidden way acceptable only to imbeciles, and is labelled "wrong".
Of all the hills a person could choose to die on, I seem to have chosen the most absorbent.

I’m aware that there are some people who do not hold a strong opinion on the correct orientation of a horizontally-mounted roll of toilet paper. That’s fine; not everybody has to care about these things. Maybe you’ll be persuaded that there’s a “right” way by this post (and there is), but if not, no problem.

But for the anybody who deliberately and consciously hangs toilet paper the wrong way… here’s why you’re mistaken:

  • Hanging it the right way puts the loose end closer to the user, which means they’ve got less-far to reach.
  • Hanging it the right way means the loose end is easier to find, which is especially useful if you didn’t turn the light on yet because you’re not ready to fully wake up.
  • Hanging it the wrong way increases the amount of time the paper spends cleaning the wall, which isn’t something I want or need it to be used to clean.
  • Hanging it the wrong way increases the risk that the loose end is in a place where it is inaccessible, sandwiched directly behind the roll and against the wall, requiring the user to manually turn the roll to expose it. When the same thing happens on a roll hung the right way (which is rarer on account of gravity) a pinched end self-corrects as soon as you pull the roll slightly away from the wall.
  • It’s been argued that your way is “tidier” because unused toilet paper sits closer to the wall which which it’s approximately parallel. Sure (although I disagree that it’s tidier, but that’s clearly subjective): but I counter that I don’t need it to be tidy, I need it to function.
A hanging toilet roll being shredded by a black cat.
I’m willing to concede that for some pet owners and parents, hanging the “wrong” way might discourage curious animals and toddlers from playing with the exposed end. But even that’s not a guarantee, as wrong-way-hanger Dan4th Nicholas discovered. Photo used under a CC-BY license.

I share a home with a wrong-way hanger, but about 13 years ago we came to a household agreement: I’d quietly “correct” any incorrectly-installed toilet rolls in shared bathrooms1, and nobody would deliberately switch them back2, and in exchange I’d refrain from trying to educate people about why they were wrong.3

Composite screengrab from Taskmaster Season 11 Episode 4 (Premature Conker) showing Mike Wozniak talking about an empty toilet roll tube perched on top of a closed pedal bin (rather than having been put inside it).
Like Mike Wozniak, I also have a pet hate for people leaving the cardboard tube from toilet paper rolls in suboptimal places, like on top of a closed pedal bin. But I don’t see so much of that.

(While researching this article, I was pleased to discover that no major emoji font depicts a toilet roll in the wrong orientation. 🧻🎉)

Footnotes

1 A man can do whatever the hell he likes in the comfort of his own en suite.

2 This clause was added after it became apparent that our then-housemate Paul decided it’d be a fun prank to go around the house reversing my corrections (not because he preferred the wrong way, but just to troll me!). Which I can admit was a fun prank… until I challenged him on it and he denied it, at which point it became gaslighting.

3 This doesn’t count as forcing an education on my household. My blog isn’t in your face: you can skip it any time you want. You can even lie and say you read it when you don’t; I won’t know, especially this month when I’ve been writing so prolifically – now on my longest-ever daily streak! – that I probably won’t even remember what I wrote about.

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Worst Weekend Of Cinema – Part 1

This weekend was the worst net weekend of cinemagoing experiences that I’ve ever had. I went to the cinema twice, and both times I left dissatisfied. This blog post is about the second of the two trips.

Avengers Assemble.
Man, this movie looks good. Wish I was watching it and not, say, a black screen.

The less-awful of the two trips happened on Saturday. Ruth, JTA and I turned up for the 20:10 showing of Avengers Assemble at Oxford Vue. We were quite surprised, entering the cinema right on time, to find that they weren’t already showing adverts and trailers – the screen was completely dark – but we found our way to our seats and sat down anyway.

A little over 20 minutes later, nothing had happened, so I went out to where the ticket collectors were doing their thing, down the corridor, and asked if they were planning on showing a film in screen six at some point this evening. “There’s a technical problem with the projector,” I was informed, “We’re trying to fix it now.”

“When were you planning on telling the audience who are all just sat there in the dark?” I asked. There were mumbles of concern, but they were half-hearted: these people were paid primarily to tear tickets, not to deal with irate customers. The stub collector apologised, and I returned to the cinema to feed back to the others. Sensing the dissatisfaction of the other audience members, I briefly considered making an announcement to them all: “Ladies and gentlemen: I regret to inform you that Vue Cinemas doesn’t care about you enough as human beings to tell you themselves, but there’s a technical fault and they’re working on repairing it.” Instead, I grumbled to myself in a British fashion and took my seat.

“I could have downloaded a pirated copy by now,” I joked, “But then I wouldn’t be getting the real cinema experience.”

“For example, it’d start when you pressed the play button,” replied JTA.

(for those of you who know the story of his employment there, you might be unsurprised to hear that this was the very Vue cinema at which Paul worked, very briefly)

An audience falling asleep.
"Is the film on yet?" / "Nope; still just a black screen."

A little while later – still with no announcement from staff, we got sick of the whole thing and went and demanded a refund. The manager – when we finally got to see him (apparently he’s also the guy who was fixing the projector: I guess the cinema must be run on a skeleton staff) – was suitably apologetic, offering us free passes for our next visit as well as giving us a full refund. Another staff member apologised for the delay in sorting out the refund, explaining that “it always gets busy, especially on Orange Wednesdays.” I’m not sure why he told us this, given that it was now Saturday. Perhaps there were still patrons from the previous Wednesday, also still waiting to see their film, too.

As we explained to the manager, it wasn’t the wait that bothered us so much as the lack of information about the reason (or an estimate of the duration) of the delay. All it would have taken would have been a staff member to turn up at five or ten minutes, apologise, and explain, and we’d have understood: things break sometimes. All we wanted was a little respect.

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