acting

My Ball

Our beloved-but-slightly-thick dog will sometimes consent to playing fetch, but one of her favourite games to play is My Ball. Which is a bit like fetch, except that she won’t let go of the ball.

It’s not quite the same as tug-of-war, though. She doesn’t want you to pull the toy in a back-and-forth before, most-likely, giving up and letting her win¹. Nor is My Ball a solo game: she’s not interested in sitting and simply chewing the ball, like some dogs do.

A champagne-coloured French Bulldog on a black-and-white rug, indoors, stands while chewing a lime green tennis ball. — I’d like to imagine the grunts and snorts she makes at about this moment actually translate to “My ball. Myyyy… ballll. Myyyyy ball! MY BALL! My… BALL!”

No, this is absolutely a participatory game. She’ll sit and whine for your attention to get you to come to another room. Or she’ll bring the toy in question (it doesn’t have to be a ball) and place it gently on your foot to get your attention.

Your role in this game is to want the ball. So long as you’re showing that you want the ball – occasionally reaching down to take it only for her to snatch it away at the last second, verbally asking if you can have it, or just looking enviously in its general direction – you’re playing your part in the game. Your presence and participation is essential, even as your role is entirely ceremonial.

A champagne-coloured French Bulldog in a doorway, on a tiled floor, holds a braided rope; a human hand barely holds the other end. — This might look like a game of tug-of-war, but you’ll note that my grip is just barely two-fingered. She’s not pulling, because she doesn’t need to unless I try to take the toy. This is *My Rope*, she knows.

Playing it, I find myself reminded of playing with the kids when they were toddlers. The eldest in particular enjoyed spending countless hours playing make-believe games in which the roles were tightly-scripted². She’d tell me that, say, I was a talking badger or a grumpy dragon or an injured patient but immediately shoot down any effort to role-play my assigned character, telling me that I was “doing it wrong” if I didn’t act in exactly the unspoken way that she imagined my character ought to behave.

But the important thing to her was that I embodied the motivation that she assigned me. That I wanted the rabbits to stop digging too near to my burrow³ or the princess to stay in her cage⁴ or to lie down in my hospital bed and await the doctor’s eventual arrival⁵. Sometimes I didn’t need to do much, so long as I showed how I felt in the role I’d been assigned.

A toddler with long blonde hair, wearing a pink cardigan, sits on a tall stool in front of a kitchen sink, holding a long-handled scrubbing brush. — In this game, the chef was “making soup” (in the sink, apparently) and my job was to “want the soup”.

Somebody with much more acting experience and/or a deeper academic comprehension of the performing arts is going to appear in the comments and tell me why this is, probably.

But I guess what I mean to say is that playing with my dog sometimes reminds me of playing with a toddler. Which, just sometimes, I miss.

Footnotes

¹ Alternatively, tug-of-war can see the human “win” and then throw the toy, leading to a game of fetch after all.

² These games were, admittedly, much more-fun than the time she had me re-enact my father’s death with her.

³ “Grr, those pesky rabbits are stopping me sleeping.”

⁴ “I’ll just contentedly sit on my pile of treasure, I guess?”

⁵ Playing at being an injured patient was perhaps one of my favourite roles, especially after a night in which the little tyke had woken me a dozen times and yet still had some kind of tiny-human morning-zoomies. On at least one such occasion I’m pretty sure I actually fell asleep while the “doctor” finished her rounds of all the soft toys whose triage apparently put them ahead of me in the pecking order. Similarly, I always loved it when the kids’ games included a “naptime” component.

The Poetics of Empire

This is a repost promoting content originally published elsewhere. See more things Dan's reposted.

The Poetics of Empire (Lewton Bus)

Pop quiz: In your typical James Bond movie, who is the protagonist?
Seems like a strange, obvious question, right? It’s obviously Bond. He’s the hero. He’s played by the top-billed actor. The franchise is basically named after him. So, clearly, Bond is the protagonist. Right?
Put a pin in that…

Pop quiz: In your typical James Bond movie, who is the protagonist?

Seems like a strange, obvious question, right? It’s obviously Bond. He’s the hero. He’s played by the top-billed actor. The franchise is basically named after him. So, clearly, Bond is the protagonist. Right?

Put a pin in that, and we’ll come back to it.

Now, here’s a similar question: In the new Avengers: Infinity War, who is the protagonist?

…

Brannon Moore (Lewton Bus)

This article mirrors almost-exactly the conversation that Ruth and I had coming out of the cimena after seeing Infinity War the other week.

Etiquette

On Tuesday last week, Ruth and I went to Etiquette, an unusual (and at least a little experimental) theatrical experience at the Oxford Playhouse. I say “theatrical experience”, because while there were certainly elements to the evening that could be considered to be reminiscent of more-conventional theatre, it was far more like not going to see a play than it was like doing so.

The event takes place in a café. And I mean that literally… I’m not just setting the scene; although many of the scenes also take place in a café. This is actually a cafe, with a handful of other participants, sat in pairs at their respective tables, and a majority of people who are just everyday folks out for a drink or a sandwich.

We were shown to our table and invited to sit. On the table were a collection of objects – glasses of water, a pipette, stage blood, two plastic figurines (one man, one woman), a ball of white tack, some chalk, a book, some notepaper, some blank cards… and a pair of MP3 players with headphones. We were instructed to put on the headphones. Simultaneously, the MP3 players were started.

From there on, we followed the instructions given over the earpieces. My role was that of an older man, a self-described philosopher. Ruth played a prostitute, which lead to at least a little embarrassment on her part when she was required to say, “I am a prostitute,” in a crowded café. It’s easy to feel acutely self-conscious when you’re relaying what you’re told in a pair of headphones out loud. You know that feeling that you get when you realise that you’re singing along to the music you’re listening to, in public? It’s a little bit like that, but instead of music, you’re spouting out-of-context nonsense.

It’s not just dialogue, though; it’s also stage direction, motivation, and prompts to inspire emotion. Some of the story is told in a very abstract way: early on, Ruth’s and my characters had agreed to meet in a house on a hill, near a tree. Ruth laid her hand out on the table, on which she had, under previous instruction, drawn a square and a dot on the heel of her palm. I was told to examine the shape of the “landscape” of her hand, and try drip water from my pipette, from as high as I could reach, onto it. Simultaneously, her character – already in the house (the square) – was told that it had begun to rain, and she heard the sound of a storm beginning through her headphones.

Throughout the course of the event, we each took on a variety of roles: as characters in our own play, as directors of a “play” performed on our table using the props we had to hand, as the audience to both of the above, and even as parts of the scenery.

The story itself… was okay. It felt like it was lacking something. It wasn’t bad, and it certainly took advantage of the space and technology it required, but it was perhaps trying to say a little bit too much in a little bit too short a time. But the medium? That whole “scripted, but you don’t get to read ahead”, headphones-acting? That’s kind-of cool and exciting. I’ve got the urge to try to write something similar myself (perhaps for a cast of five or six). Although first, I’ve got a murder mystery to finish writing!

Update, 5 November 2019: the Playhouse’s link has gone down, but information about the piece is available at the producers’ website.

Leslie Nielsen was admitted to hospital earlier this month

You: To Hospital? What is it?

Me: It’s a big building with patients, but that’s not important right now.

Sad to say, he died yesterday. The world has lost a fantastic actor and comedian.

Just a short post, here: the wedding this weekend was amazing, but I’ll be writing about that at a later point, once I’ve caught up on all the work and email I’ve neglected over the last week or so.

Addiction; a monologue

This declaration was posted to one of my first websites, on 1 November 1997. It was republished here on 22 March 2021.