ARCC

In the late ’70s, a shadowy group of British technologists concluded that nuclear war was inevitable and secretly started work on a cutting-edge system designed to help rebuild society. And thanks to Matt Round-and-friends at vole.wtf (who I might have mentioned before), the system they created – ARCC – can now be emulated in your browser.

3D rendering of an ARCC system, by HappyToast.

I’ve been playing with it on-and-off all year, and I’ve (finally) managed to finish exploring pretty-much everything the platform currently has to offer, which makes it pretty damn good value for money for the £6.52 I paid for my ticket (the price started at £2.56 and increases by 2p for every ticket sold). But you can get it cheaper than I did if you score 25+ on one of the emulated games.

ARCC system showing a high score table for M1, with DAN50 (score 13012) at the top.
It gives me more pride than it ought to that I hold the high score for a mostly-unheard-of game for an almost-as-unheard-of computer system.

Most of what I just told you is true. Everything… except the premise. There never was a secretive cabal of engineers who made this whackballs computer system. What vole.wtf emulates is an imaginary system, and playing with that system is like stepping into a bizarre alternate timeline or a weird world. Over several separate days of visits you’ll explore more and more of a beautifully-realised fiction that draws from retrocomputing, Cold War fearmongering, early multi-user networks with dumb terminal interfaces, and aesthetics that straddle the tripoint between VHS, Teletext, and BBS systems. Oh yeah, and it’s also a lot like being in a cult.

Needless to say, therefore, it presses all the right buttons for me.

ARCC terminal in which an email is being written to DAN50.
If you make it onto ARCC – or are already there! – drop me a message. My handle is DAN50.

If you enjoy any of those things, maybe you’d like this too. I can’t begin to explain the amount of work that’s gone into it. If you’re looking for anything more-specific in a recommendation, suffice to say: this is a piece of art worth seeing.

× ×

Incredible Doom

I just finished reading Incredible Doom volumes 1 and 2, by Matthew Bogart and Jesse Holden, and man… that was a heartwarming and nostalgic tale!

Softcover bound copies of volumes 1 and 2 of Incredible Doom, on a wooden surface.
Conveniently just-over-A5 sized, each of the two volumes is light enough to read in bed without uncomfortably clonking yourself in the face.

Set in the early-to-mid-1990s world in which the BBS is still alive and kicking, and the Internet’s gaining traction but still lacks the “killer app” that will someday be the Web (which is still new and not widely-available), the story follows a handful of teenagers trying to find their place in the world. Meeting one another in the 90s explosion of cyberspace, they find online communities that provide connections that they’re unable to make out in meatspace.

A "Geek Code Block", printed in a dot-matrix style font, light-blue on black, reads: GU D-- -P+ C+L? U E M+ S-/+ N--- H-- F--(+) !G W++ T R? X?
I loved some of the contemporary nerdy references, like the fact that each chapter page sports the “Geek Code” of the character upon which that chapter focusses.1
So yeah: the whole thing feels like a trip back into the naivety of the online world of the last millenium, where small, disparate (and often local) communities flourished and early netiquette found its feet. Reading Incredible Doom provides the same kind of nostalgia as, say, an afternoon spent on textfiles.com. But it’s got more than that, too.
Partial scan from a page of Incredible Doom, showing a character typing about "needing a solution", with fragments of an IRC chat room visible in background panels.
The user interfaces of IRC, Pine, ASCII-art-laden BBS menus etc. are all produced with a good eye for accuracy, but don’t be fooled: this is a story about humans, not computers. My 9-year-old loved it too, and she’s never even heard of IRC (I hope!).

It touches on experiences of 90s cyberspace that, for many of us, were very definitely real. And while my online “scene” at around the time that the story is set might have been different from that of the protagonists, there’s enough of an overlap that it felt startlingly real and believable. The online world in which I – like the characters in the story – hung out… but which occupied a strange limbo-space: both anonymous and separate from the real world but also interpersonal and authentic; a frontier in which we were still working out the rules but within which we still found common bonds and ideals.

A humorous comic scene from Incredible Doom in which a male character wearing glasses walks with a female character he's recently met and is somewhat intimidated by, playing-out in his mind the possibility that she might be about to stab him. Or kiss him. Or kiss him THEN stab him.
Having had times in the 90s that I met up offline with relative strangers whom I first met online, I can confirm that… yeah, the fear is real!

Anyway, this is all a long-winded way of saying that Incredible Doom is a lot of fun and if it sounds like your cup of tea, you should read it.

Also: shortly after putting the second volume down, I ended up updating my Geek Code for the first time in… ooh, well over a decade. The standards have moved on a little (not entirely in a good way, I feel; also they’ve diverged somewhat), but here’s my attempt:

----- BEGIN GEEK CODE VERSION 6.0 -----
GCS^$/SS^/FS^>AT A++ B+:+:_:+:_ C-(--) D:+ CM+++ MW+++>++
ULD++ MC+ LRu+>++/js+/php+/sql+/bash/go/j/P/py-/!vb PGP++
G:Dan-Q E H+ PS++ PE++ TBG/FF+/RM+ RPG++ BK+>++ K!D/X+ R@ he/him!
----- END GEEK CODE VERSION 6.0 -----

Footnotes

1 I was amazed to discover that I could still remember most of my Geek Code syntax and only had to look up a few components to refresh my memory.

× × × ×

This Old Tech: Remembering WorldsAway’s avatars and virtual experiences

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

This Old Tech: Remembering WorldsAway’s avatars and virtual experiences (PCWorld)

The year was 1995, and CompuServe’s online service cost $4.95 per hour. Yet thousands of people logged into this virtual world daily.

