Mental Elf Day

Christmas Jumper Day at the kids’ school. Because I’m the “embarrassing parent”, I joined in for the school run too.

(Also for my meetings today, obviously.)

Selfie of Dan wearing an "elf costume" Christmas jumper and matching hat with bell.

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Freezing Fog

Gorgeous freezing fog over the fields on the school run this morning.

Frosty meadow with frozen fog, with low sunrise barely cutting through, with beginnings of a blue sky barely peeking through.

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Inclusivity

Motivational poster showing a photograph from a Manchester street. A Pride flag banner is hanging from a post with the words "everybody welcome" at the top. Nearby, attached to the same post, a road sign has the words "except buses". The poster is captioned with the word "inclusivity" (in pride colours), and subcaptioned "the 'B' is not for Buses". The joke is that the 'B' in LGBTQ+ stands for 'bisexual' and not 'buses', although of course the real meaning of that street sign is to ban everybody from driving straight ahead except buses, so the joke isn't perfect.

Max credit to garry (@repeattofade) for the original toot. All I did was adapt it into a motivational poster.

The thing I’m wondering is whether that bus lane is one that a bi-cyclist like me can use? 😂

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Note #20998

A white man wearing simple round spectacles with a silver wire rim, his finger to the corner of his mouth, looks into the camera.

Beginning to prepare/test my costume for an upcoming murder mystery party, I glanced into the mirror and briefly didn’t recognise myself. Glasses can do so much to change your face shape!

Child Photographers

Taking a photo of our kids isn’t too hard: their fascination with screens means you just have to switch to “selfie mode” and they lock-on to the camera like some kind of narcissist homing pigeon. Failing that, it’s easy enough to distract them with something that gets them to stay still for a few seconds and not just come out as a blur.

Dan with the kids and his bike, on the way to school.
“On the school run” probably isn’t a typical excuse for a selfie, but the light was good.

But compared to the generation that came before us, we have it really easy. When I was younger than our youngest is , I was obsessed with pressing buttons. So pronounced was my fascination that we had countless photos, as a child, of my face pressed so close to the lens that it’s impossible for the camera to focus, because I’d rushed over at the last second to try to be the one to push the shutter release button. I guess I just wanted to “help”?

Monoshcome photo of Dan, circa 1982, poiting towards the camera.
Oh wait… is there something on that camera I can press?

In theory, exploiting this enthusiasm should have worked out well: my parents figured that if they just put me behind the camera, I could be persuaded to take a good picture of others. Unfortunately, I’d already fixated on another aspect of the photography experience: the photographer’s stance.

When people were taking picture of me, I’d clearly noticed that, in order to bring themselves down to my height (which was especially important given that I’d imminently try to be as close to the photographer as possible!) I’d usually see people crouching to take photos. And I must have internalised this, because I started doing it too.

Dan's mum and dad, with the top halves of their heads cut-off by the poor framing of the picture.
Another fantastic photo by young Dan: this one shows around 80% of my mum’s face and around 100% of my dad’s manspreading.

Unfortunately, because I was shorter than most of my subjects, this resulted in some terrible framing, for example slicing off the tops of their heads or worse. And because this was a pre-digital age, there was no way to be sure exactly how badly I’d mucked-up the shot until days or weeks later when the film would be developed.

 

Dan's dad crouches next to a bus in a somewhat lopsided-photo.
I imagine that my dad hoped to see more of whatever bus that is, in this photo, but he’s probably just grateful that I didn’t crop off any parts of his body this time.

In an effort to counteract this framing issue, my dad (who was always keen for his young assistant to snap pictures of him alongside whatever article of public transport history he was most-interested in that day) at some point started crouching himself in photos. Presumably it proved easier to just duck when I did rather than to try to persuade me not to crouch in the first place.

As you look forward in time through these old family photos, though, you can spot the moment at which I learned to use a viewfinder, because people’s heads start to feature close to the middle of pictures.

Dan's dad on a train station.
This is a “transitional period” photo, evidenced by the face that my dad is clearly thinking about whether or not he needs to crouch.

Unfortunately, because I was still shorter than my subjects (especially if I was also crouching!), framing photos such that the subject’s face was in the middle of the frame resulted in a lot of sky in the pictures. Also, as you’ve doubtless seem above, I was completely incapable of levelling the horizon.

Extremely blurred close-up photo of Dan's face.
This is the oldest photo I can find that was independently taken by our youngest child, then aged 3. I’m the subject, and I’m too close to the lens, blurred because I’m in motion, and clearly on my way to try to “help” the photographer. Our ages might as well be reversed.

I’d like to think I’ve gotten better since, but based on the photo above… maybe the problem has been me, all along!

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Best Before

Thanks, supermarket bagels, for expressing exactly how I was feeing when I reached the kitchen this morning:

Label: Best Before 8 Jan 2021.

Look at Banner, Dan!

First thing I saw when I came downstairs this morning:

Happy Birthday banner with handwritten cardboard "Dan" sign hung underneath.

Totally a banner especially for my birthday, today, and not a repurposed decoration from Annabel’s yesterday.

Context for the oblivious:

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“One of the best things about working at The Bodleian… Pretending to be a PhD student…”

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

One of the best things about working at The Bodleian Libraries, University of Oxford? Pretending to be a PhD student for a photo shoot! Watch out for me appearing in a website near you…

Natalie pretends to be a PhD student.

My team and I do get up to some unusual stuff, it’s true. I took part in this photoshoot, too:

I’m absolutely not above selling out myself and my family for the benefit of some stock photos for the University, it seems. The sharp-eyed might even have spotted the kids in this video promoting the Ashmolean or a recent tweet by the Bodleian

Passport Photos

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

"Passport Photos" photo of a man with a fire next to him.

“Passport Photos” looks at one of the most mundane and unexciting types of photography. Heavily restricted and regulated, the official passport photo requirements include that the subject needs to face the camera straight on, needs a clear background without shadow, no glare on glasses and most importantly; no smile.

It seems almost impossible for any kind of self-expression.

The series tries to challenge these official rules by testing all the things you could be doing while you are taking your official document photo.

I love this weird, wonderful, and truly surreal photography project. Especially in this modern age in which a passport photo does not necessarily involve a photo booth – you’re often permitted now to trim down a conventional photo or even use a born-digital picture snapped from an approved app or via a web application – it’s more-feasible than ever that the cropping of your passport photo does not reflect the reality of the scene around you.

Max’s work takes this well beyond the logical extreme, but there’s a wider message here: a reminder that the way in which any picture is cropped is absolutely an artistic choice which can fundamentally change the message. I remember an amazing illustrative example cropping a photo of some soldiers, in turn inspired I think by a genuine photo from the second world war. Framing and cropping an image is absolutely part of its reinterpretation.

Darkroom Printing

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

One of the benefits of being in a camera club full of largely retired people who were all into photography long before digital was ever a thing, is that lots of them have old film, paper and gear lying around they’re happy to give away.

Last year I was offered a photographic enlarger for making prints, but I initially turned it down because I didn’t think I’d have the space to set up a darkroom and use it. Well, turns out with a little imagination our windowless bathroom actually converts into a pretty tidy darkroom with fairly minimal setup and teardown – thankfully we also have an ensuite so my partner can cope with this arrangement with only minimal grumbling

My friend Rory tells the story of how he set up a darkroom in his (spare) windowless bathroom and shares his experience of becoming an increasingly analogue photographer in an increasingly almost-completely digital world.