The Artist

Ruth and I went out to the cinema last night and saw The Artist, and I’m inclined to agree with the critics: this film is spectacular.

For the benefit of anybody who hasn’t come out of hibernation yet, The Artist is a modern film whose production is heavily influenced by the cinematographic style and technology of the late 1920s movie industry. It’s shot in black and white and is, almost without exception, silent apart from the musical soundtrack. Title cards provide explanation of plot-critical dialogue, but for the most part the story is told through the (excellent) visual performance of the actors.

But there’s a warning – this is not a happy film. To go in expecting something dramatic-but-fun, as I did, then you’re in for a shock. This film is deeply tragic, incredibly sad and moving. On at least two occasions during the more despair-ridden parts of the story, I found myself begging the movie to find the twist and lighten up… and on both occasions it responded only by becoming more doleful still.

Beautiful, mournful, sometimes meta and fourth-wall-breaking, and a testament to the writer/director’s ability to work with the incredibly challenging constraints imposed by a now-archaic medium… well worth a look: in the cinema, if you get the chance.