WorldsAway

WorldsAway was born 20 years ago, when Fujitsu Cultural Technologies, a subsidiary of Japanese electronics giant Fujitsu, released this online experiment in multiplayer communities. It debuted as part of the CompuServe online service in September, 1995. Users needed a special client to connect; once online, they could chat with others while represented onscreen as a graphical avatar.

I was already a veteran of BBSes (I even started my own), Prodigy, CompuServe, and the Internet when I saw an advertisement for WorldsAway in CompuServe magazine (one of my favorite magazines at the time). It promised a technicolor online world where you could be anything you wanted, and share a virtual city with people all over the globe. I signed up to receive the client software CD. Right after its launch in September, I was up and running in the new world. It blew my young mind.

Benj Edwards (PCWorld)

The Lost Civilization of Dial-Up Bulletin Board Systems

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

I have a vivid, recurring dream. I climb the stairs in my parents’ house to see my old bedroom. In the back corner, I hear a faint humming.

It’s my old computer, still running my 1990s-era bulletin board system (BBS, for short), “The Cave.” I thought I had shut it down ages ago, but it’s been chugging away this whole time without me realizing it—people continued calling my BBS to play games, post messages, and upload files. To my astonishment, it never shut down after all…

The author’s computer connecting to BBS in 1996 (Benj Edwards)

What Is A Door And Why Do I Care

Geeky post with little value to most people: ignore if you don’t want to learn a little about the history of the BBS, “Doors”, and the subculture around them. This post is written for folks like Ruth, who seemed interested, and others, who seemed possibly-interested.

Before about 1994, even the few of us who had been on the internet hadn’t had much exposure to the (young, at the time) world wide web, but for a decade or more before then, there stood a great remnant of what had come before. And for years to come, still, when internet access was still something for which you paid both monthly and for your call time, and probably to a “local” rather than a “national” ISP, there was another option for getting your “fix” of cyberspace.

That fix was the network of independent bulletin board systems (BBSs) that existed across pretty much every Western country. The US was full of them – pretty much every small town had a young geek somewhere with a spare computer in his parents’ basement. And here in the UK, small BBSs flourished as their members logged on and off and passed files around over now long-dead protocols.

BBSs were small, usually-local, centralised computers with one or more modems (or even acoustic couplers – primitive modems that connected to existing telephone handsets using little rubber suction cups and “spoke” analogue signals to one another across the telephone lines), often operated by hobbyists. To connect to one, you would need to know it’s phone number, and lists of these could be found wherever geeks talked. You’d simply configure your dialler software to “connect” to the specified number, and, a few pips and squeaks later, you were in. A short registration process would give you access to message board, file trading facilities (ah; all that – ah; all that porn), live chat (on the bigger, multi-line boards), and sometimes even internet access – e-mail, newsgroups, etc. Later, some of the more successful BBSs would become ISPs, and some of these maintained a BBS, too, that provided software that you could use to connect to their systems. BBSs had all the benefits of the internet at the time – albeit with a smaller user base – but frequently also had a distinct local feel and a “community” sense of belonging.

Another feature that became quite popular on BBSs were the so-called door games. These were pieces of software installed onto the BBS server computer – usually games – which could be interacted with by the BBS server software through one of several standardised interfaces (e.g. Fossil, DOOR32). It’s almost certain that the writer of Wargames had seen door games in action before he wrote his “Global Thermonuclear War” game into the film script. A majority of these games – like the one in Wargames – allowed a single player to play against the computer, online, with perhaps a shared, centralised scoreboard that all players can access. Later door games allowed a degree of interactivity, sometimes even “live” interactivity, between the players who were playing the game simultaneously.

When I ran Dice BBS (from my bedroom at my mum’s house), I had a selection of door games running on it, selected for their inter-player interactivity: P:TEOS (space trading sim), Legend Of The Red Dragon and it’s underrated sequel (all from Robinson Technologies, who still write computer games to this day), and a MOO (an object-oriented MUD [multiplayer text-based adventure] often with an emphasis on social interaction [like a MUSH]). Later, after Dice BBS’s closure (the internet had become too ubiquitous; too cool; there was no need for it any more), I hacked Legend Of The Red Dragon 2 to pieces and wrote a Pascal front-end to allow it to be played in a protected network environment, developed L2:PC, and deployed it to the Preston College network, where it became so popular that several players rarely did anything else, and one person was even thrown off their course, their grades suffered so badly.

Nowadays, door games are a bit of a forgotten breed. The MUDs and the MUSHes grew up into the MMORPGs of today (think “World Of Warcraft”, “Everquest”, “Ultima Online”, “Puzzle Pirates”). The need for the other games to be played in a centralised manner was negated by high-speed internet links and modern, multiplayer games. But there are still special places where BBSs run (usually adapted in such a way that you can reach them using the telnet protocol, over the internet), and there will always be a home for them in the hearts of those of us that lived aboard them.

Thanks for listening to a bit of nostalgia.

Further reading:

LORD II – Preston College Version

This document was shared on my college Intranet and via a hidden URL on my first website, on 11 December 1997. It was republished here on 22 March 2021. It provides instructions for players of the multiplayer DOOR game I adapted for local network play and the world I built within it for my friends to explore. The game world was an adaptation of our very own Preston College but transplanted to a fantasy realm.


WildCat BBS

This image was shared here in hindsight, on 22 March 2021. I didn’t actually start blogging until around August 1998; the message and text below were published on a bulletin board system to which I contributed.

The picture above illustrates the software I have just ordered

×