Expedition by bike from Kidlington to the to the 2019-08-01 51 -1 hashpoint in Charlbury via the Oxford Canal towpath, Begbroke, Oxford Airport, Woodstock, Blenheim Palace, and
Stonesfield, and back via two geocaches.
You could fit almost the entire history of videogames into the time span covered by the silent film era, yet we consider it a mature medium, rather than one just breaking out of its
infancy. Like silent movies, classic games are often incomplete, damaged, or technically limited, but have a beauty all their own. In this spirit, indie game developer Joe Blair and I
built Metropoloid, a remix of Fritz Lang’s Metropolis which replaces its famously lost score with that of its contemporaries from the early days of games.
I’ve watched Metropolis a number of times over the decades, in a variety of the stages of its recovery, and I
love it. I’ve watched it with a pre-recorded but believed-to-be-faithful soundtrack and I’ve watched it with several diolive accompaniment. But this is the first time I’ve watched it to
the soundtrack of classic (and contemporary-retro) videogames: the Metroid, Castlevania, Zelda, Mega Man and Final Fantasy
series, Doom,Kirby, F-Zero and more. If you’ve got a couple of hours to spare and a love of classic film and classic videogames, then you’re in
the slim minority that will get the most out of this fabulous labour of love (which, at the time of my writing, has enjoyed only a few hundred views and a mere 26 “thumbs up”: it
certainly deserves a wider audience!).
In the second half of this video (directly linked), Imogen Heap demonstrates how she uses her Mi.Mu gloves as
an expressive music manipulation tool, and then goes on to sing the most haunting rendition of Hide and Seek you’ll ever hear. The entire video’s great – in the first half she
brings Guy Sigsworth up to sing Guitar Song, finally answering after 17 years the question “What if Frou Frou got back together?” – but if you only listen to the second half of this video then it’ll still improve your life.
@AndyReganCDF: I nudged you about this last week but you were at Glastonbury and I don’t know if you picked it up after you got back, so
here’s a renudge.
It turns out that Renault’s target customer base in Brazil do, too. Presumably it was a way bigger deal over there than it was here, because this new car ad feels like it could
genuinely be a trailer for a live-action reboot of the series. And now I want to watch it.
(I do have some questions, though. Like: Diana was only 14 years old when she and her friends were transported to the Realm of Dungeons and Dragons… so when did she learn to drive? Am I
supposed to believe that she just rolled a natural 20 on that driving check? And where does Sheila go when she turns invisible so that Bobby doesn’t end up sitting on her
transparent-lap? And how does the car’s navigation computer work: are we to believe that there’s a GNSS network in
the skies above the Realm? The Internet must know!)
This isn’t how I behave when I’m out cycling with one of our little ‘uns in tow. But sometimes, just sometimes, when I see a solid-looking jump… I wish it could be. Honestly: our eldest
would be well up for this! (And would probably be quite disappointed to sit around until the end where they reveal that, obviously, they swapped the small child for a doll for many of
the shots.)
Kurzgesagt tells it like it is. The thing I love the most about this video is the clickbaity title that’s clearly geared to try to get the attention of antivaxxers and the “truth
teaser” opening which plays a little like many antivaxxer videos and other media… and then the fact that it goes and drops a science bomb on all the fools who tout their superstitious
bollocks. Awesome.
This epic video (which contains spoilers for Game of Thrones through the third episode of season eight The Long Night). If you’re somehow not up-to-date, you can
always watch the earlier iteration, which only contains spoilers through The Spoils of War, the fourth episode of
the seventh series.
Like Automattic (Matt’s company), Three Rings has also long been ahead of the curve from a “recruit
talent from wherever it is, let people work from wherever they are” perspective. Until I was recently reading (more than I had previously) about the way that Automattic “works” I was
uncertain about the scalability of Three Rings’ model. Does it work for a commercial company (rather than a volunteer-run non-profit like Three Rings)? Does it work when you make the
jump from dozens of staff to hundreds? It’s reassuring to see that yes, this kind of approach certainly can work, and to get some context on how it does (in Automattic’s case,
at least). Nice video, Matt!
Remember that 80s TV show Dungeons & Dragons?