As she passed through Oxfordshire on Sunday, she spotted the stricken cow.
Delightful. The “urban mermaid” Lindsey Cole has been swimming along the Thames as a mermaid in order to raise awareness of plastic pollution. She spotted what she thought was a big white plastic sack and swam on, indicating to her support boat to pick it up… but when they caught up they realised that it was a drowning cow! Some while later, they arranged for its successful rescue.
I’ve just worked out what Jedward‘s debut single reminds me of. But first, because I expect – hope? – that the folks who read this blog are oblivious to Irish teen popstars Jedward, I’ll fill you in. Identical twins John and Edward, Jedward lost at The X Factor in 2009 and then went on the following year to release a single which reached #2 in the UK charts and #1 in the Irish. That single was Under Pressure (Ice Ice Baby), a simultaneous cover/mashup of Queen/Bowie’s fantastic Under Pressure, and the monstrosity that was Vanilla Ice’s Ice Ice Baby.
It’s an obvious combination because it’s easy: perhaps the laziest music mashup I’ve ever heard. Ice Ice Baby already (very noticeably) sampled Under Pressure, although Van Winkle denied this to begin with, so Jedward barely had to “shuffle the two together”. I’m not claiming that it’s not catchy, just that it’s not original.
Oh, and you’re likely to see more of them: they’re poised to be Ireland’s entry into the Eurovision Song Contest, this year.
Part Two – and the Aurochs
Aurochs (Bos primigenius) were a huge species of bovine – the predecessors of modern domestic cattle – that roamed freely around much of Europe and Asia right up into the 17th century (although their numbers had diminished greatly since about the 12th-13th, primarily as a result of hunting, and the destruction of their habitat by climate changes and human expansion).
Why am I talking about these beasts, you ask. Well, apart from the fact that Jedward and the Aurochs would be an amazingly-cool band name, I’ve been reminded by the song above of the Heck cattle. Allow me to explain:
Heck cattle are a breed of cattle which have been bred over the last 70 years or so as part of an effort to “breed back” the Aurochs by combining the relevant genetics of those species that succeeded them. The idea is that all of the characteristics of the species can still exist in some form or another in modern domestic cattle, and with sufficient selective breeding it’s possible to get back whatever you want.
It’s controversial, especially when it’s used to “bring back” extinct species: after all, no member of the “new” aurochs will ever be genetically identical to any “old” previously-living one. But then, no aurochs and it’s children will ever have shared the exact same genetic code, either. There’s a philosophical question, there: suppose we managed to breed back an animal whose genes shared a specified level of similarity with a previously-existing species (say, 99.8% – about the level of DNA shared between all humans): could one legitimately call it a member of that now-extinct species, recreated?
Heck cattle aren’t even close, so this is just a thought experiment. They’re neither large enough nor distinct enough from domestic cattle to be called aurochs: they’re just a primitive-looking breed of cattle. But there’s a point to this whole thing; hang in there.
Part Three – breeding back music
I wonder if it’s possible to “breed back” music by remixing and mashing-up, in a similar way to that seen by the breeders of the Heck cattle and other similar schemes. The family trees are much smaller, but many of the same principles apply: Under Pressure (Ice Ice Baby) samples both Under Pressure and Ice Ice Baby. Ice Ice Baby, in turn, also samples Under Pressure. There’s presumably original elements in the final song, too, which represents the introduction of new (genetic) material: let’s call that mutation. Add a few hundred more remixes and mashups, samples and loops, and make a dozen more songs from these: would it be possible to “get back” the original Queen song by using samples of all of the surviving parts?
That depends, really. Do sufficient samples exist? There’s a lot of loss of information if everybody only uses the iconic dum-dum-dum-de-de-dumdum melody. Do we accurately know what we’re trying to recreate? A big problem with the Heck cattle is that we know a lot about how they looked and only a little about their temperament, their behaviour, or – and let’s face it, this is what people are actually asking – their taste. Is somebody’s memory of a song sufficient that they could be asked to identify a “recreated” piece of music, in the same way as we try to use rare contemporary pictures of aurochs in an effort to reproduce them?
Or maybe Jedward’s song reminded me of the Heck cattle simply because hearing it made me say, “Heck, no! What’s this bull?”